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I read “Deer Drink the Moon” this summer. Being somewhat new to Oregon, I think it provides a geographic and spiritual journey for the newcomer, as well as a deepening experience for those who grew up around the places depicted by the thirty three authors. These poets find the beloved terrain of Oregon, from the Pacific coastline to the high desert, as their muse. The audience of “Deer Drink the Moon” extends beyond the avid poetry reader, however. Somewhere in this book is a story for every Oregon experience, written to rekindle that sense of discovery upon first seeing the Blue Mountains or the Willamette Valley, or to chart the course of every life occurring in Oregon right this moment. These works are not limited to pastoral descriptions, or the language equivalent of a landscape portrait. Each voice is born out of a life that is lived in Oregon. Vincent Wixon’s “Eastern Oregon” depicts the life of old women living in portraits in small houses. Kim Stafford’s “A Thousand Friends of Rain” personifies her desire to be many droplets of rain. Every poem brings to life a sense of yearning and imagination that stretches far beyond the expected limits of geographically inspired poetry.
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tandrules, September 30, 2007
I read “Deer Drink the Moon” this summer. Being somewhat new to Oregon, I think it provides a geographic and spiritual journey for the newcomer, as well as a deepening experience for those who grew up around the places depicted by the thirty three authors. These poets find the beloved terrain of Oregon, from the Pacific coastline to the high desert, as their muse. The audience of “Deer Drink the Moon” extends beyond the avid poetry reader, however. Somewhere in this book is a story for every Oregon experience, written to rekindle that sense of discovery upon first seeing the Blue Mountains or the Willamette Valley, or to chart the course of every life occurring in Oregon right this moment. These works are not limited to pastoral descriptions, or the language equivalent of a landscape portrait. Each voice is born out of a life that is lived in Oregon. Vincent Wixon’s “Eastern Oregon” depicts the life of old women living in portraits in small houses. Kim Stafford’s “A Thousand Friends of Rain” personifies her desire to be many droplets of rain. Every poem brings to life a sense of yearning and imagination that stretches far beyond the expected limits of geographically inspired poetry.Terms and Conditions
We welcome your comments and ideas, but we ask that you refrain from:- Obscenity
- Spam
- Illegal content
- Copyrighted material
- Commercial solicitations
By posting your comments you are granting the good people of Powells.com the right (but not the obligation) to make your comments available to others over the Internet, and to copy and distribute your comments via other media, in each case on a royalty free basis. These terms govern the rights and obligations of the person posting comments and Powells.com; there are no intended third party beneficiaries of these terms. Posted comments are subject to monitoring, editing, and removal at any time. Please see our Terms of Use for our complete terms and conditions.Children's Online Privacy Protection Act
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