Did you see something in this comment that didn't meet our terms and conditions? If so, thanks for letting us know. If you inadvertently reached this page, you can use your browsers "back" button to get back on track.

Keep in mind that this form is intended only for reporting comments that violate our terms and conditions. Your report will not be published on the website and will not be sent to the comment author.

You are reporting a comment on the following title:

You are reporting the following comment:

Junepark77, October 1, 2007

review.................

Kirkus Reviews

A lively range of "startlingly original voices, and vivid, sophisticated sensibilities" is displayed in the latest installment of this always welcome annual. As this year's editor, short-story writer Bausch explains, the nation's writing workshops continue to provide crucibles for impressively varied developing talents. Evidence abounds in the volume's first two stories: a richly imagined realistic narrative in which a morose widower's tense relationship with his adult daughter is complicated, and paradoxically enriched, by the death of their family's beloved pet dog (Tucker Capps's "Alice"); and a mordant, gripping fantasy (Jedediah Berry's "Inheritance") about a suburban husband obliged to deal with his macho father's "legacy": a hirsute "beast" discovered in his cellar, which excites his neighbors' fears and his wife's protective fascination. The other 15 stories trace a widening arc, from chronicles of adolescent and young-adult longing and bafflement (Jordan McMullin's "Mouse"; Oriane Gabrielle Delfosse's "Men and Boys"; Stefan McKinstray's "No One Here Says What They Mean"), to compact bildungsromans set in such distant locales as Bangladesh (Razia Sultana Khan's ironic "Alms"), Cambodia (Sharon May's "The Wizard of Kao-I-Dang") and Israel's West Bank (Adam Stumacher's marvelous "The Neon Desert"). Though several stories feel formulaic or strained (notably, Christopher Stokes's very odd "The Man Who Ate Michael Rockefeller"), several others are standouts. In "Headlock," Dan Pinkerton deftly dramatizes a suburban crisis involving a depressed industrial-arts teacher, his straying wife and the teenaged hunk who challenges the cuckolded spouse to change his life. Peter Mountford offersa wry variation on W. Somerset Maugham's exotica in a rich study of generational and cultural conflict ("Horizon") set in Sri Lanka. In "Surfacing," Lauren Groff depicts with firm economy the strange lifelong relationship of a rich girl crippled during the 1918 influenza epidemic and the former Olympic athlete who saves, and forever alters, her life. A mixed bag, but the choicest morsels are well worth digging for.

Your email address:

Reason for report:

Are you a robot? We didn't think so. But just to be sure, please type what you see in the following image into the box below.

Confirmation:

Are you certain you wish to report this comment?

Terms and Conditions

We welcome your comments and ideas, but we ask that you refrain from:
  • Obscenity
  • Spam
  • Illegal content
  • Copyrighted material
  • Commercial solicitations
By posting your comments you are granting the good people of Powells.com the right (but not the obligation) to make your comments available to others over the Internet, and to copy and distribute your comments via other media, in each case on a royalty free basis. These terms govern the rights and obligations of the person posting comments and Powells.com; there are no intended third party beneficiaries of these terms.

Posted comments are subject to monitoring, editing, and removal at any time. Please see our Terms of Use for our complete terms and conditions.

Children's Online Privacy Protection Act

In accordance with The Children's Online Privacy Protection Act, you must be at least 13 to submit comments on Powells.com.