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film_ronin, October 17, 2007

Immediately Giorgio Moroder's score captures you in the darkness with
its sensual rhythms, then Schrader entices us into a labyrinthine
journey of sex and death seen through the eyes of the dark & beautiful
Irena (Kinski). Her brother Paul, played by a Malcom McDowell welcomes
Irena to New Orleans ( a perfect location for this erotic & fetishistic
tale ) dressed as a priest, this is their first 'reunion' since infancy
& orphanage. Paul takes her home and introduces her to his housekeeper
Female (played by the great Ruby Dee). Their joy is short lived, as
Paul's incestuous overtures are rebuffed by an innocent Irena and his
disappearance coincides with a visit by the police to investigate
Paul's possible involvement in a 'ritualistic' murder involving a
panther. Female is arrested as a possible accomplice to Paul's crimes.
In jail, she advices Irena to 'not love' and 'pretend the world is what
men believe it to be'. Irena is quickly taken in by Oliver ( John Heard
), curator of the New Orleans Zoo, after he startles her sketching a
recently captured black panther. Irena settles into a life working at
the zoo and begins a relationship with Oliver, much to the dismay of
Alice ( Annette O'Toole ), ostensibly Oliver's love interest until
Irena's arrival. Paul resurfaces after a tragic attack by the panther
on a zoo keeper (played by Ed Begley, Jr.) in front of Irena, Alice &
Oliver. Paul's presence is now menacing and his previous advances are
now violent and threatening. He tells Irena that 'only she can save
him': by being with him as they are like their parents- brother &
sister and of an ancient and incestuous race, unable to mate with only
their own kind, lest they transform-returning to human form only after
killing. Schrader captures the dark, sensual and moody atmosphere of
the New Orleans night with this tale of occult, sex, blood &
lycanthropy.

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