Did you see something in this comment that didn't meet our terms and conditions? If so, thanks for letting us know. If you inadvertently reached this page, you can use your browsers "back" button to get back on track.
Keep in mind that this form is intended only for reporting comments that violate our terms and conditions. Your report will not be published on the website and will not be sent to the comment author.
You are reporting a comment on the following title:
From 1940-1945, Emile Poulquet served as the Prefecture of Finier in which he exiled thousands to die. After the War, he had cosmetic surgery to disguise himself by eliminating the facial hump his father thought personified evil, but would identify him to authorities on their Nazi sympathizer witch-hunt. In 1999, the authorities catch eight-four years old Emile, who stands trial for his role in genocide over five decades earlier. However, he remains spry and sharp, and escapes.
Emile takes the train south to Finier. In the train's lavatory he writes his last will to give to his Arianne, a resistance hero's widow, for he expects that upon returning for the first time since he spent a month there in 1960, this will end his odyssey. In Finier, Emile is sidetracked by the town's wartime reunion that touches his withered soul as he knows he can never participate though he obsesses with the need to join even at the cost of his wasted life.
CRAWL SPACE is a deep character study of an octogenarian who knows that even death will not eliminate the guilt that haunts him. His need to "go home" grips readers, but Emile knows that he can never truly go home. Interestingly he feels more remorse over one incident than over sending thousands to their certain death as the latter is more a statistical consequence of his job while the former was caused by his emotions. Edie Meidav does the impossible turning a Nazi butcher into a sympathetic protagonist though the audience will believe he deserves an abode in hell; Emile would affirm that a life with no place to call home is hell.
Terms and Conditions
We welcome your comments and ideas, but we ask that you refrain from:
Obscenity
Spam
Illegal content
Copyrighted material
Commercial solicitations
By posting your comments you are granting the good people of Powells.com the right
(but not the obligation) to make your comments available to others over the
Internet, and to copy and distribute your comments via other media, in each case
on a royalty free basis. These terms govern the rights and obligations of the
person posting comments and Powells.com; there are no intended third party
beneficiaries of these terms.
Posted comments are subject to monitoring, editing, and removal at any time.
Please see our Terms of Use for our complete terms and conditions.
Read our exclusive interview with Annie Barrows and save 30% on The Guernsey Literary and Potato Peel Pie Society.
You are reporting a comment on the following title:
You are reporting the following comment:
StephenWright, November 27, 2007
From 1940-1945, Emile Poulquet served as the Prefecture of Finier in which he exiled thousands to die. After the War, he had cosmetic surgery to disguise himself by eliminating the facial hump his father thought personified evil, but would identify him to authorities on their Nazi sympathizer witch-hunt. In 1999, the authorities catch eight-four years old Emile, who stands trial for his role in genocide over five decades earlier. However, he remains spry and sharp, and escapes.Emile takes the train south to Finier. In the train's lavatory he writes his last will to give to his Arianne, a resistance hero's widow, for he expects that upon returning for the first time since he spent a month there in 1960, this will end his odyssey. In Finier, Emile is sidetracked by the town's wartime reunion that touches his withered soul as he knows he can never participate though he obsesses with the need to join even at the cost of his wasted life.
CRAWL SPACE is a deep character study of an octogenarian who knows that even death will not eliminate the guilt that haunts him. His need to "go home" grips readers, but Emile knows that he can never truly go home. Interestingly he feels more remorse over one incident than over sending thousands to their certain death as the latter is more a statistical consequence of his job while the former was caused by his emotions. Edie Meidav does the impossible turning a Nazi butcher into a sympathetic protagonist though the audience will believe he deserves an abode in hell; Emile would affirm that a life with no place to call home is hell.
Terms and Conditions
We welcome your comments and ideas, but we ask that you refrain from:- Obscenity
- Spam
- Illegal content
- Copyrighted material
- Commercial solicitations
By posting your comments you are granting the good people of Powells.com the right (but not the obligation) to make your comments available to others over the Internet, and to copy and distribute your comments via other media, in each case on a royalty free basis. These terms govern the rights and obligations of the person posting comments and Powells.com; there are no intended third party beneficiaries of these terms. Posted comments are subject to monitoring, editing, and removal at any time. Please see our Terms of Use for our complete terms and conditions.Children's Online Privacy Protection Act
In accordance with The Children's Online Privacy Protection Act, you must be at least 13 to submit comments on Powells.com.