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Shoshana, September 14, 2008

Blindness is an example of ray gun science fiction ("What if there were an awesome ray gun?!"), that is, the story's reason for existing is to answer the "what if?" In science fiction, the impetus of this subgenre is often an invention, a new discovery, or contact with aliens. Saramago's device is a sudden, contagious blindness of unknown etiology and mechanism. This is fine so far as it goes. McCarthy's The Road relies on a similar narrative strategy ("What if there were a cataclysmic event?") In this case, the technique allows the author to imagine a cascade of social and cultural events that would follow from the original event (again, similar to The Road). This is fine so far as it goes. Saramago does a good job of envisioning the increasingly dire circumstances of the protagonists, and the plot is sufficiently engrossing. However, Blindness shares several of The Road's flaws: There is minimal punctuation (which in this case, at least provides the reader with a parallel visual impairment), the characters' voices and personalities are largely interchangeable, and the resolution, while different in kind from McCarthy's, provokes a similar disappointment--the return to the story's "home" is too tidy and oversimplified, and ultimately demonstrates the author's failure of creativity, boldness, or both. Call it a 3/5 star read: Not bad, but not especially memorable, either.

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