About six months ago, at a fundraising event for the nonprofit I founded, Project H, a six-year-old girl handed me a pickle jar full of pennies....
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Short YA novel, a sequel to "the Star Dwellers". I found that I could read and enjoy this book without having read the first one, as there's enough backstory worked into it that new readers aren't left floundering. It's set in a relatively near future, not long after mankind has first developed an interstellar drive and made contact with other intelligent species. One of those species is an energy-based lifeform which has been around since the Big Bang, but which is nevertheless culturally compatible with humans. The Angels have sponsored humans for membership in another galactic culture, one that is short-lived by the standards of the Angels, but still remarkably long-lived and stable by human standards. So long-lived that even having the normal probationary membership period cut in half at the Angels' urging means waiting 50,000 years for full membership.
Naturally, some politicians are too impatient to wait. And so begins the mission to the Heart Stars, a journey to the heart of the empire to ask in person for immediate full membership. Along the way, the crew of the diplomatic mission ship see exactly how that peaceful, prosperous stability is achieved.
The book has a reasonable balance of engineering and social commentary. The science behind the faster-than-light drive is pseudo-science, but it's the sort that's extrapolated from real physics and internally consistent, not pure plot-devicium powered. It's a little too overtly preachy, but that's largely a result of it being a YA book written in the mid 60s. I'm not sure I'll keep it any longer, but it's a book I enjoyed enough that I've read it more than once.
Nowadays, a good many zoos are seriously involved in conservation work, the last hope for some of the most endangered species on the planet. In the 1970s, that wasn't the case. This book was Durrell's polemic against the keeping of wild animals purely for entertainment purposes, an impassioned plea for things to change. In a series of seven essays he set out the case for zoological gardens to be genuine centres of scientific excellence devoted to the preservation and breeding of the animals in their care, and described the work of the zoo he had set up for this purpose. He made himself highly unpopular in some quarters with his stinging criticism of then-current practice, not least because it's well and entertainingly written, a successful appeal to the public at large to support his campaign. The first chapter is a little dry, but after that this is a fascinating description of the work of the Jersey Wildlife Preservation Trust. Funny, moving, and utterly devoted to the animals without ever lapsing into saccharine sentiment, this is well worth a read.
Note: I received an ARC of this book through the LibraryThing Early Reviewers programme.
Tess Drake is a high-flying literary agent on the staff of a top entertainment agency. Sufficiently high-flying that she wants to branch out on her own, rather than continue to take a salary that's a fraction of the money she brings into the business. As the novel opens, she's just been given one final push in that direction by the death of her boss. Tess liked Lowell; she loathes Cosima, the woman who's about to take over, and the feeling's mutual.
The problem for Tess is that she's made more enemies than just Cosima along the way to success. She's left frantically trying to put together her new business without letting slip what she's doing, in the middle of the uproar generated by Lowell's death from auto-erotic asphyxiation. Oh, and then there's the police investigation into the suggestion that Lowell's death wasn't an accident, and that Tess might have had something to do with it.
It's fast, funny, and more than a little over the top. It's also unashamedly for an adult audience, as is obvious right from the first page. There is swearing and there is sex, and most of it is there for genuine plot and character development reasons. There's also a lot of acidly funny commentary on the entertainment business, with much dropping of real names to add to the realism.
Tess is often unlikeable, but she's also aware of her flaws, and there's real growth in her character during the book. She's also fiercely loyal to a few people for more than commercial reasons, and genuinely regrets the damage she's accidentally caused to relationships she valued.
The book's a blend of chick-lit and mystery, and does a good job of both, but is not going to appeal to everyone. I can see why the reviews on LibraryThing range from loathing to loving it. For me personally it was a page-turner, and while I sometimes wanted to shake some sense into Tess, by the last few chapters I very much wanted her to break free of the trap that had been laid for her. The novel is complete in itself and does have a satisfying ending, but I'd love to see what happened next. I'd gladly read a sequel to this book.
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This is one of the trio of tie-in novels released for the first season of Torchwood, and is set early in that season, after Gwen's settled in but before Cyberwoman. Tie-in novels can disappoint, but this is a solid story that's well-written and that fits the Torchwood universe well; a dark tale about the things that come through the Rift and their misuse by the locals. It's actually better than the first couple of tv episodes, because the sex and violence is used to good effect in the story, rather than feeling as if it's tossed in just to see how far the show can go in a post-watershed slot.
There are two interweaving plots here. The main plot concerns an outbreak of killings involving cannibalism, and their link to a very dubious weight-loss clinic. The team's hunt for the solution is given added urgency when Gwen realises that Rhys has taken one of the clinic's pills. The minor plot concerns Tosh's research into a series of alien devices.
There's good exposition and world-building, and I think this book will work for someone who hasn't yet seen the show. The characterisation's not that deep, but it's not bad for an early tie-in where even an author who's a fan or involved with the show's production wouldn't have had much to go on, and it's accurate. With one exception there's not much reference to specific events in the tv series, and even the exception is blended in nicely as something that will be simply a character quirk to people who haven't seen the relevant episode.
The book focuses strongly on the relationship between Gwen and Rhys (and does so very nicely), but generally doesn't neglect the rest of the team. There are some decent bits for particular characters: Tosh gets a decent word count, even if she spends it being girl geek as usual; there's a good storyline for Owen where circumstances force him to interact with an attractive woman as a person, rather than just a shag. On the other hand, Ianto's barely mentioned; but when you do see him he's spending a lot of time lurking in the remote archives and discouraging other team members from wandering into them, which is appropriate for this point in his storyline, and he gets some good interaction with Tosh.
Physically, it's a hardcover with a perfect-bound book block, which is what you'd expect at this price point for a hardback. It's solidly constructed with no loose pages, and there's a good cover design which links in with the other two books in the set. Designer Lee Binding's done a nice job with stock art here.
Slow Decay is a good read for both the plot and the characterisation, and I expect I'll be re-reading it soon. Well worth the money.
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I got this book as part of LibraryThing's Early Reviewer programme, and probably wouldn't have picked it up if I'd simply seen it in the bookshop. But the description in the ER programme intrigued me, and I'm glad I read it.
It's a multi-layered pastiche and parody of the old pulp African adventure stories, with two interlocking stories set early in the twentieth century, narrated by one of the protagonists as an old man late in the twentieth century. As the novel opens the narrator, Tommy Thomson, is scraping a living as a young man by ghost writing pulp adventure stories. He's frustrated by the need to pander to the extreme racism and disregard for facts of the pulp market. He loses the ghost writing job, but is offered the chance to write a true African adventure story -- ghost-writing the story of a man who is awaiting trial for the murder of his two employers on a gold-hunting expedition in the Congo.
Tommy is drawn ever deeper into Marcus Garvey's story. It's very like the pulp adventures he's written before, but with one twist -- this time it's a tale of brutal and amoral English aristocrats abusing first the black Africans and then a strange race of underground people, white but not entirely human, with a low-class servant who is the flawed hero. This tale of derring-do is interwoven with the story of Tommy's own life over the course of the years he writes Garvey's story, interrupted by his service in the First World War. Tommy thinks of his own life as boring and humdrum, but it's an enchanting read with some fascinating secondary characters.
There are multiple levels of unreliable narration, so things aren't quite as they seem. Part of the game is deciding who is unreliable and how far, and the author plays fair in the end. In the meantime you get a cracking read, with a lot of homages to other works.
I enjoyed the book a great deal, but I did have some minor problems with it. There are a lot of anachronisms, a couple of which threw me out of the story (in particular, singing "God save the Queen" in court at a time when a King was on the throne). These felt like mistakes by the author rather than being deliberate. One of the signals that part of the story is unreliable simply doesn't work if you're used to reading science fiction or magic realism. If you're an sf fan, switch into mainstream reading protocols when you're reading this book. And be warned that there is some gruesome imagery which might be a bit much for some readers.
One particular point -- this is a translation of a novel written in Catalan. Translations vary a lot in quality and can sometimes feel stiff and lifeless, but this one is excellent. It flows very well and is a joy to read.
Enormous fun, and well worth the time.
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(2 of 3 readers found this comment helpful)
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Mission To the Heart Stars by James Blish
JulesJones, August 31, 2009
Short YA novel, a sequel to "the Star Dwellers". I found that I could read and enjoy this book without having read the first one, as there's enough backstory worked into it that new readers aren't left floundering. It's set in a relatively near future, not long after mankind has first developed an interstellar drive and made contact with other intelligent species. One of those species is an energy-based lifeform which has been around since the Big Bang, but which is nevertheless culturally compatible with humans. The Angels have sponsored humans for membership in another galactic culture, one that is short-lived by the standards of the Angels, but still remarkably long-lived and stable by human standards. So long-lived that even having the normal probationary membership period cut in half at the Angels' urging means waiting 50,000 years for full membership.Naturally, some politicians are too impatient to wait. And so begins the mission to the Heart Stars, a journey to the heart of the empire to ask in person for immediate full membership. Along the way, the crew of the diplomatic mission ship see exactly how that peaceful, prosperous stability is achieved.
The book has a reasonable balance of engineering and social commentary. The science behind the faster-than-light drive is pseudo-science, but it's the sort that's extrapolated from real physics and internally consistent, not pure plot-devicium powered. It's a little too overtly preachy, but that's largely a result of it being a YA book written in the mid 60s. I'm not sure I'll keep it any longer, but it's a book I enjoyed enough that I've read it more than once.
JulesJones, August 22, 2009
Nowadays, a good many zoos are seriously involved in conservation work, the last hope for some of the most endangered species on the planet. In the 1970s, that wasn't the case. This book was Durrell's polemic against the keeping of wild animals purely for entertainment purposes, an impassioned plea for things to change. In a series of seven essays he set out the case for zoological gardens to be genuine centres of scientific excellence devoted to the preservation and breeding of the animals in their care, and described the work of the zoo he had set up for this purpose. He made himself highly unpopular in some quarters with his stinging criticism of then-current practice, not least because it's well and entertainingly written, a successful appeal to the public at large to support his campaign. The first chapter is a little dry, but after that this is a fascinating description of the work of the Jersey Wildlife Preservation Trust. Funny, moving, and utterly devoted to the animals without ever lapsing into saccharine sentiment, this is well worth a read.The Agency by Ally Obrien
JulesJones, April 19, 2009
Note: I received an ARC of this book through the LibraryThing Early Reviewers programme.Tess Drake is a high-flying literary agent on the staff of a top entertainment agency. Sufficiently high-flying that she wants to branch out on her own, rather than continue to take a salary that's a fraction of the money she brings into the business. As the novel opens, she's just been given one final push in that direction by the death of her boss. Tess liked Lowell; she loathes Cosima, the woman who's about to take over, and the feeling's mutual.
The problem for Tess is that she's made more enemies than just Cosima along the way to success. She's left frantically trying to put together her new business without letting slip what she's doing, in the middle of the uproar generated by Lowell's death from auto-erotic asphyxiation. Oh, and then there's the police investigation into the suggestion that Lowell's death wasn't an accident, and that Tess might have had something to do with it.
It's fast, funny, and more than a little over the top. It's also unashamedly for an adult audience, as is obvious right from the first page. There is swearing and there is sex, and most of it is there for genuine plot and character development reasons. There's also a lot of acidly funny commentary on the entertainment business, with much dropping of real names to add to the realism.
Tess is often unlikeable, but she's also aware of her flaws, and there's real growth in her character during the book. She's also fiercely loyal to a few people for more than commercial reasons, and genuinely regrets the damage she's accidentally caused to relationships she valued.
The book's a blend of chick-lit and mystery, and does a good job of both, but is not going to appeal to everyone. I can see why the reviews on LibraryThing range from loathing to loving it. For me personally it was a page-turner, and while I sometimes wanted to shake some sense into Tess, by the last few chapters I very much wanted her to break free of the trap that had been laid for her. The novel is complete in itself and does have a satisfying ending, but I'd love to see what happened next. I'd gladly read a sequel to this book.
(0 of 1 readers found this comment helpful)
Torchwood: Slow Decay by Andy Lane
JulesJones, May 14, 2008
This is one of the trio of tie-in novels released for the first season of Torchwood, and is set early in that season, after Gwen's settled in but before Cyberwoman. Tie-in novels can disappoint, but this is a solid story that's well-written and that fits the Torchwood universe well; a dark tale about the things that come through the Rift and their misuse by the locals. It's actually better than the first couple of tv episodes, because the sex and violence is used to good effect in the story, rather than feeling as if it's tossed in just to see how far the show can go in a post-watershed slot.There are two interweaving plots here. The main plot concerns an outbreak of killings involving cannibalism, and their link to a very dubious weight-loss clinic. The team's hunt for the solution is given added urgency when Gwen realises that Rhys has taken one of the clinic's pills. The minor plot concerns Tosh's research into a series of alien devices.
There's good exposition and world-building, and I think this book will work for someone who hasn't yet seen the show. The characterisation's not that deep, but it's not bad for an early tie-in where even an author who's a fan or involved with the show's production wouldn't have had much to go on, and it's accurate. With one exception there's not much reference to specific events in the tv series, and even the exception is blended in nicely as something that will be simply a character quirk to people who haven't seen the relevant episode.
The book focuses strongly on the relationship between Gwen and Rhys (and does so very nicely), but generally doesn't neglect the rest of the team. There are some decent bits for particular characters: Tosh gets a decent word count, even if she spends it being girl geek as usual; there's a good storyline for Owen where circumstances force him to interact with an attractive woman as a person, rather than just a shag. On the other hand, Ianto's barely mentioned; but when you do see him he's spending a lot of time lurking in the remote archives and discouraging other team members from wandering into them, which is appropriate for this point in his storyline, and he gets some good interaction with Tosh.
Physically, it's a hardcover with a perfect-bound book block, which is what you'd expect at this price point for a hardback. It's solidly constructed with no loose pages, and there's a good cover design which links in with the other two books in the set. Designer Lee Binding's done a nice job with stock art here.
Slow Decay is a good read for both the plot and the characterisation, and I expect I'll be re-reading it soon. Well worth the money.
(1 of 2 readers found this comment helpful)
Pandora in the Congo by Albert Pinol
JulesJones, May 10, 2008
I got this book as part of LibraryThing's Early Reviewer programme, and probably wouldn't have picked it up if I'd simply seen it in the bookshop. But the description in the ER programme intrigued me, and I'm glad I read it.It's a multi-layered pastiche and parody of the old pulp African adventure stories, with two interlocking stories set early in the twentieth century, narrated by one of the protagonists as an old man late in the twentieth century. As the novel opens the narrator, Tommy Thomson, is scraping a living as a young man by ghost writing pulp adventure stories. He's frustrated by the need to pander to the extreme racism and disregard for facts of the pulp market. He loses the ghost writing job, but is offered the chance to write a true African adventure story -- ghost-writing the story of a man who is awaiting trial for the murder of his two employers on a gold-hunting expedition in the Congo.
Tommy is drawn ever deeper into Marcus Garvey's story. It's very like the pulp adventures he's written before, but with one twist -- this time it's a tale of brutal and amoral English aristocrats abusing first the black Africans and then a strange race of underground people, white but not entirely human, with a low-class servant who is the flawed hero. This tale of derring-do is interwoven with the story of Tommy's own life over the course of the years he writes Garvey's story, interrupted by his service in the First World War. Tommy thinks of his own life as boring and humdrum, but it's an enchanting read with some fascinating secondary characters.
There are multiple levels of unreliable narration, so things aren't quite as they seem. Part of the game is deciding who is unreliable and how far, and the author plays fair in the end. In the meantime you get a cracking read, with a lot of homages to other works.
I enjoyed the book a great deal, but I did have some minor problems with it. There are a lot of anachronisms, a couple of which threw me out of the story (in particular, singing "God save the Queen" in court at a time when a King was on the throne). These felt like mistakes by the author rather than being deliberate. One of the signals that part of the story is unreliable simply doesn't work if you're used to reading science fiction or magic realism. If you're an sf fan, switch into mainstream reading protocols when you're reading this book. And be warned that there is some gruesome imagery which might be a bit much for some readers.
One particular point -- this is a translation of a novel written in Catalan. Translations vary a lot in quality and can sometimes feel stiff and lifeless, but this one is excellent. It flows very well and is a joy to read.
Enormous fun, and well worth the time.
(2 of 3 readers found this comment helpful)
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