When I set out to write a book about the natural history of breasts, I knew I'd have to answer some awkward questions about my book topic. At a...
Continue »
Through the protagonist’s ever-changing perception of the relationship between Hoja and himself, Pamuk captured the essence of all long-term, co-dependent, one-to-one relationships. Whether pertaining to siblings, spouses, roommates, parents-and-children, or co-workers, there exists a constant jockeying for position of dominance and quest for maintaining self-identification, all while harboring a desire to reap the benefits of comradeship and to sustain a sense of belonging.
In terms of the “story-telling” in White Castle, Orhan Pamuk utilized many tools of the trade and blended them successfully to invite his readers not as observers who peer in from one vantage point, but as attendees who can move among the setting, characters, and plot and therefore better identify with the story. Pamuk details each setting and includes material symbolism throughout his novel to give the reader both the physical space and familiarity to navigate within the story. His first person narrative constantly weaves the reader through the protagonist’s alternating thoughts which include supposition, vulnerability, determination, impatience, self-reflection, self-discovery, and self-denial. The unhurried pace of thought and frustration that the author gives his protagonist allows the reader to experience and appreciate the tedium of this captivity that is plagued with psychological neglect, abuse, and indifference.
Was this comment helpful? | Yes | No
(5 of 8 readers found this comment helpful)
Powell's City of Books is an independent bookstore in Portland, Oregon, that fills a whole city block with more than a million new, used, and out of print books. Shop those shelves — plus literally millions more books, DVDs, and eBooks — here at Powells.com.
Don't Miss
Customer Comments
ssaundersnorfolk has commented on (1) product.
The White Castle by Orhan Pamuk
ssaundersnorfolk, November 24, 2007
Through the protagonist’s ever-changing perception of the relationship between Hoja and himself, Pamuk captured the essence of all long-term, co-dependent, one-to-one relationships. Whether pertaining to siblings, spouses, roommates, parents-and-children, or co-workers, there exists a constant jockeying for position of dominance and quest for maintaining self-identification, all while harboring a desire to reap the benefits of comradeship and to sustain a sense of belonging.In terms of the “story-telling” in White Castle, Orhan Pamuk utilized many tools of the trade and blended them successfully to invite his readers not as observers who peer in from one vantage point, but as attendees who can move among the setting, characters, and plot and therefore better identify with the story. Pamuk details each setting and includes material symbolism throughout his novel to give the reader both the physical space and familiarity to navigate within the story. His first person narrative constantly weaves the reader through the protagonist’s alternating thoughts which include supposition, vulnerability, determination, impatience, self-reflection, self-discovery, and self-denial. The unhurried pace of thought and frustration that the author gives his protagonist allows the reader to experience and appreciate the tedium of this captivity that is plagued with psychological neglect, abuse, and indifference.
(5 of 8 readers found this comment helpful)