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A Review by Benjamin Schwarz

Although the acerbic wit of Huxley's early novels — Antic Hay, Crome Yellow, and Point Counter Point — rivals Waugh's, and although his range and depth as an essayist are breathtaking, his artistic stature doesn't merit a nearly 800-page biography. Which makes Bedford's achievement all the more astonishing. Her book, first published in 1973 and recently reissued, is one of the great literary portraits of the past fifty years — and next to it the forthcoming and perfectly adequate Huxley biography by Nicholas Murray seems superfluous. Rarely can a doorstop biography be described as elegant; an accumulation of quotidian detail almost inevitably bloats and clogs the work. But Bedford (now ninety-one), a cosmopolitan and stylish novelist, maintains a sophisticated and coolly ironic tone (aided by her decision to divide her very long study into many very short chapters) throughout her chronicle. Not only did Huxley — whom Bedford nicely characterizes as "an evolved Victorian Englishman at home in the second part of the twentieth century, at home in Southern California" — know everything, he knew everybody, from Orwell (who as a fellow schoolboy at Eton was entranced by Huxley's diction) to Charlie Chaplin. Certainly Bedford deftly captures Huxley's multi-faceted mind and world (the two writers were close friends), but what makes her work so singularly absorbing is the complete sympathy she somehow pairs with her characteristic detachment.

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