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The Judgment of Paris
The Judgment of Paris
by King, Ross

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While the Civil War raged in America, another very different revolution was beginning to take shape across the Atlantic, in the studios of Paris: The artists who would make Impressionism the most popular art form in history were showing their first paintings amidst scorn and derision from the French artistic establishment. Indeed, no artistic movement has ever been, at its inception, quite so controversial. The drama of its birth, played out on canvas, would at times resemble a battlefield; and, as Ross King reveals, it would reorder both history and culture, and resonate around the world.

The Judgment of Paris chronicles the dramatic decade between two famous exhibitions: the scandalous Salon des Refusés in 1863, and the first Impressionist showing in 1874, set against the rise and dramatic fall of Napoleon III and the Second Empire, after the Franco-Prussian War. A tale of many artists, it revolves around the lives of two, described as "the two poles of art" — Ernest Meissonier, the most famous and successful painter of the 19th century, hailed for his precision and devotion to history; and Edouard Manet, reviled in his time, who nonetheless heralded the most radical change in the history of art since the Renaissance. Out of the fascinating story of their parallel lives, illuminated by their legendary supporters and critics — Zola, Delacroix, Courbet, Baudelaire, Whistler, Monet, Hugo, Degas, and many more — Ross King shows that their contest was not just about Art, it was about how to see the world. With a novelist's skill and the perception of an historian, King recalls a seminal period when artistic expression had the power to electrify and divide a nation.

  • "King is a master at linking pivotal moments in art history to epic rivalries. In his third supremely engaging and illuminating inquiry...he resurrects a discredited and forgotten figure, the marvelous monomaniac Meissonier, a man King has bemused affection and respect for, and an artist readers will be delighted to learn about." Donna Seaman, Booklist
  • "[A]n exciting chronicle about political and cultural change. By shifting the light of his research from Meissonier (whose career is now at its nadir) to Manet (whose paintings now go for millions of dollars) and back again, the author illuminates an entire epoch." Kirkus Reviews (starred review)
  • "King diligently assembles a swath of anecdotes and evidence, coaxing lively color and fascinating detail from even the most stolid of historical facts and documents." Prudence Peiffer, Library Journal

About the Author
Born and raised in Canada, Ross King has lived in England since 1992. In 2002 – 03, two books of his were published in the United States, Domino, about the world of masquerades and opera in 18th century London and the New York Times bestselling Michelangelo and the Pope's Ceiling.

King's highly acclaimed Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture, was an instant hit in the U.S., landing on the New York Times, Boston Globe and San Francisco Chronicle bestseller lists and becoming a handselling favorite among booksellers. Brunelleschi's Dome was chosen "The 2000 Book Sense Nonfiction Book of the Year" and a Book Sense 76 top ten selection.

King lives near Oxford, England, in the historic town of Woodstock, the site of Blenheim Palace. He is a devoted cyclist and hikes regularly in both the Pyrenees and the Canadian Rockies.
 
 
 

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