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Prophets of the Hood: Politics and Poetics in Hip Hop

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Prophets of the Hood: Politics and Poetics in Hip Hop Cover

 

Synopses & Reviews

Publisher Comments:

At once the most lucrative, popular, and culturally oppositional musical force in the United States, hip hop demands the kind of interpretation Imani Perry provides here: criticism engaged with this vibrant musical form on its own terms. A scholar and a fan, Perry considers the art, politics, and culture of hip hop through an analysis of song lyrics, the words of the prophets of the hood. Recognizing prevailing characterizations of hip hop as a transnational musical form, Perry advances a powerful argument that hip hop is first and foremost black American music. At the same time, she contends that many studies have shortchanged the aesthetic value of rap by attributing its form and content primarily to socioeconomic factors. Her innovative analysis revels in the artistry of hip hop, revealing it as an art of innovation, not deprivation.

Perry offers detailed readings of the lyrics of many hip hop artists, including Ice Cube, Public Enemy, De La Soul, krs-One, OutKast, Sean “Puffy” Combs, Tupac Shakur, Lil’ Kim, Biggie Smalls, Nas, Method Man, and Lauryn Hill. She focuses on the cultural foundations of the music and on the form and narrative features of the songs—the call and response, the reliance on the break, the use of metaphor, and the recurring figures of the trickster and the outlaw. Perry also provides complex considerations of hip hop’s association with crime, violence, and misogyny. She shows that while its message may be disconcerting, rap often expresses brilliant insights about existence in a society mired in difficult racial and gender politics. Hip hop, she suggests, airs a much wider, more troubling range of black experience than was projected during the civil rights era. It provides a unique public space where the sacred and the profane impulses within African American culture unite.

About the Author

\

Imani Perry is a Professor in the Center for African American Studies at Princeton University.

Table of Contents

Contents: Hip hop's mama : originalism and identity in the music — My mic sound nice : art, community, and consciousness — Stinging like Tobasco : structure and format in hip hop compositions — The glorious outlaw : hip hop narratives, American law and the court of public opinion — B-boys, players and preachers : reading masculinity — The venus hip hop and the pink ghetto : negotiating spaces for women — Bling bling-- and going pop : consumerism and co-optation in hip hop

Product Details

ISBN:
9780822386155
Subtitle:
Politics and Poetics in Hip Hop
Publisher:
Duke University Press
Author:
Perry, Imani
Subject:
Genres & Styles - Rap & Hip Hop
Subject:
Musicology
Subject:
Rap
Subject:
Music - General
Subject:
Music-Hip Hop and Rap
Subject:
main_subject
Subject:
all_subjects
Publication Date:
20041109
Binding:
ELECTRONIC
Language:
English
Pages:
236

Related Subjects

Arts and Entertainment » Music » General
Arts and Entertainment » Music » Genres and Styles » Rap and Hip-Hop
Arts and Entertainment » Music » History and Criticism
History and Social Science » African American Studies » General

Prophets of the Hood: Politics and Poetics in Hip Hop
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Product details 236 pages Duke University Press Books - English 9780822386155 Reviews:
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