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Me and You and Everyone We Know (Widescreen)by Miranda. July
Critics Week Grand Prize at Cannes
Special Jury Prize at Sundance
Is there a creative project Miranda July can't conquer? If you've jealously posed this question before reading her fiction, stay away from the new collection. No One Belongs Here More Than You will only embitter you further. It's not enough for July to write, direct, and star in a prize-winning film at Cannes and Sundance. Her recordings for Kill Rock Stars, stage performances, web projects... Maybe she's a terrible abstract painter, but I doubt it. Imagine sixteen tight, breathtaking doses of Me and You and Everyone We Know, the same deep compassion, anxious humor, and aching vulnerability. Cross Aimee Bender and Amy Hempel, and then cross you fingers July makes time for more fiction soon.
Synopses & Reviews
A poetic and penetrating observation of how people struggle to connect with one another in an isolating and contemporary world. Christine Jesperson is a lonely artist and "Eldercab" driver who uses her fantastical artistic visions to draw her aspirations and objects of desire closer to her. Richard Swersey (John Hawkes), a newly single shoe salesman and father of two boys, is prepared for amazing things to happen. But when he meets the captivating Christine, he panics. Life is not so oblique for Richard's six-year-old Robby, who is having a risqué Internet romance with a stranger, and his fourteen-year-old brother Peter who becomes the guinea pig for neighborhood girls — practicing for their future of romance and marriage.
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