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More copies of this ISBN:Music : an Appreciation, Brief Edition -text Only (6TH 08 Edition)by Roger Kamien
Synopses & ReviewsPublisher Comments:Whether from a concert stage or at the front of a classroom, Roger Kamien knows how to reach an audience--blending intelligence and passion to lift music from the page and bring it to life. His unique combination of artistic and teaching skills makes Music: An Appreciation, Brief Edition an invaluable tool for students wanting to learn more about music. This best-selling textbook introduces students to perceptive listening and provides an engaging introduction to musical elements, forms, and stylistic periods. It is organized chronologically, but individual sections can be addressed in any order, for a variety of teaching approaches. Musical notation is included but is not required to understand the popular listening guides featured in the text, which focus students attention on musical events as they unfold. This edition moves most of the content of the companion multi-media CD-ROM to the Online Learning Center providing open access for all students to the many activities and video instrument demonstrations. Synopsis:This edition moves the content of the companion multi-media CD-ROM to the Online Learning Center providing open access for all students to the many activities, video instrument demonstrations, and additional recordings. About the AuthorRoger Kamien received his B.A. in Musicology from Columbia and his M.A. and PhD. from Princeton. Kamien taught for 2 years at Hunter College and for 20 years at Queens College, where he coordinated the music appreciation courses. In 1983, he was appointed to the Zubin Mehta Chair in Musicology at The Hebrew University of Jerusalem. In addition to Music: An Appreciation, Prof. Kamien has written numerous articles and reviews, co-wrote A New Approach to Keyboard Harmony, and edited the Norton Scores. He is an accomplished pianist and, in recent years, has formed a two-piano team with his wife, Anita. Table of ContentsPrefacePerformer Box: Roger Kamien's performance of Chopin's Prelude in E MinorPitch: Highness or Lowness of SoundTone ColorThe Firebird, Scene 2 by Igor StravinskyLISTENING OUTLINELISTENING OUTLINEVoicesString InstrumentsBrass InstrumentsKeyboard InstrumentsThe Young Person's Guide to the Orchestra, Op.34, by Benjamin Britten3. RhythmMeterTempoNotating PitchNotating Silence (Rests)The Score6. HarmonyThe TriadPrelude in E Minor for Piano, Op. 28, No.4, by Frederic ChopinPERFORMANCE PERSPECTIVE: Pianist Roger Kamien playing Chopin's Prelude in E MinorThe Major ScaleThe Key SignatureModulation: Change of Key8. Musical TexturePolyphonic TextureChanges of TextureLISTENING OUTLINETechniques That Create Musical FormContrastTypes of Musical FormDance of the Reed Pipes from Nutcracker Suite, by Peter Ilyich TchaikovskyTwo-Part (Binary) Form: A BLISTENING OUTLINE10. Musical StylePerformer Box: Andrew ParrottGregorian ChantAlleluia: Vidimus stellam (We have seen his star)O Successores (You successors) by Hildegard of BingenSecular Music in the Middle AgesThe Development of Polyphony: OrganumFourteenth-Century Music: The "New Art" in FrancePuis qu'en oubli sui de vous (Since I am forgotten by youNotre Dame Mass: Agnus DeiPERFORMANCE PERSPECTIVE: Andrew Parrott conducting the Agnus Dei from Machaut's Notre Dame MassCharacteristics of Renaissance MusicTextureSacred Music in the RenaissanceAve Maria...virgo serena (Hail Mary...serene virginPalestrina and the Renaissance MassSecular Music in the RenaissanceAs Vesta Was Descending, by Thomas WeelkesInstrumental MusicPart III The Baroque Period1. Baroque Music (1600-1750)Unity of MoodMelodyTextureWords and MusicBaroque Forms3. The Concerto Grosso And Ritornello FormLISTENING OUTLINEOrgan Fugue in G Minor (Little Fugue), by Johann Sebastian Bach5. The Elements Of Opera7. Claudio MonteverdiVOCAL MUSIC | ||||||||||||
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