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More copies of this ISBN:Composing for the Jazz Orchestra.by William Russo
Synopses & ReviewsPublisher Comments:"Although it will be of primary interest to those who are engaged in composition themselves, [this] book is also recommended for readers who may wish to gain further insight into just what makes jazz composition so different from traditional approaches."Malcolm Bessom, The Music Magazine Synopsis:This text, the first of its kind, deals with some of the problems to be faced. It discusses the new trend of musical thought that jazz has brought about--the new combinations of instruments, a different harmonic and melodic language, a new and an intriguing approach to ensemble writing.
Table of Contents1. Alphabetical Chord Symbols
2. The Six Types of Chords 3. Elaboration of the Six Types of Chords 4. Basic Harmonic Considerations 5. The Ranges of the Instruments 6. Voicing 7. Close Position Voicing (I) 8. Close Position Voicing (II) 9. Close Position Voicing (III) 10. Open Position Voicing (I) 11. Open Position Voicing (II) 12. Open Position Voicing (III) 13. Non-Chordal Tones 14. Harmonization of Non-Chordal Tones (I) 15. Harmonization of Non-Chordal Tones (II) 16. The Thickened Line 17. The Widened Line 18. Percussion 19. The Double Bass 20. The Guitar 21. The Piano 22. A Preliminary View of the Ensemble 23. The Basic Ensemble Method 24. The Four-Tone Ensemble Method 25. The Percussive Ensemble Method 26. Brass Mutes 27. The Background 28. The Planning of Orchestration 29. Combinations of Instruments 30. Identities 31. Chords Derived from Scales 32. The Progression of Chords Derived from Scales 33. Mixed Voicing 34. Mixed Ensembles What Our Readers Are SayingBe the first to add a comment for a chance to win!Product Details
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