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  1. $13.99 Sale Hardcover add to wish list

The Hours

by Michael Cunningham

The Hours Cover

Awards

Synopses & Reviews

Publisher Comments:

A daring, deeply affecting third novel by the author of A Home at the End of the World and Flesh and Blood.

In The Hours, Michael Cunningham, widely praised as one of the most gifted writers of his generation, draws inventively on the life and work of Virginia Woolf to tell the story of a group of contemporary characters struggling with the conflicting claims of love and inheritance, hope and despair. The narrative of Woolf's last days before her suicide early in World War II counterpoints the fictional stories of Richard, a famous poet whose life has been shadowed by his talented and troubled mother, and his lifelong friend Clarissa, who strives to forge a balanced and rewarding life in spite of the demands of friends, lovers, and family.

Review:

"Steeped in the work and life of Virginia Woolf, Cunningham offers up a sequel to the work of the great author, complete with her own pathos and brilliance....[G]orgeous, Woolfian, shimmering, perfectly-observed prose. Hardly a false note in an extraordinary carrying on of a true greatness that doubted itself." Kirkus Reviews

Review:

"Inspired....Michael Cunningham dazzles." Elissa Schappell, Vanity Fair

Review:

"At first blush, the structural and thematic conceits of this novel...seem like the stuff of a graduate student's pipe dream....[But] the reader becomes completely entranced....[T]he gargantuan accomplishment of this small book [is that] it makes a reader believe in the possibility and depth of a communality based on great literature, literature that has shown people how to live and what to ask of life." Publishers Weekly

Review:

"A delicate, triumphant glance....A place of late-century danger but also of treasurable hours." Michael Wood, The New York Times Book Review

Review:

"Michael Cunningham's novel The Hours is that rare combination: a smashing literary tour de force and an utterly invigorating reading experience. If this book does not make you jump up from the sofa, looking at life and literature in new ways, check to see if you have a pulse." Ann Prichard, USA Today

Review:

"The Hours is a feat of literary acrobatics, yet in the end does not affect us as profoundly as Mrs. Dalloway. The Hours is a variation on a theme, and it's the original melody rather than the contemporary arrangement that's most memorable....Cunningham's writing has a luminous quality....Pulling off this clever literary accomplishment shows us that the talented Michael Cunningham isn't at all afraid of Virginia Woolf." Georgia Jones-Davis, Salon.com

Review:

"[A] glittering work of exquisite detail and refined vision..." Book Magazine

Review:

"[Cunningham] has fashioned a fictional instrument of intricacy and remarkable beauty. It is a kaleidoscope whose four shining and utterly unlike pieces — the lives of two fictional characters, of a real writer, and her novel — combine, separate and tumble in continually shifting and startlingly suggestive patterns." Richard Eder, The Los Angeles Times Sunday Book Review

Review:

"[Cunningham] has deftly created something original, a trio of richly interwoven tales that alternate with one another chapter by chapter, each of them entering the thoughts of a character as she moves through the small details of a day....Cunningham's emulation of such a revered writer as Woolf is courageous, and this is his most mature and masterful work." Jameson Currier, The Washington Post Book World

Review:

"With an intimacy only another writer could muster, Cunningham portrayed the act of creation as a heroic and dangerous adventure...a contemporary masterpiece." Newsday

Synopsis:

The author of "Flesh and Blood" draws inventively on the life and work of Virginia Woolf to tell the story of a group of contemporary characters struggling with the conflicting claims of love and inheritance, hope and despair. Soon to be a major motion picture starring Meryl Streep, Julianne Moore and Nicole Kidman.

Synopsis:

The Pulitzer Prize-winning novel becomes a motion picture starring Meryl Streep, Julianne Moore, and Nicole Kidman, directed by Stephen Daldry from a screenplay by David Hare"The Hours tells the story of three women: Virginia Woolf, beginning to write Mrs. Dalloway as she recuperates in a London suburb with her husband in 1923; Clarissa Vaughan, beloved friend of an acclaimed poet dying from AIDS, who in modern-day New York is planning a party in his honor; and Laura Brown, in a 1949 Los Angeles suburb, who slowly begins to feel the constraints of a perfect family and home. By the end of the novel, these three stories intertwine in remarkable ways, and finally come together in an act of subtle and haunting grace.

About the Author

Michael Cunningham was raised in Los Angeles and lives in New York City. He is the author of the novels A Home at the End of the World (Picador) and Flesh and Blood. His work has appeared in The New Yorker and Best American Short Stories, and he is the recipient of a Whiting Writer's Award. The Hours was a New York Times Bestseller, and was chosen as a Best Book of 1998 by The New York Times, Los Angeles Times, and Publishers Weekly.

What Our Readers Are Saying

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Average customer rating based on 2 comments:
CreamyPeach08, May 2, 2008 (view all comments by CreamyPeach08)
"Many Angles to a Universal Struggle"
Many people struggle to find their places within society, and a plethora of literature explains the concept of one's duty within it. Michael Cunningham takes a new angle in The Hours as three women navigate a day in each of their lives and struggle with their roles in society. Virginia Woolf struggles with mental sanity and depression in the England of 1923. One day in 1949, Laura Brown questions her patriotic marriage to a veteran and duty to create the perfect home in Los Angeles. Finally, Clarissa Vaughan faces alienation as a homosexual “society wife” in the late twentieth-century New York City and wrestles with a lost heterosexual romance. First published in the United States in 1998, The Hours received the Pulitzer Prize as Cunningham effectively portrays the struggle women face when finding their places in society. He writes about the feminine thought process with surprising detail and accuracy, and he thus provides a portrait of a common female dilemma.
The structure of The Hours highlights the pressure women face. After the prologue, it is divided into sections rotating between “Mrs. Dalloway”, “Mrs. Woolf”, and “Mrs. Brown.” The designation of the characters as Mrs. Someone highlights their “proper” place in their lives. This contrasts Laura and Virginia's desires and brings irony to Clarissa's homosexual lifestyle. Before the women handle the pressure in varying ways, the reader learns that Virginia Woolf commits suicide in the revealing prologue. This revelation is not discussed in one of Mrs. Woolf's sections in The Hours, but the novel’s conclusion relates to the prologue. The prologue ends with a mother, child, truck, and soldiers crossing the bridge above Virginia's body in the bottom of a riverbed, as “[Virginia's] face, pressed sideways to the piling, absorbs it all: the truck and the soldiers, the mother and the child” (8). The continuation of life, even after a tragic event, ties the beginning of The Hours to the end of the novel in a seamless, thematic, and unique fashion.
Cunningham's use of three distinct situations provides varying perspectives of the female battle between duty and individuality, and this brings universality to the concept of belonging. As the women's reactions to social pressure range from defeat, endurance, and defiance, the reader sees that women have “another hour before [them]” (226). Thus, life continues in a forward direction, and each hour is important in that motion. Cunningham's ability to develop each story independently while universally tying them together is truly beautiful. More astounding is his ability to capture how the women feel and act in a third person narration without hinting as to what each one should do. Instead, the narrator objectively reveals the internal struggle in the woman who is the focal point. The omission of direct instruction provides the narrator with credibility in relating the thoughts of each woman.
A variety of sentence structures and symbols create a personal, revealing nature in The Hours. Complex-compound sentences, simple sentences, and everything in between are used to follow the character's thoughts. Informal diction allows the average person to follow conversations and garner meaning from his work. Although Cunningham writes in third person, the protagonists' thoughts and emotions drive the narration. Similarly, the women give value to certain items in their lives, and these items become Cunningham's symbols. In this manner, regardless of Cunningham's third person narrative, the reader is lost in the women's minds, and Cunningham brings uncommon feeling of stream-of-consciousness narration into The Hours.
Michael Cunningham's The Hours beautifully addresses three women's struggle between duty and independence, between societal obligations and desires. Virginia Woolf, Laura Brown, and Clarissa Vaughan confront this conflict from different positions, and they each have different responses. As the variety allows readers to connect with the novel, each story creatively intertwines, and one sees the continuation of life. The use of narration, symbols and diction also bring the novel to life. The Hours describes one day in the lives of three women, but countless people also struggle to find a place in society. Cunningham's portrait of a universal theme provides originality to a topic often covered in literature.
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minerva_86, April 26, 2006 (view all comments by minerva_86)
I cannot believe this novel hasn't been commented on yet. I read the book after seeing the film and have to say that i found the novel so much more personal. It's so beautifully written and so deserving of its many accolades. The idea of it is so simple, but would have been tricky to execute well. Michael Cunningham however has pulled it off wonderfully.
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Product Details

ISBN:
9780312305062
Author:
Cunningham, Michael
Publisher:
Picador USA
Subject:
General
Subject:
Literary
Subject:
Women
Subject:
Man-woman relationships
Subject:
Domestic fiction
Subject:
Psychological fiction
Copyright:
Edition Number:
Reprint ed.
Series:
Recent Picador Highlights
Publication Date:
November 2002
Binding:
Paperback
Language:
English
Pages:
230
Dimensions:
8.34x5.52x.65 in. .49 lbs.

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