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More copies of this ISBN:

Ghost Light: Memoir

by Frank Rich

ISBN13: 9780679452997
ISBN10: 0679452990
Condition: Standard
Dustjacket: Standard
All Product Details

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Synopses & Reviews

Publisher Comments:

There is a superstition that if an emptied theater is ever left completely dark, a ghost will take up residence. To prevent this, a single "ghost light" is left burning at center stage after the audience and all of the actors and musicians have gone home. Frank Rich's eloquent and moving boyhood memoir reveals how theater itself became a ghost light and a beacon of security for a child finding his way in a tumultuous world.
         Rich grew up in the small-townish Washington, D.C., of the 1950s and early '60s, a place where conformity seemed the key to happiness for a young boy who always felt different. When Rich was seven years old, his parents separated--at a time when divorce was still tantamount to scandal--and thereafter he and his younger sister were labeled "children from a broken home." Bouncing from school to school and increasingly lonely, Rich became terrified of the dark and the uncertainty of his future. But there was one thing in his life that made him sublimely happy: the Broadway theater.
         Rich's parents were avid theatergoers, and in happier times they would listen to the brand-new recordings of South Pacific, Damn Yankees, and The Pajama Game over and over in their living room. When his mother's remarriage brought about turbulent changes, Rich took refuge in these same records, re-creating the shows in his imagination, scene by scene. He started collecting Playbills, studied fanatically the theater listings in The New York Times and Variety, and cut out ads to create his own miniature marquees. He never imagined that one day he would be the Times's chief theater critic.
         Eventually Rich found a second home at Wash-ington's National Theatre, where as a teenager he was a ticket-taker and was introduced not only to the backstage magic he had dreamed of for so long but to a real-life cast of charismatic and eccentric players who would become his mentors and friends. With humor and eloquence, Rich tells the triumphant story of how the aspirations of a stagestruck young boy became a lifeline, propelling him toward the itinerant family of theater, whose romantic denizens welcomed him into the colorful fringes of Broadway during its last glamorous era.
         Every once in a while, a grand spectacle comes along that introduces its audiences to characters and scenes that will resound in their memories long after the curtain has gone down. Ghost Light, Frank Rich's beautifully crafted childhood memoir, is just such an event.

Review:

"This is an absolutely marvelous memoir, the best I have read in recent years. It recounts, passionately and often painfully, the story of an endearing young child from a broken home who finds refuge and finally redemption in the world of theater. It is a thoroughly absorbing tale, told beautifully and without a hint of self-pity. It is everything a literary memoir ought to be."
-Doris Kearns Goodwin

Review:

"Ghost Light is not so much a memoir as an exorcism. Frank Rich revisits those defoliated battlegrounds we call family and childhood, picks his way through the still live booby traps of memory, and returns if not at peace then at least with the shards of understanding."                                                --John Gregory Dunne

Review:

"Frank Rich's Ghost Light is a stunning book. He manages to weave memories of childhood and theater into a complicated and deeply touching pattern. For anyone who remembers or still believes that their true lives begin when the curtain goes up, Ghost Light will illuminate their passion. This is a beautifully written, honest book. As in the best of theater, any reader will laugh, cry, and be very moved by the end."
-Wendy Wasserstein

Review:

"Ghost Light is a superb memoir--rich in anecdote, dense in theme. It's a spellbinding coming-of-age tale, a meditation on art and youth in the '60s, a horror story of urban family life. Deft, raucous, occasionally terrifying--you applaud Frank Rich for his journey and his brilliant skill in delineating it."                          --James Ellroy

Synopsis:

In the grand tradition of Moss Hart's "Act One", famed "New York Times" dramacritic and columnist Frank Rich shares an endearing, funny, and moving memoirof a troubled childhood transformed by the magic of Broadway theater.

About the Author

Frank Rich served from 1980 to 1993 as the chief drama critic of The New York Times, and is now an op-ed columnist at the paper as well as senior writer for The New York Times Magazine. He lives in New York City with his wife, the writer Alex Witchel.

What Our Readers Are Saying

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Average customer rating based on 1 comment:
madupont, November 25, 2009 (view all comments by madupont)
I was really struck by the description at the beginning of your review on,Ghost Light, by Frank Rich; or, shall I say,by the little commentary made, in his discussion of personalities touched by the manipulations of the Bush administration,for the Harvard Magazine, which led me to the Powell's review.

It brought the image clearly to mind, which I had always taken for granted in the theatre because it seemed so much a matter of practicality. It duplicates another vigil light more ordinarily used in the Church that reminds you of the presence of God.

To understand that the absence of light would surround you in eternal darkness rather more quickly pulling you down into complete absorption and panic was forcefully brought to my consciousness one Sunday afternoon in an empty theatre where a group of us were to meet to plan an art showing.

It was a small light opera company whose house and dressing rooms were completely familiar to me. I rather confidentally walked to the main entrance from the lobby when I realized by the complete silence that I must be the first person to arrive. But then when I opened the door, I was stunned by the total darkness of the stage area and throughout the house. In no way would I have expected that someone had neglected to leave a "work" light.

I was about to back off from that pervasive blackness where my vision could not penetrate, when something stopped me. Perhaps it was just a thought or merely a memory that the last production I attended here may have been The Three Penny Opera. Could it be that I was picking up the lingering emotion which created one of the characters in Drei Groschen-Oper ?

When quite suddenly the rising ascent of Pirate Jenny's aspirations were heard simultaneously with her well-measured controlled anger, until eventually her tone descends ominously, forbodingly in the total command that acknowledges her threat will come true.

The thickest blackness of the stage area may have moved in a rolling tumult or it may merely have been a delusion such as the lack of depth perception when fog rolls in before the tide at the edge of the ocean where one can not see into the night.

It was all in my mind, wasn't it? A memory of a performance as if I had gone blind. I nevertheless retreated back into the wintry afternoon light pervading the lobby from the front entrance. It was then that I realized the production I had recalled was not performed several months before. It had been on the bill more than fifteen years ago.
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Product Details

ISBN:
9780679452997
Subtitle:
(a memoir )
Author:
Rich, Frank
Publisher:
Random House Trade
Location:
New York :
Subject:
Biography
Subject:
Theater - General
Subject:
United states
Subject:
Entertainment & Performing Arts
Subject:
Entertainment & Performing Arts - Actors & Actresses
Subject:
Journalists
Subject:
Entertainment & Performing Arts - Theatre
Subject:
Childhood Memoir
Subject:
Theater critics.
Subject:
Editors, Journalists, Publishers
Edition Number:
1st ed.
Series Volume:
7
Publication Date:
c2000
Binding:
Trade Cloth
Language:
English
Pages:
xiii, 315 p.
Dimensions:
9.54x6.47x1.16 in. 1.33 lbs.

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