One of the most award-winning, critically acclaimed story writers working today, Antonya Nelson has a list of accolades that is astonishing for any writer, but especially for one as young as she. With her newest collection, Nelson once again proves herself worthy of her stellar reputation, delivering seven taut, striking stories and a brilliant novella, all exploring the tensions of troubled family relations.

Nelson is an extraordinary chronicler of the fraught relationships between parents and children and husbands and wives. With her particular understanding of the threats and vulnerabilities of wild adolescence, as well as the complicated, persistent love that often lies dormant beneath the drama of rebellion, she illuminates the hidden corners of her characters' lives.

The shy, shoplifting sixteen-year-old protagonist in the title novella is trying to understand how to become an adult while going through a year of family disaster. We watch as she dabbles in the same adult behaviors that so repulse her about her parents (binge drinking, sex) while maintaining so much of her adolescent insecurity and confusion. "Dick" is a moving story about a mother who, having lost her daughter to the vicissitudes of adolescence, has a compulsion to protect her innocent, preadolescent son from the aggressive and encroaching post-9/11 adult world. The homeless teen at the heart of "Eminent Domain" is a pampered Houston rich girl who has, for her own reasons, taken to the streets.

Radiating an emotional intensity that unifies the entire collection, each of Nelson's stories both captivates and unnerves. As her characters run the gauntlet of often bewildering family tensions and trauma, she alternates hope and despair, resentment and love, in perfectly recognizable proportions.

Weaving wonderful observation with quick wit and striking insight, Some Fun is a timely and provocative inventory of the state of family in America — and proof of why Nelson is one of the most important writers at work today.

"Adults consider but rarely do the right thing, while damaged children instinctively persevere in Nelson's skillful collection of seven stories and a novella, set in wide-open, arid Western states. Growing restless and resentful in her middle age, the mother in the poignant first story, 'Dick,' uproots her reluctant family from Los Angeles to Colorado, separating her 11-year-old son from his best friend, the title character, with tragic results. Nelson shapes several stories around hard-drinking, restless women, as in 'Rear View,' about a 33-year-old Colorado woman who tries to get pregnant by either her hospitalized, mentally ill husband, or another lover, hoping a baby will solve the 'jittery limbo' of her life. In the bleak, episodic title novella, a mother's alcoholism corrodes her family, including 15-year-old Claire, shouldered with adult responsibilities, six-year-old taciturn Sam, four-year-old Beano, still in diapers, and the children's father, who abandons them all for a yoga teacher. Though Nelson captures Claire's sad co-dependency and truncated adolescence, she reaches for too many resonant metaphors in her closely observed details — vultures roosting in the family's El Paso, Tex., backyard, skin cancer marring the father's face. While not every story achieves perfect pitch, Nelson again (Female Trouble) shows empathy for psychologically complex, deeply flawed characters." Publishers Weekly (Copyright Reed Business Information, Inc.)

"Growing more resplendent with each book, Nelson writes with breathtaking directness, humor, and insight about the cycles of sorrow and renewal that shape our confounding lives." Booklist (Starred Review)

"It is this clever shape-shifting that will have readers turning back to the very first page for a second go at Nelson's dense and complex work....Highly Recommended." Library Journal

"More entertaining than profound...a delight..." Kirkus Reviews

"A master of the casually scathing observation...yet for every moment of sardonic humor in her work, Nelson shows one of vulnerability, and her writing is ultimately defined not by its cleverness but by its heart." The Atlantic Monthly

"Nelson's prose is precise and energetic, and her insights delight because they manage to be at once surprising and so right as to seem inevitable." The New York Times Book Review

"Nelson subtly depicts the mysterious and lasting influence of human transgressions...without ever preaching to her readers or losing her compassionate, comic edge." San Francisco Chronicle Book Review

"Nelson's great gift is her ability to create characters so lovable — even in the face of their many flaws — that we will happily trail each one around for a while, scarcely caring if they are wrestling with a life-threatening crisis or taking the dog for a walk." The Village Voice

"I've been a Toni fan ever since I read a story of hers called 'The Salad' on my second or third day of graduate school. I read her newest collection so fast the pages are singed." David Foster Wallace

"I scan the tables of contents of magazines, looking for Antonya Nelson's name, hoping that she has decided to bless us again. She's absolutely one of my favorites among story writers today, and I envy the reader who has yet to discover her work." Michael Chabon

"Any lover of realistic narrative fiction about actual and unglamorous people will be greatly rewarded by the work of Antonya Nelson. Her voice is sure, her wit is quick, her observations continually resonate and her honesty is unwavering." Dave Eggers

"Nelson has a pitch-perfect ear for the rhythms and unspoken subtexts of domestic life, and especially for the ways a family balances old grudges with the need to practice forgiveness." Francine Prose

"We see clearly what it is that the best young writers have to offer — a kind of pizzazz, the love of undercurrent, of voyeuristic intensity, a bewildered fascination with ritual as it has been undermined in our time, yet sustained, too, in an oddly moving way. We also witness familial relationships from the bottom up." Raymond Carver

Antonya Nelson teaches creative writing at the University of Houston, and is the award-winning author of three novels and four short story collections. Her stories have appeared in the New Yorker, Harper's, and The Best American Short Stories. She divides her time among Texas, Colorado, and New Mexico.

Dick
Strike Anywhere
Flesh Tone
Heart Shaped Rock
Rear View
Only a Thing
Eminent Domain
Some Fun