In the dark of night, a mother risks her life to search for her four children, stolen by her former master. A wife refuses to hand her husband over to an angry white-hooded mob, despite the wailing of her babies--and the foot stomping on her pregnant belly. A woman calmly takes her seat in a first-class coach and is ordered to leave: I'm a lady. All ladies sit here, argues journalist Ida B. Wells before she is carried from the car, seat and all. These are some of the vignettes presented in Free at Last!, interwoven with spirituals, work songs, blues lyrics, poems, and a compelling narrative recounting the experience of black Americans in the South from the Emancipation Proclamation in 1863 through the dawn of the Civil Rights era in 1954. Drawing from true accounts, Doreen Rappaport writes of hopes for equality dashed by new legal injustices, and of a climate of fear and uncertainty fueled by intimidation, lynchings, and the rise of the Ku Klux Klan. But she tells also of the courageous struggle to re-create family and community life, achieve economic independence, explore creative expression, and eventually mount a successful legal challenge against segregation. Masterfully matched by Shane W. Evans's bold, emotion-filled paintings, this is an invaluable resource for teachers, parents, librarians, students, and everyone else who values what it means to be truly free. True stories and traditional songs shed light on a lesser known era in African-American history--the crucial decades between Emancipation and the start of the Civil Rights movement.

Spirituals, work songs, blues lyrics, poems, and a compelling narrative recount the experience of black Americans in the South from the Emancipation Proclamation in 1863 through the dawn of the Civil Rights era in 1954. Full color.

A glorious tribute to the lives of African-American heroes and heroines.

— SCHOOL LIBRARY JOURNAL

An International Reading Association Teachers' Choice

A Cooperative Children's Book Center Choice

A Chicago Public Library Best Book

Rappaport and Evans reprise the passion and power that informed their 2002 collaboration, shining their spotlight on the progess and struggles of African Americans from 1863 to 1954. Vigorous prose is punctuated by poems, songs, and excerpts from primary sources, all of which illuminate the peculiar experiences of a people freed and still not free.

— KIRKUS REVIEWS (starred review)