With this book, Alan Wald launches a bold and passionate account of the U.S. Literary Left from the 1920s through the 1960s. Exiles from a Future Time, the first volume of a trilogy, focuses on the forging of a Communist-led literary tradition in the 1930s. Exploring writers' intimate lives and heartfelt political commitments, Wald draws on original research in scores of archives and personal collections of papers; correspondence and interviews with hundreds of writers and their friends and families; and a treasure trove of unpublished memoirs, fiction, and poetry. <P>In fashioning a "humanscape" of the Literary Left, Wald not only reassesses acclaimed authors but also returns to memory dozens of forgotten, talented writers. The authors range from the familiar Mike Gold, Langston Hughes, and Muriel Rukeyser to William Attaway, John Malcolm Brinnin, Stanley Burnshaw, Joy Davidman, Sol Funaroff, Joseph Freeman, Alfred Hayes, Eugene Clay Holmes, V. J. Jerome, Ruth Lechlitner, and Frances Winwar. <P>Focusing on the formation of the tradition and the organization of the Cultural Left, Wald investigates the "elective affinity" of its avant-garde poets, the "Afro-cosmopolitanism" of its Black radical literary movement, and the uneasy negotiation between feminist concerns and class identity among its women writers.

Alan Wald demolishes the myth of a cultural commissar forcing radical writers to follow Moscow's artistic line. In its place, he offers a fascinating portrayal of a group of gifted left-wing poets and novelists pursuing their own intensely personal literary and political trajectories. (Ellen Schrecker, author of Many Are the Crimes: McCarthyism in America)

This is a fascinating, perhaps even magisterial record of the complex achievement of those many American writers who gallantly dared to imagine a world free of reckless capitalism and its attendant social plagues. (Arnold Rampersad, author of The Life of Langston Hughes)

Wald's study emphasizes biography in order to illumine the connection between political convictions and literary art. The result blends literary scholarship and oral history. . . . Valuable for assessing the contributions of numerous individual writers. (Library Journal)

Wald offers a comprehensive history and reconsideration of the U.S. literary left in the mid-twentieth century. Recovering the central role Marxist-influenced writers played in fiction, poetry, theater, and literary criticism, he explores the lives and work of figures including Richard Wright, Muriel Rukeyser, Mike Gold, Claude McKay, Tillie Olsen, and Meridel Le Sueur.

Alan M. Wald is director of the Program in American Culture and professor of English at the University of Michigan in Ann Arbor. His previous books include The New York Intellectuals, The Revolutionary Imagination, and Writing from the Left.