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History of Beauty ((2ND)05 Edition)

by Umberto Eco

History of Beauty ((2ND)05 Edition) Cover

 

Review-A-Day

"The great charm of Eco's work is that it is both grand and companionable, mixing erudition and philosophical sophistication with contemporary notions of the cool and the fashionable. Eco, semiotician who occasionally turns his hand to fiction, is a student of aesthetics — he wrote the excellent Art of Beauty in the Middle Ages — and this new historical survey come generously illustrated with the paintings, sculptures, and buildings that trace the beautiful over the centuries." Arthur Krystal, Harper's Magazine (Read the entire Harper's review)

Synopses & Reviews

Please note that used books may not include additional media (study guides, CDs, DVDs, solutions manuals, etc.) as described in the publisher comments.

Publisher Comments:

What is beauty? What is art? What is taste and fashion? Is beauty something to be observed coolly and rationally or is it something dangerously involving? So begins Umberto Eco's intriguing journey into the aesthetics of beauty, in which he explores the ever-changing concept of the beautiful from the ancient Greeks to today. While closely examining the development of the visual arts and drawing on works of literature from each era, Eco broadens his enquiries to consider a range of concepts, including the idea of love, the unattainable woman, natural inspiration versus numeric formulas, and the continuing importance of ugliness, cruelty, and even the demonic.

Professor Eco takes us from classical antiquity to the present day, dispelling many preconceptions along the way and concluding that the relevance of his research is urgent because we live in an age of great reverence for beauty, "an orgy of tolerance, the total syncretism and the absolute and unstoppable polytheism of Beauty."

In this, his first illustrated book, Professor Eco offers a layered approach that includes a running narrative, abundant examples of painting and sculpture, and excerpts from writers and philosophers of each age, plus comparative tables. A true road map to the idea of beauty for any reader who wishes to journey into this wonderful realm with Eco's nimble mind as guide.

Review:

"This inspired book begins, after a little throat-clearing, with 11 verso-recto 'comparative tables' — sets of contact-sheet — like illustrations that trace representations of 'Nude Venus' and 'Nude Adonis' (clothed sets follow) as well as Madonna, Jesus, 'Kings' and 'Queens' over thousands of years, revealing with wonderful brevity the scope of the task Eco has set for the book. What follows is a dense, delectable tour through the history of art as it struggled to cope with beauty's many forms. The text, while rigorous in its inquiries, is heavy on abstractions, which get amplified by stiff translation: 'In short, the question was how to retable the debate about the Classical antitheses of thought, in order to reelaborate them within the framework of a dynamic relationship.' The selections, however, are breathtaking — 300 color illustrations, from Praxiteles to Pollock — and they grant the text the freedom to delve into their complex mysteries. Eco's categories for doing so (e.g., 'Poets and Impossible Loves') and his historical breadth in elaborating them are creative and impressive respectively. Long quotations ranging from Plotinus and Petrarch to Xenophon and Zola allow each era to speak for itself, while Eco links them with his own epoch-leaping connections. Seen in terms of a timeless debate on the form and meaning of beauty, masterpieces like Titian's Sacred and Profane Love or Cranach's Venus with Cupid Stealing Honey seem, if possible, even more immediate, and related to our own amorous profanities and thefts." Publishers Weekly (Copyright 2004 Reed Business Information, Inc.)

Book News Annotation:

Acclaimed novelist and scholar Eco (author of Foucault's Pendulum examines the concept of beauty as it has evolved through the ages from Ancient Greece to the present day. Throughout the volume, he intertwines images (many in color) with the writings of philosophers, novelists, and poets and discusses the various models of beauty they represent. Sample topics include light and color in the Middle Ages, the practicality of Victorian aesthetics, and beauty in the contemporary fashion industry.
Annotation ©2004 Book News, Inc., Portland, OR (booknews.com)

Synopsis:

"What is beauty? What is art? What is taste and fashion? Is beauty something to be observed coolly and rationally or is it something dangerously involving?" So begins Eco's intriguing journey into the aesthetics of beauty, in which he explores the ever-changing concept of the beautiful from the ancient Greeks to today.

About the Author

Umberto Eco is president of the Scuola Superiore di Studi Umanistici, University of Bologna, and one of the most acclaimed writers of our time. The author of The Name of the Rose, Foucault's Pendulum, and The Island of the Day Before, his most recent book is Baudolino.

Product Details

ISBN:
9780847826469
Editor:
Eco, Umberto
Translator:
McEwen, Alastair
Translator:
McEwen, Alastair
Editor:
Eco, Umberto
Author:
Eco, Umberto
Publisher:
Rizzoli International Publications
Subject:
General
Subject:
History - General
Subject:
Aesthetics
Subject:
History : General
Subject:
Philosophy
Subject:
Art history
Subject:
Art -- Philosophy -- History.
Subject:
Art-History and Criticism
Publication Date:
20041231
Binding:
Hardcover
Grade Level:
General/trade
Language:
English
Illustrations:
Y
Pages:
438
Dimensions:
9.56x7.06x1.26 in. 3.04 lbs.

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Related Aisles

History of Beauty ((2ND)05 Edition) Used Hardcover
0 stars - 0 reviews
$22.00 In Stock
Product details 438 pages Rizzoli International Publications - English 9780847826469 Reviews:
"Publishers Weekly Review" by , "This inspired book begins, after a little throat-clearing, with 11 verso-recto 'comparative tables' — sets of contact-sheet — like illustrations that trace representations of 'Nude Venus' and 'Nude Adonis' (clothed sets follow) as well as Madonna, Jesus, 'Kings' and 'Queens' over thousands of years, revealing with wonderful brevity the scope of the task Eco has set for the book. What follows is a dense, delectable tour through the history of art as it struggled to cope with beauty's many forms. The text, while rigorous in its inquiries, is heavy on abstractions, which get amplified by stiff translation: 'In short, the question was how to retable the debate about the Classical antitheses of thought, in order to reelaborate them within the framework of a dynamic relationship.' The selections, however, are breathtaking — 300 color illustrations, from Praxiteles to Pollock — and they grant the text the freedom to delve into their complex mysteries. Eco's categories for doing so (e.g., 'Poets and Impossible Loves') and his historical breadth in elaborating them are creative and impressive respectively. Long quotations ranging from Plotinus and Petrarch to Xenophon and Zola allow each era to speak for itself, while Eco links them with his own epoch-leaping connections. Seen in terms of a timeless debate on the form and meaning of beauty, masterpieces like Titian's Sacred and Profane Love or Cranach's Venus with Cupid Stealing Honey seem, if possible, even more immediate, and related to our own amorous profanities and thefts." Publishers Weekly (Copyright 2004 Reed Business Information, Inc.)
"Review A Day" by , "The great charm of Eco's work is that it is both grand and companionable, mixing erudition and philosophical sophistication with contemporary notions of the cool and the fashionable. Eco, semiotician who occasionally turns his hand to fiction, is a student of aesthetics — he wrote the excellent Art of Beauty in the Middle Ages — and this new historical survey come generously illustrated with the paintings, sculptures, and buildings that trace the beautiful over the centuries." (Read the entire Harper's review)
"Synopsis" by , "What is beauty? What is art? What is taste and fashion? Is beauty something to be observed coolly and rationally or is it something dangerously involving?" So begins Eco's intriguing journey into the aesthetics of beauty, in which he explores the ever-changing concept of the beautiful from the ancient Greeks to today.
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