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The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective. His tools are the logic of Aristotle, the theology of Aquinas, the empirical insights of Roger Bacon — all sharpened to a glistening edge by wry humor and a ferocious curiosity. He collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey, where "the most interesting things happen at night".
Review:
"A brilliantly conceived adventure into another time, an intelligent and complex novel, a lively and well-plotted mystery." San Francisco Chronicle
Review:
"The novel explodes with pyrotechnic inventions, literally as well as figuratively....The narrative impulse that commands the story is irresistible....Mr. Eco's delight in his narrative does not fail to touch the reader." New York Times Book Review
Review:
"Like the labyrinthine library at its heart, this brilliant novel has many cunning passages and secret chambers....Fascinating....Ingenious....Dazzling." Newsweek
Review:
"Whether you're into Sherlock Holmes, Montaillou, Borges, the nouvelle critique, The Rule of St. Benedict, metaphysics, library design, or The Thing from the Crypt, you'll love it. Who can that miss out?" Sunday Times (London)
Synopsis:
It is the year 1327. Franciscans in an Italian abbey are suspected of heresy, but Brother William of Baskerville’s investigation is suddenly overshadowed by seven bizarre deaths. Translated by William Weaver. A Helen and Kurt Wolff Book
Umberto Eco is the author of four bestselling novels and numerous collections of essays. A professor of semiotics at the University of Bologna, he lives in Italy.
jon113113, May 3, 2010 (view all comments by jon113113)
Certain books have been cast out of the limelight because of the challenge they pose to readers. The Name of the Rose, by Umberto Eco, is not a book for the faint of heart. Its infinite complexity and dense material can seem daunting, but for those who are up to the challenge, the book is a wonderfully satisfying read.
The Name of The Rose revolves around two monks, William of Baskerville, and Adso of Melk, in their attempt to root out a murderer plaguing a medieval monastery. In a very Holmesian fashion, William and Adso navigate through the monastery, discovering layer upon layer of mystery, navigating passageways, decoding secret messages, confronting monks and their unholy ways, all under the pretext of a holy mission. But, as they find out, the mystery only compounds itself, yielding further struggle to these characters, and culminating in an Apocryphal climax.
When I first looked at the novel, the sheer enormity of the book made me doubt my decision to read it. There are larger books out there, but the density of the material within is truly staggering. Eco goes from describing a secret message on one page to a scathing discussion on religious tenets in the next pages. But pushing forward through the novel, the journey began to reveal larger messages that Eco invokes. The main character, Adso, plays a role remarkably similar to the reader, and together, we journeyed though the book. Adso’s journey mirrors our own, and even he feels “it is hard to know whether the letter he has written contains some hidden meaning, or more than one, or many, or none at all.”
After the plot became understandable, further layers in the novel revealed themselves. Symbols started to emerge, blatant ones, religious ones, and symbols so broad it takes a second glance to fully understand how exactly it fits. But once they are realized connections are made, ideas fall into place, and the whole novel begins to click. There were many “Aha!” moments as I read, which are always fun.
However, after finishing the novel, a new understanding becomes apparent to the reader. The novel is not simply a murder mystery in a monastery, but so much more. Every piece of the puzzle, from a carving in the door to the arrangement of rooms in the library plays a vital role in the solution to the puzzle at the end. And the real gift of The Name of The Rose is not in its plot, but the realization about literature, about ideas, about understanding that the book teaches. For Umberto Eco’s novel is not just a novel, but a masterpiece that deserves to be read.
"Review"
by San Francisco Chronicle,
"A brilliantly conceived adventure into another time, an intelligent and complex novel, a lively and well-plotted mystery."
"Review"
by New York Times Book Review,
"The novel explodes with pyrotechnic inventions, literally as well as figuratively....The narrative impulse that commands the story is irresistible....Mr. Eco's delight in his narrative does not fail to touch the reader."
"Review"
by Newsweek,
"Like the labyrinthine library at its heart, this brilliant novel has many cunning passages and secret chambers....Fascinating....Ingenious....Dazzling."
"Review"
by Sunday Times (London),
"Whether you're into Sherlock Holmes, Montaillou, Borges, the nouvelle critique, The Rule of St. Benedict, metaphysics, library design, or The Thing from the Crypt, you'll love it. Who can that miss out?"
"Synopsis"
by Harcourt,
It is the year 1327. Franciscans in an Italian abbey are suspected of heresy, but Brother William of Baskerville’s investigation is suddenly overshadowed by seven bizarre deaths. Translated by William Weaver. A Helen and Kurt Wolff Book
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