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"Unfortunately, I've been to my fair share of wakes."
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Wizard of the Crow
by Ngugi wa'Thiong'o
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Synopses & Reviews Please note that used books may not include additional media (study guides, CDs, DVDs, solutions manuals, etc.) as described in the publisher comments. From the exiled Kenyan novelist, playwright, poet, and literary critic — a magisterial comic novel that is certain to take its place as a landmark of postcolonial African literature.
In exile now for more than twenty years, Ngugl wa Thiong'o has become one of the most widely read African writers of our time, the power and scope of his work garnering him international attention and praise. His aim in Wizard of the Crow is, in his own words,nothing less than "to sum up Africa of the twentieth century in the context of two thousand years of world history."
Commencing in "our times" and set in the "Free Republic of Aburlria," the novel dramatizes with corrosive humor and keenness of observation a battle for control of the souls of the Aburlrian people. Among the contenders: His High Mighty Excellency; the eponymous Wizard, an avatar of folklore and wisdom; the corrupt Christian Ministry; and the nefarious Global Bank. Fashioning the stories of the powerful and the ordinary into a dazzling mosaic, Wizard of the Crow reveals humanity in all its endlessly surprising complexity.
Informed by richly enigmatic traditional African storytelling, Wizard of the Crow is a masterpiece, the crowning achievement in Ngugl wa Thiong'o's career thus far. Review: "The fictional Republic of Aburiria chronicled in this sprawling, dazzling satirical fable is an exaggeration of sordid African despotism. At the top, a grandiose Ruler with 'the power to declare any month in the year the seventh month' and his sycophantic cabinet plan to climb to heaven with a modern-day Tower of Babel funded by the Global Bank; beneath them, a cabal of venal officials and opportunistic businessmen jockey for a piece of the pie; at the bottom are the unemployed masses who wait in endless lines behind every help-wanted sign. Kamiti, an archetypal New Man with two university degrees and no job prospects, sets up shop as a wizard; with the help of Nyawira, member of both an underground dissident movement and a feminist dance troupe, he dispenses therapeutic sorcery to a citizenry that finds witchcraft less absurd than everyday life. Kenyan novelist Thiong'o (Petals of Blood) mounts a nuanced but caustic political and social satire of the corruption of African society, with a touch of magical realism — or, perhaps, realistic magic, as the wizard's tricks hinge on holding a not-so-enchanted mirror to his clients' hidden self-delusions. The result is a sometimes lurid, sometimes lyrical reflection on Africa's dysfunctions — and possibilities." Publishers Weekly (Starred Review) (Copyright Reed Business Information, Inc.) Review: "In the year in which the despotic leader of the fictional African nation of Aburiria announces a grand scheme to build the world's tallest building, Kamiti, a luckless job seeker, wakes up on a rubbish heap to find himself possessed of magical powers. So begins 'Wizard of the Crow,' Ngugi wa Thiong'o's epic African political satire, his first novel in 20 years. Daunting in its ambition and ... Washington Post Book Review (read the entire Washington Post review) scale, spanning more than 700 pages, it is, in the author's own words, the story of 'Africa of the twentieth century in the context of two thousand years of world history.' The Aburiria of Ngugi's imagination is representative of many African dictatorships. Its leader — known only as 'the Ruler' — and his band of sycophantic and feuding ministers govern (the term is used loosely) through a blend of showmanship and brutality. Corruption is rife, the economy nonexistent, and the giant building — 'Marching to Heaven' — is intended to shore up their leader's popularity. In the era of globalization, all those who have fought for Africa's soul in the past — church, despots and sorcerers — are now joined by the Global Bank, on whom the government depends to finance its project. Since the end of the Cold War, the Ruler, like many Third World strongmen once useful to First World powers, now finds himself dispensable. His efforts to secure the funding for his world's tallest building project provide the arc of the novel's narrative. The tale is in turns fantastical, surreal and scatological. One cabinet minister has undergone plastic surgery to enlarge his eyes 'to the size of electric bulbs' in order to spot the Ruler's enemies. Not to be outdone, his main rival has his ears enlarged to the size of a rabbit's in order to be able to detect danger from any direction. On the day the building scheme is announced, the stage full of cabinet ministers and visiting dignitaries collapses and sinks into a pit of foul ooze. These flights of the imagination, the merging of real and unreal worlds, are in keeping with the qualities of African oral literature, as is the fast-paced narrative, marked by short chapters packed with continuous action. Meanwhile, Kamiti, the poor job seeker, inadvertently becomes involved in a protest by the underground Movement for the Voice of the People during a visit by a delegation from the Global Bank. Kamiti, along with the mysterious female leader of the Movement, a woman named Nyawira, finds himself running for his life, chased by policemen. Hiding out in Nyawira's house, he comes up with the ingenious notion of posting a sign claiming the property is inhabited by a powerful sorcerer in order to frighten the pursuers away. But what begins as a ruse soon takes on a life of its own. The Wizard, played by Kamiti but sometimes Nyawira, begins to receive a stream of visitors. First comes the policeman who pursued them and who becomes an occasional narrator in the novel, seeking help in winning a promotion. When his dream comes true, word spreads of the Wizard's power. After the wealthy come the poor and the oppressed by the thousands. In a world that seems hopeless, magic provides the only possibility of hope. But what at first appears to be all smoke and mirrors, plus a basic understanding of human psychology, soon has both Kamiti and Nyawira wondering if Kamiti does indeed have magical powers. During a trip home to his family village, Kamiti's father reveals that Kamiti comes from a long line of sorcerers. When a corrupt businessman loses the power of speech, the Wizard diagnoses it as a case of 'whiteache,' the yearning to be European. Later, a similar ailment, though with a different cause, afflicts the Ruler. And the common people themselves feel the same weight of silence, which explains the appeal of the Movement of the Voice. 'We want our voice back,' cry protesters. The themes of speech and silence have long preoccupied Ngugi, who achieved international fame with 'Decolonising the Mind: The Politics of Language in African Literature' (1986), in which he wrote, 'The bullet was the means of physical subjugation. Language was a means of spiritual subjugation.' In Kenya, English became the official language of education and communication. Ngugi pointed out that his own arrest and detention (without charge and in a maximum security prison) came only after he began to write in Kikuyu instead of English, thereby reaching a far greater number of ordinary Kenyans, a development that the authorities found threatening. Ever since, Ngugi has questioned the gulf between African intellectuals and their audience and resolved to write in his own tongue; 'Wizard of the Crow' was first written in Kikuyu and translated by the author into English. If the language sometimes feels simple and if the narrative contains somewhat didactic set pieces on AIDS and domestic violence, it is worth remembering that Ngugi's works are often read aloud in public spaces. 'Wizard of the Crow' is first and foremost a great, spellbinding tale, probably the crowning glory of Ngugi's life's work. He has done for East Africa what Ahmadou Kourouma's 'Waiting for the Wild Beasts to Vote' did for West Africa: He has turned the power of storytelling into a weapon against totalitarianism. Aminatta Forna is the author of 'The Devil That Danced on the Water.' Her new novel, 'Ancestor Stones,' will be published in the United States in September." Reviewed by Aminatta Forna, Washington Post Book World (Copyright 2006 Washington Post Book World Service/Washington Post Writers Group)
(hide most of this review)Review: The translation, by the author himself from his native Gikuyu, is fluid and manages to convey a vivid sense of African storytelling. Recommended for all collections of literary fiction." Library Journal Review: " [W]ith Wizard of the Crow, Ngugi has flown over the entire African continent and sniffed out all of the foul stenches rising high into the air: complacency toward despotism, repression of women and ethnic minorities, widespread corruption and...a neocolonial system in which today's lending banks and multinationals have supplanted yesterday's European overlords." New York TimesReview: "[T]his unforgettable love story reveals the magic power of the ordinary in people and in politics." Booklist Synopsis: In exile now for more than 20 years, the author has become one of the most widely read contemporary African writers. This volume is an ambitious attempt to sum up the Africa of the 20th century in the context of two thousand years of world history, exploring themes of globalization, greed, power, love, corruption, and resurrection. About the Author Ngugl wa Thiong'o has taught at Amherst College, Yale University, and New York University. He is Distinguished Professor of English and Comparative Literature at the University of California, Irvine, and is director of the university's International Center for Writing and Translation. His books include Petals of Blood, for which he was imprisoned by the Kenyan government in 1977. He lives in Irvine, California.
Product Details
- ISBN:
- 9780375422485
- Author:
- wa'Thiong'o, Ngugi
- Publisher:
- Random House
- Author:
- Ngguggi Wa Thiong'o
- Author:
- Ngugi Wa Thiong'O
- Author:
- Ngugi wa Thiong'o
- Author:
- Wa'thiong'o, Ngugi
- Author:
- Ngguggi Wa Thiong'o
- Subject:
- Literary
- Subject:
- Africa
- Subject:
- Power (Social sciences)
- Publication Date:
- August 2006
- Binding:
- Hardcover
- Language:
- English
- Pages:
- 768
- Dimensions:
- 9.26x6.42x1.88 in. 2.62 lbs.
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