Design of Dissent

Dissent is an essential part of keeping democratic societies healthy, and our ability as citizens to voice our opinion is not only our privilege but our responsibility. Without this dialogue, the backbone of what we have fought so desperately for could easily crumble.

Over the past several decades, we have seen the number of democratic societies around the globe increase, and during the past ten years, there has been a heightened awareness of the increasing conflicts and problems that both directly and indirectly affect our everyday lives. With the Middle EastÆs never ending conflict, the war on terrorism, and the numerous financial and environmental crises, peopleÆs sense of safety, power, and representation has diminished in part because they feel they have no voice.

Designers, however, have used their skills to communicate their dissent throughout history and are doing so even more now with the birth of the Web and the increasing ease of distributing posters and other printed materials. A picture is worth a thousand words and designers have used this adage to their advantage by creating simple yet powerful designs that immediately convey poignant messages to their viewers. The Design of Dissent will examine graphic work focusing on social and political concerns from around the globe. The time is certainly ripe as the U.S. — and world — flare in opposition on so many important issues.

"With a vibrant display of buttons, posters and leaflets that protest the Iraq war, the corporate media, the Israeli military and all points between, this book cuts a wide swath, indeed. Assembled by designer Glaser, best known for his I ? NY logo, and Ilic, a School of Visual Arts instructor and author of several books on design, the book bursts with compelling political designs from all over the world, but it lacks an overall direction and shape. Neither a deeply snoozeriffic foreword by playwright Tony Kushner nor a rambling interview of Glaser by the New York Times' Steven Heller give any clear indication of the books' overall purpose. Not that there aren't images here to make the skin crawl and the blood boil, including a photo montage of victims processed at a Khmer Rouge extermination facility, and silverware superimposed on either side of a cow collapsed in meat factory filth. The most fascinating section of the book focuses on conflicts in the former Yugoslavia, bringing the region's brutal recent history to life with a shocking immediacy and quiet rage. However, despite the book's striking and colorful individual parts, it comes across as a loosely organized compendium of leftist protest paraphernalia. " Publishers Weekly (Copyright Reed Business Information, Inc.)