Elvis Costello is undoubtedly one of the most important and challenging musicians of the last thirty years. Complicated Shadows paints a detailed portrait of an intensely private, complex, and creatively restless individual. It draws on a wealth of new research, including exclusive interviews with people from all stages of Costello's life and career: classmates, friends, members of his early bands, former lovers, members of the Attractions, producers, and various collaborators. Complicated Shadows reveals the circumstances surrounding his marriages to ex-Pogues bassist Cait O'Riordan and jazz singer Diana Krall, and the bitter breakup of his long-term backing band, the Attractions. Costello's "coiled tight" personality and penchant for outrageous candor set the tone for a frenetic, and aesthetically inventive, independent band. Their independence is epitomized by their infamous 1977 Saturday Night Live appearance (replacing the Sex Pistols, who dropped out) when Costello cut short the scheduled song, "Less Than Zero," then directed the band to play the as-of-yet unreleased "Radio Radio." Costello didn't appear on live U.S. television again until the 1980s. Complicated Shadows contains a full examination and analysis of the entirety of Costello's vast and varied musical output, both in the studio and on the stage.

"The progeny of a trumpet player grandfather and a big band vocalist father, Costello was destined to be a star musician by osmosis, if not genetics. Born Declan Patrick MacManus in 1954, the future Buddy Holly clone was raised by a West London family understandably supportive of his early rock leanings. Though 'gawky and comically knock-kneed,' the young Brit was performing in Liverpool clubs by 18, honing his anti-establishment persona by 22 and on the verge of conquering America by 25-a lightning fast rise deftly recorded by freelance journalist Thomson. A knowledgeable critic, Thomson skillfully interweaves articulate criticism of Costello's musical evolution into his biographical narrative, and unsentimentally details the thrice-married lyricist's dips into infidelity, drug use and egomania (including the artist's infamous song switcheroo on Saturday Night Live in 1977 and his unceremonious firing of his back-up band, the Attractions, in 1987). And while Thomson assumes that readers will have a certain familiarity with the composer's oeuvre and influences, he also writes clearly enough for Costello novices. And he's not without a sense of humor; while discussing the heyday of glam rock, he explains that Elvis wasn't a believer because he had 'neither the physique nor the eyelashes for that.' In all, this is an engrossing and lively account of an equally animated personality. " Publishers Weekly (Copyright Reed Business Information, Inc.)

This title contains a full examination and analysis of the entirety of Elvis Costello's vast and varied musical output, both in the studio and on the stage. It creates a detailed portrait of an intensely private, complex, and creatively restless individual.