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Chronicles of Narnia #06: The Silver Chairby C S Lewis
Synopses & Reviews
The Queen of Underland
Two Earthmen entered, but instead of advancing into the room, they placed themselves one on each side of the door, and bowed deeply. They were followed immediately by the last person whom anyone had expected or wished to see: the Lady of the Green Kirtle, the Queen of Underland. She stood dead still in the doorway, and they could see her eyes moving as she took in the whole situation — the three strangers, the silver chair destroyed, and the Prince free, with his sword in his hand.
She turned very white; but Jill thought it was the sort of whiteness that comes over some people's faces not when they are frightened but when they are angry. For a moment the Witch fixed her eyes on the Prince, and there was murder in them. Then she seemed to change her mind.
"Leave us," she said to the two Earthmen. "And let none disturb us till I call, on pain of death." The gnomes padded away obediently, and the Witch-queen shut and locked the door.
"How now, my lord Prince," she said. "Has your nightly fit not yet come upon you, or is it over so soon? Why stand you here unbound? Who are these aliens? And is it they who have destroyed the chair which was your only safety?"
Prince Rilian shivered as she spoke to him. And no wonder: it is not easy to throw off in half an hour an enchantment which has made one a slave for ten years. Then, speaking with a great effort, he said:
"Madam, there will be no more need of that chair. And you, who have told me a hundred times how deeply you pitied me for the sorceries by which I was bound, will doubtless hear with joy that they are now ended for ever. There was, it seems, some small error in your Ladyship's wayof treating them. These, my true friends, have delivered me. I am now in my right mind, and there are two things I will say to you. First — as for your Ladyship's design of putting me at the head of an army of Earthmen so that I may break out into the Overworld and there, by main force, make myself king over some nation that never did me wrong — murdering their natural lords and holding their throne as a bloody and foreign tyrant — now that I know myself, I do utterly abhor and renounce it as plain villainy. And second: I am the King's son of Narnia, Rilian, the only child of Caspian, Tenth of that name, whom some call Caspian the Seafarer. Therefore, Madam, it is my purpose, as it is also my duty, to depart suddenly from your Highness's court into my own country. Please it you to grant me and my friends safe conduct and a guide through your dark realm."
Now the Witch said nothing at all, but moved gently across the room, always keeping her face and eyes very steadily towards the Prince. When she had come to a little ark set in the wall not far from the fireplace, she opened it, and took out first a handful of a green powder. This she threw on the fire. It did not blaze much, but a very sweet and drowsy smell came from it. And all through the conversation which followed, that smell grew stronger, and filled the room, and made it harder to think. Secondly, she took out a musical instrument rather like a mandolin. She began to play it with her fingers — a steady, monotonous thrumming that you didn't notice after a few minutes. But the less you noticed it, the more it got into your brain and your blood. This also made it hard to think. After she had thrummed for a time (and the sweetsmell was now strong) she began speaking in a sweet, quiet voice.
"Narnia?" she said. "Narnia? I have often heard your Lordship utter that name in your ravings. Dear Prince, you are very sick. There is no land called Narnia."
"Yes, there is, though, Ma'am," said Puddleglum. "You see, I happen to have lived there all my life."
"Indeed," said the Witch. "Tell me, I pray you, where that country is?"
"Up there," said Puddleglum, stoutly, pointing overhead. "I — I don't know exactly where."
"How?" said the Queen, with a kind, soft, musical laugh. "Is there a country up among the stones and mortar of the roof?"
"No," said Puddleglum, struggling a little to get his breath. "It's in the Overworld."
"And what, or where, pray is this how do you call it. . . Overworld?"
"Oh, don't be so silly," said Scrubb, who was fighting hard against the enchantment of the sweet smell and the thrumming. "As if you didn't know! It's up above, up where you can see the sky and the sun and the stars. Why, you've been there yourself. We met you there."
"I cry you mercy, little brother," laughed the Witch (you couldn't have heard a lovelier laugh). "I have no memory of that meeting. But we often meet our friends in strange places when we dream. And unless all dreamed alike, you must not ask them to remember it."
"Madam," said the Prince sternly, "I have already told your Grace that I am the King's son of Narnia."
"And shalt be, dear friend," said the Witch in a soothing voice, as if she were humouring a child, "shalt be king of many imagined lands in thy fancies."
"We've been there, too," snapped Jill. She was very angry because she could feel enchantment getting hold of her everymoment. But of course the very fact that she could still feel it, showed that it had not yet fully worked.
"And thou art Queen of Narnia too, I doubt not, pretty one," said the Witch in the same coaxing, half-mocking tone.
A mass-market paperback edition of The Silver Chair, book six in the classic fantasy series, The Chronicles of Narnia, featuring cover art by Cliff Nielsen and black-and-white interior artwork by the original illustrator of the series, Pauline Baynes.
Through dangers untold and caverns deep and dark, a noble band of friends is sent to rescue a prince held captive. But their mission to Underland brings them face-to-face with an evil more beautiful and more deadly than they ever expected.
The Silver Chair is the sixth book in C. S. Lewis's classic fantasy series. For over sixty years, it has been drawing readers of all ages into a magical land where giants wreak havoc and enchantment rules. This is a complete stand-alone read, but if you want to discover what happens in the final days of Narnia, read The Last Battle, the seventh and concluding book in The Chronicles of Narnia.
Jill and Eustace must rescue the Prince from the evil Witch.
About the Author
Clive Staples Lewis (1898-1963) was one of the intellectual giants of the twentieth century and arguably the most influential Christian writer of his day. He was a Fellow and Tutor in English literature at Oxford University until 1954 when he was unanimously elected to the Chair of Medieval and Renaissance English at Cambridge University, a position he held until his retirement. His major contributions in literary criticism, children's literature, fantasy literature, and popular theology brought him international renown and acclaim. He wrote more than thirty books, allowing him to reach a vast audience, and his works continue to attract thousands of new readers every year. His most distinguished and popular accomplishments include The Chronicles of Narnia, Out of the Silent Planet, The Four Loves, The Screwtape Letters, and Mere Christianity.
Clive Staples Lewis (1898-1963) fue uno de los intelectuales mÁs importantes del siglo veinte y podrÍa decirse que fue el escritor cristiano mÁs influyente de su tiempo. Fue profesor particular de literatura inglesa y miembro de la junta de gobierno en la Universidad Oxford hasta 1954, cuando fue nombrado profesor de literatura medieval y renacentista en la Universidad Cambridge, cargo que desempeÑÓ hasta que se jubilÓ. Sus contribuciones a la crÍtica literaria, literatura infantil, literatura f, clothing designer, and TV celebrity. Her clothing line, Whitney Eve, can be found online and in many high-end boutiques. Most recently, she was the star of MTV's hit reality show The City. She has worked as a fashion contributor for Teen Vogueand fashion publicist for Diane von Furstenberg, and has been featured on the covers of Cosmopolitan, Rolling Stone, Seventeen, and Entertainment Weekly, among others. Whitney lives in Los Angeles.
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