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The Bayeux Tapestry: The Life Story of a Masterpieceby Carola Hicks
Synopses & ReviewsPublisher Comments:The story of the Bayeux Tapestry from its origins and creation to its long and dramatic afterlife. The vivid scenes on the Bayeux Tapestry depict the events leading up to the Battle of Hastings in 1066, when William the Conqueror seized the English throne. One of Europes greatest treasures, the tapestry tells a magnificent tale but as Carola Hicks shows, its own story is just as dramatic. From the start there are mysteries and controversies. Who commissioned the tapestry? Was it Bishop Odo, Williams ruthless half-brother? Or was it King Harolds sister, Edith, widow of Edward the Confessor? Hicks makes a strong case for Edith, showing us her world and the miracle of the tapestrys making talented women plying their needles, the stitches and dyes, the strange details in the margins. The tapestry lay in Bayeux Cathedral, dusty and ignored until its “discovery” in the eighteenth century. During the French Revolution, the townsfolk narrowly saved it from destruction, while Napoleon displayed it in Paris to boost his planned conquest. In the nineteenth-century, to the horror of male historians, women claimed it as “female” history. In the twentieth century, it was swept up in the struggle with the Nazis and since then, its iconic images have inspired films, novels and commercial advertising. This marvelous book, packed with thrilling stories, shows how we remake history in every age, and how a great work of art has a life of its own. Synopsis:One of Europes greatest artistic treasures, the Bayeux Tapestry depicts the events leading up to the Battle of Hastings in 1066. For all its fame, its origins and story are complex and somewhat cloudy. Though many assume it was commissioned by Bishop Odo—Williams ruthless half-brother—it may also have been financed by Harolds dynamic sister Edith, who was juggling for a place in the new court. In this intriguing study, medieval art historian Carola Hicks investigates the miracle of the tapestrys making—including the unique stitches, dyes, and strange details in the margins—as well as its complicated past. For centuries it lay ignored in Bayeux cathedral until its discovery in the 18th century. It quickly became a symbol of power: townsfolk saved it during the French Revolution, Napoleon displayed it to promote his own conquest, and the Nazis strove to make it their own. Packed with thrilling stories, this history shows how every great work of art has a life of its own. About the AuthorCarola Hicks is Director of Studies at Newnham College, Cambridge. She wrote her Ph.D. thesis on animal decorations in medieval art, including the Bayeux Tapestry. What Our Readers Are SayingBe the first to add a comment for a chance to win!Product Details
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