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History of Modern Art (5TH 04 - Old Edition)by H. H. Arnason
Synopses & ReviewsPlease note that used books may not include additional media (study guides, CDs, DVDs, solutions manuals, etc.) as described in the publisher comments.
Publisher Comments:
Long considered the survey of modern art, this engrossing and liberally illustrated text traces the development of trends and influences in painting, sculpture, photography and architecture from the mid-nineteenth century to the present day. Retaining its comprehensive nature and chronological approach, it now comes thoroughly reworked by Elizabeth Mansfield, an experienced art historian and writer, with refreshing new analyses, a considerably expanded picture program, and a more absorbing and unified narrative. Synopsis:
Long considered the survey of modern art, this engrossing and liberally illustrated text traces the development of trends and influences in painting, sculpture, photography and architecture from the mid-nineteenth century to the present day. Retaining its comprehensive nature and chronological approach, it now comes thoroughly reworked by Elizabeth Mansfield, an experienced art historian and writer, with refreshing new analyses, a considerably expanded picture program, and a more absorbing and unified narrative. About the AuthorElizabeth C. Mansfield is Associate Professor of art history at New York University. A scholar of modern European art and art historiography, her publications include books and articles on topics ranging from the origins of modernism to Picasso’s Demoiselles d’Avignon to the contemporary performance and body art of Orlan. A fellow at the National Humanities Center in 2008-09, she received the College Art Association’s Charles Rufus Morey book award in 2008 for Too Beautiful to Picture: Zeus, Myth, and Mimesis. Table of ContentsForeword: A Short History of History of Modern Art The Art of Looking Experience and Interpretation A Book That Moves with the Times Preface What’s New: Chapter-by-chapter revisions 1: The Origins of Modern Art SOURCE: Théophile Gautier, preface to Mademoiselle de Maupin (1835) Making Art and Artists: The Role of the Critic A Marketplace for Art CONTEXT: Modernity and Modernism the Modern Artist What Does It Mean to Be an Artist?: From Academic Emulation toward Romantic Originality Making Sense of a Turbulent World: The Legacy of Neoclassicism and Romanticism TECHNIQUE: Printmaking Techniques History Painting Landscape Painting 2: The Search for Truth: Early Photography, Realism, and Impressionism New Ways of Seeing: Photography and its Influence TECHNIQUE: Daguerreotype versus Calotype Only the Truth: Realism France England Seizing the Moment: Impressionism and the Avant-Garde Manet and Whistler From Realism to Impressionism Nineteenth-Century Art in the United States Early American Artists and the Hudson River School New Styles and Techniques in Later Nineteenth- SOURCE: Charles Baudelaire, from his “Salon of 1859” Century American Art 3: Post-Impressionism The Poetic Science of Color: Seurat and the Neo-Impressionists Form and Nature: Paul Cézanne Early Career and Relation to Impressionism Later Career The Triumph of Imagination: Symbolism Reverie and Representation: Moreau, Puvis, and Redon The Naive Art of Henri Rousseau An Art Reborn: Rodin and Sculpture at the Fin-de-Siècle Early Career and The Gates of Hell The Burghers of Calais and Later Career Exploring New Possibilities: Claudel and Rosso Primitivism and the Avant-Garde: Gauguin and Van Gogh Gauguin SOURCE: Paul Gauguin, from Noa Noa (1893) Van Gogh SOURCE: Vincent van Gogh, from a letter to his brother Theo van Gogh, 6 August 1888 A New Generation of Prophets: The Nabis Vuillard and Bonnard Montmartre: At Home with the Avant-Garde 4: The Origins of Modern Architecture and Design Safeguarding Culture: Revivalist Tendencies in Nineteenth-Century Architecture American Classicism European Eclecticism “A Return to Simplicity”: The Arts and Crafts Movement and Experimental Architecture Experiments in Synthesis: Modernism beside the Hearth Palaces of Iron and Glass: The Influence of Industry SOURCE: Joris-Karl Huysmans, from the review Le Fer, 1889 “Form Follows Function”: The Chicago School and the Origins of the Skyscraper SOURCE: Louis Sullivan, “The Tall Office Building Artistically Considered,” 1896 5: Art Nouveau and the Beginnings of Expressionism With Beauty at the Reins of Industry: Aestheticism and Art Nouveau Natural Forms for the Machine What Our Readers Are SayingAdd a comment for a chance to win!Average customer rating based on 1 comment:
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