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Original Essays | April 11, 2014

Paul Laudiero: IMG Shit Rough Draft



I was sitting in a British and Irish romantic drama class my last semester in college when the idea for Shit Rough Drafts hit me. I was working... Continue »
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1 Beaverton Art- Modern

History of Modern Art 5TH Edition

by

History of Modern Art 5TH Edition Cover

 

Synopses & Reviews

Publisher Comments:

Long considered the survey of modern art, this engrossing and liberally illustrated text traces the development of trends and influences in painting, sculpture, photography and architecture from the mid-nineteenth century to the present day. Retaining its comprehensive nature and chronological approach, it now comes thoroughly reworked by Elizabeth Mansfield, an experienced art historian and writer, with refreshing new analyses, a considerably expanded picture program, and a more absorbing and unified narrative.

Synopsis:

Includes bibliographical references (p. 776-798) and index.

Synopsis:

Authoritative and insightful, Arnason's History of Modern Art remains the definitive source of information on the art of the Modern Era from modernism's mid-nineteenth century European beginnings to today's divergent art trends. Now full-color throughout, this Fifth Edition has been completely redesigned to make it even more elegant and easy-to-use. New heads, subheads, and a glossary have been added to help the reader navigate the material and quickly identify areas of interest.

Table of Contents

Foreword: A Short History of History of Modern Art

The Art of Looking

Experience and Interpretation

A Book That Moves with the Times

Preface

What’s New: Chapter-by-chapter revisions

1: The Origins of Modern Art

SOURCE: Théophile Gautier, preface to Mademoiselle de Maupin (1835)

Making Art and Artists: The Role of the Critic

A Marketplace for Art

CONTEXT: Modernity and Modernism the Modern Artist

What Does It Mean to Be an Artist?: From Academic

Emulation toward Romantic Originality

Making Sense of a Turbulent World: The Legacy of Neoclassicism and Romanticism

TECHNIQUE: Printmaking Techniques

History Painting

Landscape Painting

2: The Search for Truth: Early Photography, Realism, and Impressionism

New Ways of Seeing: Photography and its Influence

TECHNIQUE: Daguerreotype versus Calotype

Only the Truth: Realism

France

England

Seizing the Moment: Impressionism and the Avant-Garde

Manet and Whistler

From Realism to Impressionism

Nineteenth-Century Art in the United States

Early American Artists and the Hudson River School

New Styles and Techniques in Later Nineteenth-

SOURCE: Charles Baudelaire, from his “Salon of 1859”

Century American Art

3: Post-Impressionism

The Poetic Science of Color: Seurat and the Neo-Impressionists

Form and Nature: Paul Cézanne

Early Career and Relation to Impressionism

Later Career

The Triumph of Imagination: Symbolism

Reverie and Representation: Moreau, Puvis, and Redon

The Naive Art of Henri Rousseau

An Art Reborn: Rodin and Sculpture at the Fin-de-Siècle

Early Career and The Gates of Hell

The Burghers of Calais and Later Career

Exploring New Possibilities: Claudel and Rosso

Primitivism and the Avant-Garde: Gauguin and Van Gogh

Gauguin

SOURCE: Paul Gauguin, from Noa Noa (1893)

Van Gogh

SOURCE: Vincent van Gogh, from a letter to his brother Theo van Gogh, 6 August 1888

A New Generation of Prophets: The Nabis

Vuillard and Bonnard

Montmartre: At Home with the Avant-Garde

4: The Origins of Modern Architecture and Design

Safeguarding Culture: Revivalist Tendencies in Nineteenth-Century Architecture

American Classicism

European Eclecticism

“A Return to Simplicity”: The Arts and Crafts Movement and Experimental Architecture

Experiments in Synthesis: Modernism beside the Hearth

Palaces of Iron and Glass: The Influence of Industry

SOURCE: Joris-Karl Huysmans, from the review Le Fer, 1889

“Form Follows Function”: The Chicago School and the

Origins of the Skyscraper

SOURCE: Louis Sullivan, “The Tall Office Building Artistically Considered,” 1896

5: Art Nouveau and the Beginnings of Expressionism

With Beauty at the Reins of Industry: Aestheticism and Art Nouveau

Natural Forms for the Machine

Product Details

ISBN:
9780131841055
Subtitle:
Hard cover
Author:
Arnason, H H
Author:
Arnason, H. H.
Author:
Mansfield, Elizabeth C.
Author:
Arnason, H. H. H
Publisher:
Prentice Hall Art History
Location:
Upper Saddle River, N.J.
Subject:
20th century
Subject:
Art, modern
Subject:
History - Modern (Late 19th Century to 1945)
Subject:
Art, Modern -- 20th century.
Subject:
General Art
Copyright:
Edition Number:
5
Edition Description:
Revised
Series:
MySearchLab Series for Art
Series Volume:
61
Publication Date:
20090727
Binding:
Hardback
Grade Level:
College/higher education:
Language:
Giacometti&rsquo;s Early Career</P> <P style="MARGIN: 0px">Surrealist Sculpture in Britain: Moore</P> <P style="MARGIN: 0px">Bizarre Juxtapositions: Photography and Surrealism</P> <P style="MARGIN: 0px">Atget&rsquo;s Paris</P> <P style="MARGIN: 0px">
Illustrations:
Yes
Pages:
848
Dimensions:
11.74x8.93x2.15 in. 8.62 lbs.
Age Level:
Julio Gonz&aacute;lez</P> <P style="MARGIN: 0px">S

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History of Modern Art 5TH Edition Used Hardcover
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$35.00 In Stock
Product details 848 pages Prentice Hall - English 9780131841055 Reviews:
"Synopsis" by , Includes bibliographical references (p. 776-798) and index.
"Synopsis" by , Authoritative and insightful, Arnason's History of Modern Art remains the definitive source of information on the art of the Modern Era from modernism's mid-nineteenth century European beginnings to today's divergent art trends. Now full-color throughout, this Fifth Edition has been completely redesigned to make it even more elegant and easy-to-use. New heads, subheads, and a glossary have been added to help the reader navigate the material and quickly identify areas of interest.

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