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1 Burnside Music- Folk Biographies

Alan Lomax: The Man Who Recorded the World

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Alan Lomax: The Man Who Recorded the World Cover

 

Synopses & Reviews

Publisher Comments:

The remarkable life and times of the man who popularized American folk music and created the science of song

Folklorist, archivist, anthropologist, singer, political activist, talent scout, ethnomusicologist, filmmaker, concert and record producer, Alan Lomax is best remembered as the man who introduced folk music to the masses. Lomax began his career making field recordings of rural music for the Library of Congress and by the late 1930s brought his discoveries to radio, including Woody Guthrie, Pete Seeger, and Burl Ives. By the 1940s he was producing concerts that brought white and black performers together, and in the 1950s he set out to record the whole world.

Lomax was also a controversial figure. When he worked for the U. S. government he was tracked by the FBI, and when he worked in Britain, MI5 continued the surveillance. In his last years he turned to digital media and developed technology that anticipated today's breakthroughs. Featuring a cast of characters including Eleanor Roosevelt, Leadbelly, Carl Sandburg, Carl Sagan, Jelly Roll Morton, Muddy Waters, and Bob Dylan, Szwed's fascinating biography memorably captures Lomax and provides a definitive account of an era as seen through the life of one extraordinary man.

Synopsis:

The definitive biography of Alan Lomax-from John Szwed,"the best music biographer in the business" (L.A. Weekly).

One of the most remarkable figures of the twentieth century, Alan Lomax was best known for bringing legendary musicians like Woody Guthrie, Pete Seeger, Muddy Waters, Lead Belly, and Burl Ives to the radio and introducing folk music to a mass audience. Now John Szwed, the acclaimed biographer of Miles Davis and Sun Ra, presents the first biography of Lomax, a man who was as influential as he was controversial-trailed for years by the FBI, criticized for his folk- song-collecting practices, denounced by some as a purist and by others as a popularizer. This authoritative work reveals how Lomax changed not only the way everyone in the country heard music but also the way they viewed America itself.

About the Author

John Szwed is the author of So What: The Life of Miles Davis and Space Is the Place: The Life and Times of Sun Ra, among other works. He is a professor of music and jazz studies at Columbia University. He lives in New York City.

Product Details

ISBN:
9780143120735
Author:
Szwed, John
Publisher:
Penguin Books
Subject:
General Biography
Subject:
Biography-Composers and Musicians
Edition Description:
Mass Market
Publication Date:
20111231
Binding:
TRADE PAPER
Grade Level:
from 12
Language:
English
Illustrations:
b/w photo frontispiece
Pages:
448
Dimensions:
8.49 x 5.56 x 0.97 in 0.81 lb
Age Level:
from 18

Related Subjects

Arts and Entertainment » Music » Ethnomusicology
Arts and Entertainment » Music » Genres and Styles » Blues and Rhythm and Blues
Arts and Entertainment » Music » Genres and Styles » Folk » American Folk
Arts and Entertainment » Music » Genres and Styles » Folk » Biographies
Biography » Composers and Musicians

Alan Lomax: The Man Who Recorded the World Used Trade Paper
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Product details 448 pages Penguin Books - English 9780143120735 Reviews:
"Synopsis" by ,

The definitive biography of Alan Lomax-from John Szwed,"the best music biographer in the business" (L.A. Weekly).

One of the most remarkable figures of the twentieth century, Alan Lomax was best known for bringing legendary musicians like Woody Guthrie, Pete Seeger, Muddy Waters, Lead Belly, and Burl Ives to the radio and introducing folk music to a mass audience. Now John Szwed, the acclaimed biographer of Miles Davis and Sun Ra, presents the first biography of Lomax, a man who was as influential as he was controversial-trailed for years by the FBI, criticized for his folk- song-collecting practices, denounced by some as a purist and by others as a popularizer. This authoritative work reveals how Lomax changed not only the way everyone in the country heard music but also the way they viewed America itself.

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