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A Journal of the First Afghan War
Synopses & Reviews
The first Afghan War of 1838-1842 witnessed one of the greatest defeats ever inflicted upon the British by an Asian enemy--the retreat from Kabul. On January 6, 1842, a British force that, with its followers numbered some 16,000, marched out of Kabul under an illusory safe conduct; one week later, nearly all of them- -men, women, and children--lay dead along the ninety mile route, some killed by the Afghan enemy, the rest frozen to death in the snow.
Of all the participants in the tragedy, none has told the story better than Lady Sale. This is her journal. One of the few witnesses who survived the massacre, Florentia, Lady Sale, was the wife of second-in-command at Kabul, Sir Robert Sale. Her journal begins in September 1841 when the whole position of the British, and the butterfly social existence they led in the Kabul cantonments, was menaced both by Afghan intrigue and by the incompetence of their own command. The journal ends a year later, with the rescue of Florentia by her husband from nine months of captivity in Afghan hands. In the intervening period she had witnessed battle, murder, and sudden death, had been exposed to freezing cold and burning heat, had endured vermin-infested lodgings and incessant earthquakes--all recorded with a laconic imperturbability and an occasional flash of sardonic humor.
Includes bibliographical references (p. 180) and index.
About the Author
Florentia Sale was a heroine of the First Afghan War. Patrick Macrory was the author of The Siege of Derry and Kabul Catastrophe. Jane Robinson is author of Wayward Women: A Guide to Women Travellers, and editor of Unsuitable for Ladies: An Anthology of Women Travellers and Parrot Pie for Breakfast: An Anthology of Women Pioneers.
Table of Contents
Part I. Academies of Art
1. Institutional History
2. Promoting a National School
3. Modelling Academies for the British School
4. The Cosmopolitan Outlook of a National Academy
Part II. The Politicization of Art
5. George III and the Artists
6. French Revolutions in the Royal Academy?
7. The Spectacle of Exhibitions
Part III. Forging the Cultural State
8. Professional Representations
9. Monumental Miracles
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