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West of Everything: The Inner Life of Westerns

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West of Everything: The Inner Life of Westerns Cover

 

Synopses & Reviews

Publisher Comments:

A leading figure in the debate over the literary canon, Jane Tompkins was one of the first to point to the ongoing relevance of popular women's fiction in the 19th century, long overlooked or scorned by literary critics. Now, in West of Everything, Tompkins shows how popular novels and films of the American west have shaped the emotional lives of people in our time.

Into this world full of violence and manly courage, the world of John Wayne and Louis L'Amour, Tompkins takes her readers, letting them feel what the hero feels, endure what he endures. Writing with sympathy, insight, and respect, she probes the main elements of the Western--its preoccupation with death, its barren landscapes, galloping horses, hard-bitten men and marginalized women--revealing the view of reality and code of behavior these features contain. She considers the Western hero's attraction to pain, his fear of women and language, his desire to dominate the environment--and to merge with it. In fact, Tompkins argues, for better or worse Westerns have taught us all--men especially--how to behave.

It was as a reaction against popular women's novels and women's invasion of the public sphere that Westerns originated, Tompkins maintains. With Westerns, men were reclaiming cultural territory, countering the inwardness, spirituality, and domesticity of the sentimental writers, with a rough and tumble, secular, man-centered world. Tompkins brings these insights to bear in considering film classics such as Red River and Lonely Are the Brave, and novels such as Louis L'Amour's Last of the Breed and Owen Wister's The Virginian. In one of the most moving chapters (chosen for Best American Essays of 1991), Tompkins shows how the life of Buffalo Bill Cody, killer of Native Americans and charismatic star of the Wild West show, evokes the contradictory feelings which the Western typically elicits--horror and fascination with violence, but also love and respect for the romantic ideal of the cowboy.

Whether interpreting a photograph of John Wayne of meditating on the slaughter of cattle, Jane Tompkins writes with humor, compassion, and a provocative intellect. Her book will appeal to many Americans who read or watch Westerns, and to all those interested in a serious approach to popular culture.

About the Author

Jane Tompkins is Professor of English at Duke University. She is author of Sensational Designs and the editor of Reader Response Criticism.

Product Details

ISBN:
9780195082685
Author:
Tompkins, Jane
Publisher:
Oxford University Press, USA
Author:
Tompkins, Jane
Author:
null, Jane
Location:
New York
Subject:
American
Subject:
Film - General
Subject:
Literature/English | American Literature
Subject:
American - General
Subject:
Film & Video - History & Criticism
Subject:
Books & Reading
Subject:
Literary Criticism : General
Copyright:
Series Volume:
F-8
Publication Date:
March 1993
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Illustrations:
21 halftones
Pages:
272
Dimensions:
8.62x5.42x.66 in. .74 lbs.

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Related Subjects

Arts and Entertainment » Film and Television » History and Criticism
Arts and Entertainment » Music » General
Fiction and Poetry » Westerns » General
Health and Self-Help » Psychology » General
History and Social Science » Gender Studies » Womens Studies
Humanities » Literary Criticism » General
Languages » ESL » General

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