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Lois Leveen: IMG Forsooth Me Not: Shakespeare, Juliet, Her Nurse, and a Novel



There's this writer, William Shakespeare. Perhaps you've heard of him. He wrote this play, Romeo and Juliet. Maybe you've heard of it as well. It's... Continue »
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    Juliet's Nurse

    Lois Leveen 9781476757445

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The Thief, the Cross, and the Wheel: Pain and the Spectacle of Punishment in Medieval and Renaissance Europe

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The Thief, the Cross, and the Wheel: Pain and the Spectacle of Punishment in Medieval and Renaissance Europe Cover

 

Synopses & Reviews

Publisher Comments:

Christ's Crucifixion is one of the most recognized images in Western culture, and it has come to stand as a universal symbol of both suffering and salvation. But often overlooked is the fact that ultimately the Crucifixion is a scene of capital punishment. Mitchell Merback reconstructs the religious, legal, and historical context of the Crucifixion and of other images of public torture. The result is a fascinating account of a time when criminal justice and religion were entirely interrelated and punishment was a visual spectacle devoured by a popular audience.

Merback compares the images of Christ's Crucifixion with those of the two thieves who met their fate beside Jesus. In paintings by well-known Northern European masters and provincial painters alike, Merback finds the two thieves subjected to incredible cruelty, cruelty that artists could not depict in their scenes of Christ's Crucifixion because of theological requirements. Through these representations Merback explores the ways audiences in early modern Europe understood images of physical suffering and execution. The frequently shocking works also provide a perspective from which Merback examines the live spectacle of public torture and execution and how audiences were encouraged by the Church and the State to react to the experience. Throughout, Merback traces the intricate and extraordinary connections among religious art, devotional practice, bodily pain, punishment, and judicial spectatorship.

Keenly aware of the difficulties involved in discussing images of atrocious violence but determined to make them historically comprehensible, Merback has written an informed and provocative study that reveals the rituals of medieval criminal justice and the visual experiences they engendered.

Synopsis:

PrefaceIntroduction1. 'A Shameful Place': The Rise of Calvary2. The Two Thieves Crucified: Bodies, Weapons and the Technologies of Pain3. The Broken Body as Spectacle4. Pain and Spectacle: Rituals of Punishment in Late Medieval Europe5. The Wheel: Symbol, Image, Screen6. The Cross and the Wheel7. Dysmas and Gestas: Model and Anti-model8. Image and Spectacle in the Era of ArtEpilogueReferencesSelect BibliographyPhotographic AcknowledgmentsIndex

About the Author

Mitchell B. Merback is associate professor of the history of art at Johns Hopkins University. He is the author of The Thief, the Cross and the Wheel: Pain and the Spectacle of Punishment in Medieval and Renaissance Europe and editor of Beyond the Yellow Badge: Anti-Judaism and Antisemitism in Medieval and Early Modern Visual Culture.

Table of Contents

Preface

Introduction

1. 'A Shameful Place': The Rise of Calvary

2. The Two Thieves Crucified: Bodies, Weapons and the Technologies of Pain

3. The Broken Body as Spectacle

4. Pain and Spectacle: Rituals of Punishment in Late Medieval Europe

5. The Wheel: Symbol, Image, Screen

6. The Cross and the Wheel

7. Dysmas and Gestas: Model and Anti-model

8. Image and Spectacle in the Era of Art

Epilogue

References

Select Bibliography

Photographic Acknowledgments

Index

Product Details

ISBN:
9780226520155
Author:
Merback, Mitchell B.
Publisher:
University of Chicago Press
Location:
Chicago :
Subject:
Jesus christ
Subject:
European
Subject:
History - Medieval
Subject:
Art, renaissance
Subject:
History - Renaissance
Subject:
History - European
Subject:
Art, Medieval
Subject:
Violence in art.
Subject:
Torture in art.
Subject:
Executions and executioneers in art.
Subject:
Art
Subject:
Art-History and Criticism
Edition Description:
1
Publication Date:
19990731
Binding:
HARDCOVER
Grade Level:
Professional and scholarly
Language:
English
Illustrations:
30 color plates, 70 halftones
Pages:
280
Dimensions:
9 x 6 in

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Related Subjects

Arts and Entertainment » Art » Europe General
Arts and Entertainment » Art » General
Arts and Entertainment » Art » History and Criticism
Arts and Entertainment » Art » Medieval
History and Social Science » Crime » Criminology

The Thief, the Cross, and the Wheel: Pain and the Spectacle of Punishment in Medieval and Renaissance Europe New Hardcover
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Product details 280 pages University of Chicago Press - English 9780226520155 Reviews:
"Synopsis" by , PrefaceIntroduction1. 'A Shameful Place': The Rise of Calvary2. The Two Thieves Crucified: Bodies, Weapons and the Technologies of Pain3. The Broken Body as Spectacle4. Pain and Spectacle: Rituals of Punishment in Late Medieval Europe5. The Wheel: Symbol, Image, Screen6. The Cross and the Wheel7. Dysmas and Gestas: Model and Anti-model8. Image and Spectacle in the Era of ArtEpilogueReferencesSelect BibliographyPhotographic AcknowledgmentsIndex
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