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1 Burnside Film and Television- Production

The Visual Story: Seeing the Structure of Film, TV and New Media

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The Visual Story: Seeing the Structure of Film, TV and New Media Cover

 

Synopses & Reviews

Publisher Comments:

The Visual Story offers students and professionals in cinematography, production design, directing and screenwriting a clear view of the relationship between the story/script structure and the visual structure of a film or video. An understanding of the visual components will serve as the guide in the selection of locations, set dressing, props, wardrobe, lenses, camera positions, lighting, actor staging, and editorial choices.


The Visual Story divides what is seen on screen into tangible sections: contrast and affinity, space, line and shape, tone, color, movement, and rhythm. The vocabulary as well as the insight is provided to purposefully control the given components to create the ultimate visual story. For example: know that a saturated yellow will always attract a viewer's eye first; decide to avoid abrupt editing by mastering continuum of movement; and benefit from the suggested list of films to study rhythmic control. The Visual Story shatters the wall between theory and practice, bringing these two aspects of the craft together in an essential connection for all those creating visual stories.

Encourages the filmmaker to develop a â??visual vocabularyâ?
Shows the filmmaker how to structure visuals, communicating
moods and emotions with style and variety

Synopsis:

Offers students in cinematography, production design, directing and screenwriting a clear view of the relationship between the story/script structure and the visual structure of a film or video.

Synopsis:

The Visual Story divides what is seen on screen into tangible sections: contrast and affinity, space, line and shape, tone, color, movement, and rhythm. The vocabulary as well as the insight is provided to purposefully control the given components to create the ultimate visual story. For example: know that a saturated yellow will always attract a viewer's eye first; decide to avoid abrupt editing by mastering continuum of movement; and benefit from the suggested list of films to study rhythmic control. The Visual Story shatters the wall between theory and practice, bringing these two aspects of the craft together in an essential connection for all those creating visual stories.

*Encourages the filmmaker to develop a visual vocabulary

*Shows the filmmaker how to structure visuals, communicating moods and emotions with style and variety

Synopsis:

The Visual Story offers students and professionals in cinematography, production design, directing and screenwriting a clear view of the relationship between the story/script structure and the visual structure of a film or video. An understanding of the visual components will serve as the guide in the selection of locations, set dressing, props, wardrobe, lenses, camera positions, lighting, actor staging, and editorial choices.

The Visual Story divides what is seen on screen into tangible sections: contrast and affinity, space, line and shape, tone, color, movement, and rhythm. The vocabulary as well as the insight is provided to purposefully control the given components to create the ultimate visual story. For example: know that a saturated yellow will always attract a viewer's eye first; decide to avoid abrupt editing by mastering continuum of movement; and benefit from the suggested list of films to study rhythmic control. The Visual Story shatters the wall between theory and practice, bringing these two aspects of the craft together in an essential connection for all those creating visual stories.

*Encourages the filmmaker to develop a "visual vocabulary"

*Shows the filmmaker how to structure visuals, communicating moods and emotions with style and variety

About the Author

Bruce Block has worked in a creative capacity on dozens of feature films, television shows commercials and animated films. His feature film producing credits include Something's Gotta Give, What Women Want, America's Sweethearts, The Parent Trap, and Father of the Bride I & II. He served as creative consultant on Spanglish, As Good As It Gets, Stuart Little and many other feature films and television productions. He is an adjunct Professor at the USC School of Cinema & Television and teaches classes in visual structure at the American Film Institute, PIXAR Studios, Walt Disney Feature and Television Animation, Dreamworks Animation, Nickelodeon Animation Studios, Industrial Light & Magic and a variety of film schools in Europe. Mr. Block also consults with video game designers and software companies creating new interactive media. He can be reached at www.bruceblock.com.

Table of Contents

The Visual Components; Contrast and Affinity; Space Part One; Space Part Two; Line and Shape; Tone; Color; Movement; Rhythm; Story and Visual Structure; Practice, Not Theory; Appendix; Bibliography; Index

Product Details

ISBN:
9780240804675
Subtitle:
Seeing the Structure of Film, TV and New Media
Author:
Block, Bruce A.
Author:
Block, Bruce A.
Author:
Block, Bruce
Publisher:
Focal Press
Location:
Boston, MA
Subject:
Television - Direction & Production
Subject:
Telecommunications
Subject:
Film - Cinematography
Subject:
Cinematography
Subject:
Video recording
Subject:
Film & Video - Cinematography
Subject:
Film - Direction & Production
Copyright:
Edition Description:
Includes bibliographical references and index.
Series Volume:
1952
Publication Date:
April 2001
Binding:
Paperback
Language:
English
Illustrations:
Yes
Pages:
288
Dimensions:
10 x 7.09 in.

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Related Subjects

Arts and Entertainment » Film and Television » Production » General
Computers and Internet » Desktop Publishing » General

The Visual Story: Seeing the Structure of Film, TV and New Media Used Trade Paper
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Product details 288 pages Focal Press - English 9780240804675 Reviews:
"Synopsis" by , Offers students in cinematography, production design, directing and screenwriting a clear view of the relationship between the story/script structure and the visual structure of a film or video.
"Synopsis" by , The Visual Story divides what is seen on screen into tangible sections: contrast and affinity, space, line and shape, tone, color, movement, and rhythm. The vocabulary as well as the insight is provided to purposefully control the given components to create the ultimate visual story. For example: know that a saturated yellow will always attract a viewer's eye first; decide to avoid abrupt editing by mastering continuum of movement; and benefit from the suggested list of films to study rhythmic control. The Visual Story shatters the wall between theory and practice, bringing these two aspects of the craft together in an essential connection for all those creating visual stories.

*Encourages the filmmaker to develop a visual vocabulary

*Shows the filmmaker how to structure visuals, communicating moods and emotions with style and variety

"Synopsis" by , The Visual Story offers students and professionals in cinematography, production design, directing and screenwriting a clear view of the relationship between the story/script structure and the visual structure of a film or video. An understanding of the visual components will serve as the guide in the selection of locations, set dressing, props, wardrobe, lenses, camera positions, lighting, actor staging, and editorial choices.

The Visual Story divides what is seen on screen into tangible sections: contrast and affinity, space, line and shape, tone, color, movement, and rhythm. The vocabulary as well as the insight is provided to purposefully control the given components to create the ultimate visual story. For example: know that a saturated yellow will always attract a viewer's eye first; decide to avoid abrupt editing by mastering continuum of movement; and benefit from the suggested list of films to study rhythmic control. The Visual Story shatters the wall between theory and practice, bringing these two aspects of the craft together in an essential connection for all those creating visual stories.

*Encourages the filmmaker to develop a "visual vocabulary"

*Shows the filmmaker how to structure visuals, communicating moods and emotions with style and variety

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