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Bachelors (October Books)

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Bachelors (October Books) Cover

 

Synopses & Reviews

Publisher Comments:

Since the 1970s Rosalind Krauss has been exploring the art of painters, sculptors, and photographers, examining the intersection of these artists concerns with the major currents of postwar visual culture: the question of the commodity, the status of the subject, issues of representation and abstraction, and the viability of individual media.These essays on nine women artists--gathered as Bachelors--are framed by the question, born of feminism, "What evaluative criteria can be applied to women's art?" In the case of surrealism, in particular, some have claimed that surrealist women artists must either redraw the lines of their practice or participate in the movement's misogyny. Krauss resists that claim, for these "bachelors" are artists whose expressive strategies challenge the very ideals of unity and mastery identified with masculinist aesthetics. Some of this work, such as the "part object" (Louise Bourgeois) or the "formless" (Cindy Sherman) could be said to find its power in strategies associated with such concepts as écriture feminine. In the work of Agnes Martin, Eva Hesse, or Sherrie Levine, one can make the case that the power of the work can be revealed only by recourse to another type of logic altogether. Bachelors attempts to do justice to these and other artists (Claude Cahun, Dora Maar, Louise Lawler, Francesca Woodman) in the terms their works demand.

Synopsis:

These essays on nine women artists are framed by the question, born of feminism, "What evaluative criteria can be applied to women's art?"

About the Author

Rosalind E. Krauss, University Professor at Columbia University and an editor and cofounder of October magazine, is the author of The Originality of the Avant-Garde and Other Modernist Myths (1985), The Optical Unconscious (1993), The Picasso Papers (1999), and Bachelors (1999), all published by the MIT Press, and coauthor (with Yve-Alain Bois) of Formless: A User's Guide (Zone Books, 1997).

Product Details

ISBN:
9780262611657
Author:
Krauss, Rosalind
Publisher:
MIT Press (MA)
Author:
Krauss, Rosalind
Location:
Cambridge
Subject:
General
Subject:
Essays
Subject:
Criticism
Subject:
Collections, Catalogs, Exhibitions
Subject:
History - Surrealism
Subject:
Conceptual
Subject:
Criticism - General
Subject:
Fine Arts
Subject:
Criticism -- Theory.
Subject:
Art-Theory and Criticism
Subject:
Art - General
Edition Description:
Trade paper
Series:
October Books Bachelors
Publication Date:
20000831
Binding:
TRADE PAPER
Grade Level:
from 17
Language:
English
Illustrations:
Y
Pages:
228
Dimensions:
9 x 7 in

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Related Subjects

Arts and Entertainment » Architecture » Urban Planning
Arts and Entertainment » Art » General
Arts and Entertainment » Art » Theory and Criticism
Arts and Entertainment » Art » Women in Art
History and Social Science » Gender Studies » Womens Studies
History and Social Science » Politics » General

Bachelors (October Books) New Trade Paper
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Product details 228 pages MIT Press - English 9780262611657 Reviews:
"Synopsis" by , These essays on nine women artists are framed by the question, born of feminism, "What evaluative criteria can be applied to women's art?"
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