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This title in other editions

Other titles in the Writing in Latinidad: Autobiographical Voices of U.S. Latino/as series:

Butterfly Boy: Memories of a Chicano Mariposa (Writing in Latinidad)

by Rigoberto Gonzalez

Butterfly Boy: Memories of a Chicano Mariposa (Writing in Latinidad) Cover

ISBN13: 9780299219000
ISBN10: 0299219003
Condition: Standard
Dustjacket: Standard
All Product Details

Only 1 left in stock at $15.95!

 

Synopses & Reviews

Publisher Comments:

'\'

In 2003, after serving five and a half years as a carpenter in a North Dakota National Guard engineer unit, Bronson Lemer was ready to leave the military behind. But six months short of completing his commitment to the army, Lemer was deployed on a yearlong tour of duty to Iraq. Leaving college life behind in the Midwest, he yearns for a lost love and quietly dreams of a future as an openly gay man outside the military. He discovers that his father’s lifelong example of silent strength has taught him much about being a man, and these lessons help him survive in a war zone and to conceal his sexuality, as he is required to do by the U.S. military.

            The Last Deployment is a moving, provocative chronicle of one soldier’s struggle to reconcile military brotherhood with self-acceptance. Lemer captures the absurd nuances of a soldier’s daily life: growing a mustache to disguise his fear, wearing pantyhose to battle sand fleas, and exchanging barbs with Iraqis while driving through Baghdad. But most strikingly, he describes the poignant reality faced by gay servicemen and servicewomen, who must mask their identities while serving a country that disowns them. Often funny, sometimes anguished, The Last Deployment paints a deeply personal portrait of war in the twenty-first century.
 
\''

Review:

"This moving memoir of a young Chicano boy's maturing into a self-accepting gay adult is a beautifully executed portrait of the experience of being gay, Chicano and poor in the United States. Now an associate professor of English and Latino studies at University of Illinois at Urbana-Champaign, Gonzalez writes in a poetic yet straightforward style that heightens the power of his story (mariposa is Spanish for 'faggot' as well as butterfly). As he describes growing up in an extended migrant-worker family, his youth in Bakersfield, Calif., and his departure for college, some readers may recognize similar characters and situations from his 2003 novel, Crossing Vines (University of Oklahoma). Like other gay coming-of-age memoirs, this one recounts the hardship of being an effeminate youth with a high singing voice and a penchant for cross-dressing, and the delight in discovering the homoeroticism of classic literature by Melville and E.M. Forster. But Gonzalez transforms these standard conceits into an affecting narrative in which his class and ethnic identities are as vital as his often painful metamorphosis into a fully formed gay man. (Sept.)" Publishers Weekly (Copyright Reed Business Information, Inc.)

Review:

"In the tradition of Richard Rodriguez, this stirring memoir of a first-generation Mexican American's coming-of-age and coming out is wrenching, angry, passionate, ironic, and always eloquent about conflicts of family, class, and sexuality....An unforgettable story of leaving home today." Booklist

Review:

"A deeply felt work that belongs in the company of classic American memoirs such as I Know Why the Caged Bird Sings, When I Was Puerto Rican, and Hunger of Memory....Engrossing, supremely enjoyable, and beautifully written." Jaime Manrique, author of Eminent Maricones

Review:

"Rigoberto González is a writer who walks, with an elegant gait, the line between sorrow and laughter, anger and acceptance. His prose is shaped by the poetry of irony. And he is a master of it." Richard Rodriguez, author of Brown: The Last Discovery of America

Synopsis:

'\'\\\'

In the midst of the “don’t ask, don’t tell” policy debate, a gay former soldier offers a firsthand account of his experiences in the Iraq war, capturing the real experience of gay servicemen and servicewomen.

\\\\n

\\\'\''

Synopsis:

'\'\\\'

Bronson Lemer served in the North Dakota Army National Guard for six years, including deployments to Kosovo and Iraq. His writing has appeared in Blue Earth Review, The Rekjavik Grapevine, and Twentysomething Essays by Twentysomething Writers. He teaches English and humanities courses at Turtle Mountain Community College near Belcourt, North Dakota.

\\\\n

\\\'\''

Synopsis:

'\'

From sensual pieces to comical romances, from inner city dramas to portraits of gay domesticity, the stories in this collection reflect a vibrant and creative community and redefine received notions of “gay” and “lesbian.”

\\n

\''

Synopsis:

'\'

Lázaro Lima is associate professor of Latino studies at Bryn Mawr College and author of The Latino Body: Crisis Identities in American Literary and Cultural Memory. Felice Picano is an accomplished author, editor, publisher, journalist, screenwriter, and playwright, and is one of the founders of the Violet Quill.

\\n

\''

Synopsis:

'

As the U.S. Latino population grows rapidly, and as the LGBTQ Latino community becomes more visible and a more crucial part of our literary and artistic heritage, there is an increasing demand for literature that successfully highlights these diverse lives. Edited by Lázaro Lima and Felice Picano, Ambientes is a revolutionary collection of fiction featuring stories by established authors as well as emerging voices that present a collective portrait of gay, lesbian, bisexual, and transgender experience in America today. With a preface by Picano and an introduction by Lima that sets the stage for understanding Latino literary and cultural history, this is the first anthology to cross cultural and regional borders by offering a wide variety of urban, rural, East Coast, West Coast, and midwestern perspectives on Latina and Latino queers from different walks of life. Stories range from sensual pieces to comical romances and from inner-city dramas fueled by street language to portraits of gay domesticity, making this a much-needed collection for many different kinds of readers. The stories in this collection reflect a vibrant and creative community and redefine received notions of “gay” and “lesbian.”

'

Synopsis:

Heartbreaking, poetic, and intensely personal, Butterfly Boy is a unique coming out and coming-of-age story of a first-generation Chicano who trades one life for another, only to discover that history and memory are not exchangeable or forgettable. 

Growing up among poor migrant Mexican farmworkers, Rigoberto González also faces the pressure of coming-of-age as a gay man in a culture that prizes machismo. Losing his mother when he is twelve, González must then confront his father’s abandonment and an abiding sense of cultural estrangement, both from his adopted home in the United States and from a Mexican birthright. His only sense of connection gets forged in a violent relationship with an older man. By finding his calling as a writer, and by revisiting the relationship with his father during a trip to Mexico, González finally claims his identity at the intersection of race, class, and sexuality. The result is a leap of faith that every reader who ever felt like an outsider will immediately recognize.

 

2007 Finalist, Randy Shilts Awards for Gay Nonfiction, Publishing Triangle
 
Winner, American Book Awards, Before Columbus Foundation

About the Author

Rigoberto González is the author of So Often the Pitcher Goes to Water until It Breaks, a selection of the National Poetry Series, and of Other Fugitives and Other Strangers. A recipient of Guggenheim and NEA Fellowships and of several international artist residencies, he has also written two children's picture books, a literary biography, and an award-winning novel, Crossing Vines. He is on the Advisory Circle of Con Tinta–a coalition of Chicano/Latino activist writers. He works and lives in New York City.

Table of Contents

'\'\\\'

Prologue        

1. Olympic Hopefuls        

2. Last Supper        

3. Snowbullets        

4. Even Pawns Have Great Legs        

5. Click, Click, Click        

6. The Mustache Race        

7. All Sand and Stars        

8. Wolves        

9. This is Our Comfortable Hell        

10. Icarus In Iraq        

11. Baghdad in My Boots        

12. Don\\\\\\\'t Tell        

13. If Charles Bronson Were Here        

14. How to Build Your Own Coffin        

15. Two Toonies and a Loonie        

16. Vets        

17. Out Came a Spider        

18. Dump Gulls        

Epilogue: The Lost Year        

Acknowledgments

\\\\n

\\\'\''

What Our Readers Are Saying

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Average customer rating based on 1 comment:

olivasdan, October 27, 2006 (view all comments by olivasdan)
Book Review

By Daniel Olivas

What makes a writer?

This seemingly simple question can elicit many complex answers and even more questions. Case in point: Rigoberto Gonz?lez's poetic and heartbreaking memoir, "Butterfly Boy: Memories of a Chicano Mariposa" (The University of Wisconsin Press, $24.95 hardcover).

Gonz?lez is an award-winning author of poetry, fiction and children's books. He is also a book critic contributing regularly to the El Paso Times.

How did Gonz?lez, the son of migrant farmworkers whose first language was Spanish, become Gonz?lez the writer? Answers begin to emerge from his painful assertion of himself as a gay man in a culture steeped in machismo.

Gonz?lez tells of his journey into adulthood and a life of literature in a nonlinear fashion, moving back and forth from childhood to adulthood, Mexico to the United States, self-loathing to self-revelatory empowerment.

The book begins in Riverside, Calif., in 1990. Gonz?lez, as a college student at the Riverside campus of the University of California, has fallen in love with an older man who, as symbolized by painful yet beautiful "butterfly" marks he places upon Gonz?lez, brings both tenderness and brutality to the relationship. The unnamed lover cheats on Gonz?lez and doesn't hesitate to beat him up to establish his superiority over his young man. At times, Gonz?lez believes he deserves such brutality.

Other times, he is grateful to have escaped the oppressiveness of his family and its legacy of dropping out of high school to work in the fields. The escape comes in the form of literature. A sometimes-callous, sometimes-tender teacher named Dolly lends the young Gonz?lez a poetry book and works with him to subjugate his accent. And the fire is lit: "I became a closet reader at first, taking my book with me to the back of the landlord's house or into my parents' room, where I would mouth the syllables softly, creating my own muted music."

Gonz?lez then suffers the death of his mother when he is only 12. Compounding this loss, he is shipped off to live with his tyrannical grandfather. His own father -- who abuses alcohol and carouses with women --eventually starts another family, further alienating Gonz?lez. Again, books prove to be Gonz?lez's salvation, eventually leading to his surreptitious and successful application to college.

Gonz?lez remains closeted in both his sexuality and intellect, realizing that neither facet of his identity would be understood or appreciated by his family.

In the midst of scenes from his college life in Riverside and his adolescent exploration of sex and literature, Gonz?lez recounts a long and agonizing bus trip with his father. He leaves Riverside and travels to Indio, where his father lives, so they can begin their journey "into M?xico, into the state of Michoac?n, into the town of Zacapu, where my father was born, where my mother was raised, and where I grew up." This passage home takes on a special aura because Gonz?lez will turn 20 while there. Throughout the trip, Gonz?lez longs for his lover while seething with an almost uncontrollable anger toward his father. Throughout, he wonders if this trip was a mistake or a necessary part of becoming an adult.

What makes a writer? Obviously, talent is a necessary ingredient. And in the case of Gonz?lez, add to the mix hard work and a burning desire to be heard. Ultimately, it is a mysterious alchemy.

In any case, "Butterfly Boy" is a potent and poetic coming-of-age story about one man's acceptance of himself. There's no mystery in that.

[This review first appeared in the El Paso Times.]
Was this comment helpful? | Yes | No
(7 of 11 readers found this comment helpful)

Product Details

ISBN:
9780299219000
Author:
Gonzalez, Rigoberto
Publisher:
University of Wisconsin Press
Author:
Lemer, Bronson
Author:
Picano, Felice
Author:
Lima, Lazaro
Subject:
People of Color
Subject:
20th century
Subject:
Gay Studies
Subject:
Authors, American
Subject:
Ethnic Studies - Hispanic American Studies
Subject:
SOC044000
Subject:
cultural heritage
Subject:
Hispanic American gays.
Subject:
Authors, American -- 20th century.
Subject:
Specific Groups - Male Gay Studies
Subject:
Military
Subject:
Gay
Subject:
Biography - General
Copyright:
Edition Number:
1
Edition Description:
1
Series:
Writing in Latinidad
Publication Date:
20060631
Binding:
HARDCOVER
Language:
English
Illustrations:
1 b/w drawing
Pages:
224
Dimensions:
9 x 6 x 0.62 in

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Butterfly Boy: Memories of a Chicano Mariposa (Writing in Latinidad) Used Hardcover
0 stars - 0 reviews
$15.95 In Stock
Product details 224 pages University of Wisconsin Press - English 9780299219000 Reviews:
"Publishers Weekly Review" by , "This moving memoir of a young Chicano boy's maturing into a self-accepting gay adult is a beautifully executed portrait of the experience of being gay, Chicano and poor in the United States. Now an associate professor of English and Latino studies at University of Illinois at Urbana-Champaign, Gonzalez writes in a poetic yet straightforward style that heightens the power of his story (mariposa is Spanish for 'faggot' as well as butterfly). As he describes growing up in an extended migrant-worker family, his youth in Bakersfield, Calif., and his departure for college, some readers may recognize similar characters and situations from his 2003 novel, Crossing Vines (University of Oklahoma). Like other gay coming-of-age memoirs, this one recounts the hardship of being an effeminate youth with a high singing voice and a penchant for cross-dressing, and the delight in discovering the homoeroticism of classic literature by Melville and E.M. Forster. But Gonzalez transforms these standard conceits into an affecting narrative in which his class and ethnic identities are as vital as his often painful metamorphosis into a fully formed gay man. (Sept.)" Publishers Weekly (Copyright Reed Business Information, Inc.)
"Review" by , "In the tradition of Richard Rodriguez, this stirring memoir of a first-generation Mexican American's coming-of-age and coming out is wrenching, angry, passionate, ironic, and always eloquent about conflicts of family, class, and sexuality....An unforgettable story of leaving home today."
"Review" by , "A deeply felt work that belongs in the company of classic American memoirs such as I Know Why the Caged Bird Sings, When I Was Puerto Rican, and Hunger of Memory....Engrossing, supremely enjoyable, and beautifully written."
"Review" by , "Rigoberto González is a writer who walks, with an elegant gait, the line between sorrow and laughter, anger and acceptance. His prose is shaped by the poetry of irony. And he is a master of it."
"Synopsis" by , '\'\\\'

In the midst of the “don’t ask, don’t tell” policy debate, a gay former soldier offers a firsthand account of his experiences in the Iraq war, capturing the real experience of gay servicemen and servicewomen.

\\\\n

\\\'\''

"Synopsis" by , '\'\\\'

Bronson Lemer served in the North Dakota Army National Guard for six years, including deployments to Kosovo and Iraq. His writing has appeared in Blue Earth Review, The Rekjavik Grapevine, and Twentysomething Essays by Twentysomething Writers. He teaches English and humanities courses at Turtle Mountain Community College near Belcourt, North Dakota.

\\\\n

\\\'\''

"Synopsis" by , '\'

From sensual pieces to comical romances, from inner city dramas to portraits of gay domesticity, the stories in this collection reflect a vibrant and creative community and redefine received notions of “gay” and “lesbian.”

\\n

\''

"Synopsis" by , '\'

Lázaro Lima is associate professor of Latino studies at Bryn Mawr College and author of The Latino Body: Crisis Identities in American Literary and Cultural Memory. Felice Picano is an accomplished author, editor, publisher, journalist, screenwriter, and playwright, and is one of the founders of the Violet Quill.

\\n

\''

"Synopsis" by , '

As the U.S. Latino population grows rapidly, and as the LGBTQ Latino community becomes more visible and a more crucial part of our literary and artistic heritage, there is an increasing demand for literature that successfully highlights these diverse lives. Edited by Lázaro Lima and Felice Picano, Ambientes is a revolutionary collection of fiction featuring stories by established authors as well as emerging voices that present a collective portrait of gay, lesbian, bisexual, and transgender experience in America today. With a preface by Picano and an introduction by Lima that sets the stage for understanding Latino literary and cultural history, this is the first anthology to cross cultural and regional borders by offering a wide variety of urban, rural, East Coast, West Coast, and midwestern perspectives on Latina and Latino queers from different walks of life. Stories range from sensual pieces to comical romances and from inner-city dramas fueled by street language to portraits of gay domesticity, making this a much-needed collection for many different kinds of readers. The stories in this collection reflect a vibrant and creative community and redefine received notions of “gay” and “lesbian.”

'

"Synopsis" by , Heartbreaking, poetic, and intensely personal, Butterfly Boy is a unique coming out and coming-of-age story of a first-generation Chicano who trades one life for another, only to discover that history and memory are not exchangeable or forgettable. 

Growing up among poor migrant Mexican farmworkers, Rigoberto González also faces the pressure of coming-of-age as a gay man in a culture that prizes machismo. Losing his mother when he is twelve, González must then confront his father’s abandonment and an abiding sense of cultural estrangement, both from his adopted home in the United States and from a Mexican birthright. His only sense of connection gets forged in a violent relationship with an older man. By finding his calling as a writer, and by revisiting the relationship with his father during a trip to Mexico, González finally claims his identity at the intersection of race, class, and sexuality. The result is a leap of faith that every reader who ever felt like an outsider will immediately recognize.

 

2007 Finalist, Randy Shilts Awards for Gay Nonfiction, Publishing Triangle
 
Winner, American Book Awards, Before Columbus Foundation

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