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Interviews | January 3, 2012

Jill Owens: IMG Naomi Benaron: The Powells.com Interview



Naomi BenaronRunning the Rift is the most recent winner of the PEN/Bellwether Prize for Socially Engaged Fiction, as awarded by Barbara Kingsolver. It's also an... Continue »
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    Running the Rift

    Naomi Benaron 9781616200428

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On Eloquence

On Eloquence Cover

 

Synopses & Reviews

Publisher Comments:

On Eloquence questions the common assumption that eloquence is merely a subset of rhetoric, a means toward a rhetorical end. Denis Donoghue, an eminent and prolific critic of the English language, holds that this assumption is erroneous. While rhetoric is the use of language to persuade people to do one thing rather than another, Donoghue maintains that eloquence is “gratuitous, ideally autonomous, in speech and writing an upsurge of creative vitality for its own sake.” He offers many instances of eloquence in words, and suggests the forms our appreciation of them should take.

 

Donoghue argues persuasively that eloquence matters, that we should indeed care about it. “Because we should care about any instances of freedom, independence, creative force, sprezzatura,” he says, “especially when we live—perhaps this is increasingly the case—in a culture of the same, featuring official attitudes, stereotypes of the officially enforced values, sedated language, a politics of pacification.” A noteworthy addition to Donoghues long-term project to reclaim a disinterested appreciation of literature as literature, this volume is a wise and pleasurable meditation on eloquence, its unique ability to move or give pleasure, and its intrinsic value.

Review:

"By eloquence, literary critic Donoghue (Speaking of Beauty) emphatically does not mean the Ciceronian model of well-turned phrases supporting weighty arguments and capable of swaying hearts along with minds; such is mere 'rhetoric.' In his estimation, eloquence is unencumbered by political aim or intent to persuade and requires no context or, perhaps, even meaning. It is language whose beauty has no agenda, and the author defends its gorgeous uselessness against both polemicists and moralists who frown on highfalutin departures from plain speaking. Donoghue's survey finds eloquence everywhere, from Dante and Shakespeare to Taxi Driver hero Travis Bickle's immortal 'You talkin' to me?', and he elucidates its workings in dense readings of literary excerpts from many eras and several languages. The results are often incisive, as in his comparison of Melville's Bartleby the Scrivener with the Book of Job, but sometimes his readings are so subtle that they don't register. Worse, by exiling both moral and social import from his lit-for-lit's-sake framework, Donaghue can seem precious and do what eloquence never does: leave the reader unmoved." Publishers Weekly (Copyright Reed Business Information, Inc.)

About the Author

Denis Donoghue is University Professor and Henry James Professor of English and American Letters, New York University. Among his many books are The Practice of Reading; Words Alone: The Poet T. S. Eliot; Speaking of Beauty (a New York Times Notable Book of the Year); and The American Classics: A Personal Essay, all published by Yale University Press.

Product Details

ISBN:
9780300125412
Publisher:
Yale University Press
Subject:
General
Author:
Donoghue, Denis
Subject:
Public Speaking
Subject:
Oratory
Subject:
Eloquence.
Subject:
General Literary Criticism & Collections
Subject:
Reference-Speech and Debate
Edition Description:
Trade Cloth
Publication Date:
20071131
Binding:
HARDCOVER
Language:
English
Pages:
208
Dimensions:
8.25 x 5.5 in 0.8 lb
On Eloquence
0 stars - 0 reviews
$ In Stock
Product details 208 pages Yale University Press - English 9780300125412 Reviews:
"Publishers Weekly Review" by , "By eloquence, literary critic Donoghue (Speaking of Beauty) emphatically does not mean the Ciceronian model of well-turned phrases supporting weighty arguments and capable of swaying hearts along with minds; such is mere 'rhetoric.' In his estimation, eloquence is unencumbered by political aim or intent to persuade and requires no context or, perhaps, even meaning. It is language whose beauty has no agenda, and the author defends its gorgeous uselessness against both polemicists and moralists who frown on highfalutin departures from plain speaking. Donoghue's survey finds eloquence everywhere, from Dante and Shakespeare to Taxi Driver hero Travis Bickle's immortal 'You talkin' to me?', and he elucidates its workings in dense readings of literary excerpts from many eras and several languages. The results are often incisive, as in his comparison of Melville's Bartleby the Scrivener with the Book of Job, but sometimes his readings are so subtle that they don't register. Worse, by exiling both moral and social import from his lit-for-lit's-sake framework, Donaghue can seem precious and do what eloquence never does: leave the reader unmoved." Publishers Weekly (Copyright Reed Business Information, Inc.)
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