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Wheeling Motel

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Wheeling Motel Cover

 

Synopses & Reviews

Publisher Comments:

In his tenth collection of poetry, Franz Wright gives us an exquisite book of reconciliation with the past and acceptance of what may come in the future.

From his earliest years, he writes in “Will,” he had “the gift of impermanence / so I would be ready, / accompanied / by a rage to prove them wrong / . . . and that I too was worthy of love.” This rage comes coupled with the poets own brand of love, what he calls “one / strange alone / hearts wish / to help all / hearts.” Poetry is indeed Wrights help, and he delivers it to us with a wry sense of the daily in America: in his wonderfully local relationship to God (whom he encounters along with a catfish in the emerald shallows of Walden Pond); in the little West Virginia motel of the title poem, on the banks of the great Ohio River, where “Tammy Wynettes on the marquee” and he is visited by the figure of Walt Whitman, “examining the tear on a dead face.”

Here, in Wheeling Motel, Wrights poetry continues to surprise us with its frank appraisal of our soul, and with his own combustible loneliness and unstoppable joy.

Review:

"Once more the Pulitzer Prize — winning Wright (God's Silence) delves into his own exceptionally troubled past and comes up with fractured and frightening — but also well-constructed and self-aware — poems about his former addictions, his inner depths and his recovery, giving thanks to his wife and to the Christian God. 'I don't want to see a doctor/ I want to kill a doctor,' one poem opens. 'And this is my alone/ song, it isn't/ long.' Wright's poetry of extremes has attracted both a wide audience and a sophisticated one: he speaks with terse authority about religious transcendence, crushing and even suicidal depression and well-known drug troubles — 'Pretty soon you won't be doing that to get high./ You'll be doing it to get dressed.' If this collection differs from earlier volumes, it is in the kind and degree of attention that Wright pays to his father, the poet James Wright: 'There's this line in an unpublished poem of yours./ The river is like that,/ a blind familiar.' Family matters, like much else, give Wright bleak grief: he turns, as he has often done in recent years, to religious faith, exploring his doubts but returning to his belief: 'The world didn't give me this/ word, but// the world cannot take it away.' (Sept.)" Publishers Weekly (Copyright Reed Business Information, Inc.)

Synopsis:

In his 10th collection of poetry, Wright gives readers an exquisite book of reconciliation with the past and acceptance of what may come in the future.

About the Author

Franz Wrights recent works include Earlier Poems, Gods Silence, and The Beforelife (a finalist for the Pulitzer Prize). In 2004 his Walking to Marthas Vineyard received the Pulitzer Prize. He has been the recipient of two National Endowment for the Arts grants, a Guggenheim Fellowship, a Whiting Fellowship, and the PEN/Voelcker Award for Poetry, among other honors. He currently lives in Waltham, Massachusetts, with his wife, the translator and writer Elizabeth Oehlkers Wright.

Product Details

ISBN:
9780307265685
Publisher:
Knopf
Subject:
American - General
Author:
Wright, Franz
Subject:
Single Author / American
Subject:
Poetry-A to Z
Publication Date:
20090915
Binding:
Hardback
Grade Level:
General/trade
Language:
English
Pages:
112
Dimensions:
8.64x6.38x.57 in. .64 lbs.

Related Subjects

Fiction and Poetry » Poetry » A to Z

Wheeling Motel
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$ In Stock
Product details 112 pages Knopf Publishing Group - English 9780307265685 Reviews:
"Publishers Weekly Review" by , "Once more the Pulitzer Prize — winning Wright (God's Silence) delves into his own exceptionally troubled past and comes up with fractured and frightening — but also well-constructed and self-aware — poems about his former addictions, his inner depths and his recovery, giving thanks to his wife and to the Christian God. 'I don't want to see a doctor/ I want to kill a doctor,' one poem opens. 'And this is my alone/ song, it isn't/ long.' Wright's poetry of extremes has attracted both a wide audience and a sophisticated one: he speaks with terse authority about religious transcendence, crushing and even suicidal depression and well-known drug troubles — 'Pretty soon you won't be doing that to get high./ You'll be doing it to get dressed.' If this collection differs from earlier volumes, it is in the kind and degree of attention that Wright pays to his father, the poet James Wright: 'There's this line in an unpublished poem of yours./ The river is like that,/ a blind familiar.' Family matters, like much else, give Wright bleak grief: he turns, as he has often done in recent years, to religious faith, exploring his doubts but returning to his belief: 'The world didn't give me this/ word, but// the world cannot take it away.' (Sept.)" Publishers Weekly (Copyright Reed Business Information, Inc.)
"Synopsis" by , In his 10th collection of poetry, Wright gives readers an exquisite book of reconciliation with the past and acceptance of what may come in the future.
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