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3 Burnside Music- Classical Biographies

Practicing: A Musician's Return to Music

by Glenn Kurtz

Practicing: A Musician's Return to Music Cover

ISBN13: 9780307266156
ISBN10: 030726615x
Condition: Standard
Dustjacket: Standard
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Synopses & Reviews

Publisher Comments:

The remarkable odyssey of a classical guitar prodigy who abandons his beloved instrument in defeat at the age of twenty-five, but comes back to it years later with a new kind of passion.

With insight and humor, Glenn Kurtz takes us from his first lessons at a small Long Island guitar school at the age of eight, to a national television appearance backing jazz legend Dizzy Gillespie, to his acceptance at the elite New England Conservatory of Music. He makes bittersweet and vivid a young mans struggle to forge an artists life—and to become the next Segovia. And we see him after graduation, pursuing a solo career in Vienna but realizing that he has neither the ego nor the talent required to succeed at the upper reaches of the world of classical guitar—and giving up the instrument, and his dream, entirely.

Or so he thought. For, returning to the guitar, Kurtz weaves into the larger narrative the rich experience of a single practice session, demonstrating how practicing—the rigor, attention, and commitment it requires—becomes its own reward, an almost spiritual experience that redefines the meaning of “success.” Along the way, he traces the evolution of the guitar and reminds us why it has retained its singular popularity through the ages.

Complete with a guide to selected musical recordings and methods, Practicing takes us on a revelatory, inspiring journey: a love affair with music.

Review:

"Waylaid from an early career as a classical guitarist, a teacher of the arts recounts his reimmersion in his music by undertaking an intensive regime of practicing. A serious artist is constantly plagued by the fear that he either has the gift or he doesn't, notes Kurtz, and that no amount of "busy work" can redeem him. Growing up in Great Neck, N.Y., in the 1970s, Kurtz tapped into the Guitar Workshop and mastered folk songs by the time he was 10; inspired by seeing Andrs Segovia perform, Kurtz envisioned a life devoted to music. He studied at Boston's New England Conservatory, where the key to success was constant practicing, and where he had to overcome a sense of the guitar's inferiority to other instruments. Trekking through Europe with other players, he was confronted with the economic exigencies of a musical career and eventually ceased practicing, to his great sorrow. In his mid-30s he took up the guitar again and gleans the painful lesson that although musical artistry may seem divine, mastery of the instrument is humbling and mundane. Kurtz's work contains a rich history of the classical guitar, including the work of Bach, Fernando Sor and Scott Joplin. (June)" Publishers Weekly (Copyright Reed Business Information, Inc.)

Review:

"'Waylaid from an early career as a classical guitarist, a teacher of the arts recounts his reimmersion in his music by undertaking an intensive regime of practicing. A serious artist is constantly plagued by the fear that he either has the gift or he doesn't, notes Kurtz, and that no amount of 'busy work' can redeem him. Growing up in Great Neck, N.Y., in the 1970s, Kurtz tapped into the Guitar Workshop and mastered folk songs by the time he was 10; inspired by seeing Andrs Segovia perform, Kurtz envisioned a life devoted to music. He studied at Boston's New England Conservatory, where the key to success was constant practicing, and where he had to overcome a sense of the guitar's inferiority to other instruments. Trekking through Europe with other players, he was confronted with the economic exigencies of a musical career and eventually ceased practicing, to his great sorrow. In his mid-30s he took up the guitar again and gleans the painful lesson that although musical artistry may seem divine, mastery of the instrument is humbling and mundane. Kurtz's work contains a rich history of the classical guitar, including the work of Bach, Fernando Sor and Scott Joplin. (June)' Publishers Weekly (Copyright Reed Business Information, Inc.)" Publishers Weekly (Copyright Reed Business Information, Inc.)

Synopsis:

The remarkable odyssey of a classical guitar prodigy who abandons his beloved instrument in defeat at the age of twenty-five, but comes back to it years later with a new kind of passion.

With insight and humor, Glenn Kurtz takes us from his first lessons at a small Long Island guitar school at the age of eight, to a national television appearance backing jazz legend Dizzy Gillespie, to his acceptance at the elite New England Conservatory of Music. He makes bittersweet and vivid a young man’s struggle to forge an artist’s life—and to become the next Segovia. And we see him after graduation, pursuing a solo career in Vienna but realizing that he has neither the ego nor the talent required to succeed at the upper reaches of the world of classical guitar—and giving up the instrument, and his dream, entirely.

Or so he thought. For, returning to the guitar, Kurtz weaves into the larger narrative the rich experience of a single practice session, demonstrating how practicing—the rigor, attention, and commitment it requires—becomes its own reward, an almost spiritual experience that redefines the meaning of “success.” Along the way, he traces the evolution of the guitar and reminds us why it has retained its singular popularity through the ages.

Complete with a guide to selected musical recordings and methods, Practicing takes us on a revelatory, inspiring journey: a love affair with music.

About the Author

Glenn Kurtz holds a Ph.D. in comparative literature from Stanford University and has taught at San Francisco State University, California College of the Arts, and Stanford. He divides his time between San Francisco and New York.

What Our Readers Are Saying

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Average customer rating based on 1 comment:

Grady Harp, February 14, 2008 (view all comments by Grady Harp)
Solfège

Glenn Kurtz' meditation on music, an extended history of the origins of the guitar with biographies of the great composers who wrote for the instrument and even the history of the development of the ancient and modern forms of the stringed guitar, makes for some of the most rewarding reading on a topic of surprising ingenuity.

The 'story' outline of the book is brief: Kurtz recounts his childhood fascination with the guitar, his extended sessions of study and practice as he prepared his career by attending the New England Conservatory of Music, eventually gaining performance time in this country and in Europe, and his decision that his talent was not of the class that merited a successful career in music that brought him to the point of giving up the guitar, to the final reason for writing this book - practicing is not a chore but a means to finding the soul of music and the soul of self in the process.

But such a short 'plot summary' in many ways defeats the purpose of this immensely satisfying book, a book that will not only be deeply admired by musicians of every rank, but a book that is so poetic and elegant in style of writing that it will entertain those whose lives have been touched only tangentially by music. 'Like every practicing musician, I know both the joy and the hard labor of practice. To hear these sounds emerging from my instrument! And to hear them more clearly, more beautifully in my head than my fingers can ever seem to grasp. Together this pleasure in music and the discipline of practice engage in an endless tussle, a kind of romance.'

From his stance as a 'returning musician' Glenn Kurtz has the retrospective edge on restating all the beauties that surround the subject of music and music making. His diversionary paths into many related subjects as listed above make this a book that is not only tender and entertaining, but also a book full of rich information for every reader. Highly recommended.

Grady Harp
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Product Details

ISBN:
9780307266156
Subtitle:
A Musician's Return to Music
Author:
Kurtz, Glenn
Publisher:
Knopf
Subject:
Musical Instruments - Guitar
Subject:
Guitarists
Subject:
United states
Subject:
Instruction & Study - Appreciation
Subject:
Practicing (Music)
Subject:
Guitarists -- United States.
Copyright:
Publication Date:
20070619
Binding:
Hardback
Grade Level:
General/trade
Language:
English
Illustrations:
5 MUSICAL EXAMPLES
Pages:
256
Dimensions:
8.60x5.88x.85 in. .98 lbs.

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Related Subjects

Arts and Entertainment » Music » Genres and Styles » Classical » Biographies

Practicing: A Musician's Return to Music Used Hardcover
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$15.50 In Stock
Product details 256 pages Knopf Publishing Group - English 9780307266156 Reviews:
"Publishers Weekly Review" by , "Waylaid from an early career as a classical guitarist, a teacher of the arts recounts his reimmersion in his music by undertaking an intensive regime of practicing. A serious artist is constantly plagued by the fear that he either has the gift or he doesn't, notes Kurtz, and that no amount of "busy work" can redeem him. Growing up in Great Neck, N.Y., in the 1970s, Kurtz tapped into the Guitar Workshop and mastered folk songs by the time he was 10; inspired by seeing Andrs Segovia perform, Kurtz envisioned a life devoted to music. He studied at Boston's New England Conservatory, where the key to success was constant practicing, and where he had to overcome a sense of the guitar's inferiority to other instruments. Trekking through Europe with other players, he was confronted with the economic exigencies of a musical career and eventually ceased practicing, to his great sorrow. In his mid-30s he took up the guitar again and gleans the painful lesson that although musical artistry may seem divine, mastery of the instrument is humbling and mundane. Kurtz's work contains a rich history of the classical guitar, including the work of Bach, Fernando Sor and Scott Joplin. (June)" Publishers Weekly (Copyright Reed Business Information, Inc.)
"Publishers Weekly Review" by , "'Waylaid from an early career as a classical guitarist, a teacher of the arts recounts his reimmersion in his music by undertaking an intensive regime of practicing. A serious artist is constantly plagued by the fear that he either has the gift or he doesn't, notes Kurtz, and that no amount of 'busy work' can redeem him. Growing up in Great Neck, N.Y., in the 1970s, Kurtz tapped into the Guitar Workshop and mastered folk songs by the time he was 10; inspired by seeing Andrs Segovia perform, Kurtz envisioned a life devoted to music. He studied at Boston's New England Conservatory, where the key to success was constant practicing, and where he had to overcome a sense of the guitar's inferiority to other instruments. Trekking through Europe with other players, he was confronted with the economic exigencies of a musical career and eventually ceased practicing, to his great sorrow. In his mid-30s he took up the guitar again and gleans the painful lesson that although musical artistry may seem divine, mastery of the instrument is humbling and mundane. Kurtz's work contains a rich history of the classical guitar, including the work of Bach, Fernando Sor and Scott Joplin. (June)' Publishers Weekly (Copyright Reed Business Information, Inc.)" Publishers Weekly (Copyright Reed Business Information, Inc.)
"Synopsis" by , The remarkable odyssey of a classical guitar prodigy who abandons his beloved instrument in defeat at the age of twenty-five, but comes back to it years later with a new kind of passion.

With insight and humor, Glenn Kurtz takes us from his first lessons at a small Long Island guitar school at the age of eight, to a national television appearance backing jazz legend Dizzy Gillespie, to his acceptance at the elite New England Conservatory of Music. He makes bittersweet and vivid a young man’s struggle to forge an artist’s life—and to become the next Segovia. And we see him after graduation, pursuing a solo career in Vienna but realizing that he has neither the ego nor the talent required to succeed at the upper reaches of the world of classical guitar—and giving up the instrument, and his dream, entirely.

Or so he thought. For, returning to the guitar, Kurtz weaves into the larger narrative the rich experience of a single practice session, demonstrating how practicing—the rigor, attention, and commitment it requires—becomes its own reward, an almost spiritual experience that redefines the meaning of “success.” Along the way, he traces the evolution of the guitar and reminds us why it has retained its singular popularity through the ages.

Complete with a guide to selected musical recordings and methods, Practicing takes us on a revelatory, inspiring journey: a love affair with music.

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