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2 Burnside Literature- A to Z

Travels in the Scriptorium

by

Travels in the Scriptorium Cover

 

Synopses & Reviews

Publisher Comments:

An old man awakens, disoriented, in an unfamiliar chamber. With no memory of who he is or how he has arrived there, he pores over the relics on the desk, examining the circumstances of his confinement and searching his own hazy mind for clues.

Determining that he is locked in, the man — identified only as Mr. Blank — begins reading a manuscript he finds on the desk, the story of another prisoner, set in an unfamiliar, alternate world. As the day passes, various characters call on Mr. Blank in his cell, and each brings frustrating hints of his forgotten identity and his past.

Both chilling and poignant, Travels in the Scriptorium is vintage Paul Auster: mysterious texts, fluid identities, a hidden past, and, somewhere, an obscure tormentor. And yet, as we discover during one day in the life of Mr. Blank, his world is not so different from our own.

Review:

"Determined reading keeps the mind's attention. And you will want to be very determined in reading Paul Auster's fictional treatise on crime and amnesia, 'Travels in the Scriptorium.' It's not the characters or plot that is difficult to keep tabs on but your own emotions, as this is a chilling story of isolation.

The setup is this: An old man, known only as Mr. Blank, wakes up in a sparsely... Washington Post Book Review (read the entire Washington Post review)

Review:

"Auster fans will recognize a parade of characters from earlier works, reaching back to his famed New York Trilogy...as Auster coyly celebrates the power of the imagination and marvels over the labyrinthine nature of the mind in an archly playful and shrewdly philosophical tribute to the transcendence of stories." Booklist

Review:

"With a Kafkaesque protagonist in an M.C. Escher plot, Auster...returns to the themes of identity, memory, illusion and creativity that have marked his work since his breakthrough New York Trilogy." Kirkus Reviews

Review:

"Say what one will about Auster's repetition of devices - the book within a book, the off-stage tormentor, the loss of memory - he has become frightfully good at manipulating a good story out of them." Milwaukee Journal Sentinel

Synopsis:

An old man awakens, disoriented, in an unfamiliar chamber with no memory of who he is or what has happened. Identified only as Mr. Blank, he appears to be a prisoner under surveillance. A mysterious manuscript, fluid identities, and, somewhere, an obscure tormentor — Travels in the Scriptorium is vintage Paul Auster describing a world not so very different from our own.

Synopsis:

An old man awakens, disoriented, in an unfamiliar chamber. With no memory of who he is or how he has arrived there, he pores over the relics on the desk, examining the circumstances of his confinement and searching his own hazy mind for clues.

Determining that he is locked in, the man--identified only as Mr. Blank--begins reading a manuscript he finds on the desk, the story of another prisoner, set in an unfamiliar, alternate world. As the day passes, various characters call on Mr. Blank in his cell, and each brings frustrating hints of his forgotten identity and his past.

Both chilling and poignant, Travels in the Scriptorium is vintage Paul Auster: mysterious texts, fluid identities, a hidden past, and, somewhere, an obscure tormentor. And yet, as we discover during one day in the life of Mr. Blank, his world is not so different from our own.

Paul Auster is the bestselling author of The Brooklyn Follies, Oracle Night, and The Book of Illusions, among many other works. I Thought My Father Was God, the NPR National Story Project Anthology, which he edited, was also a national bestseller. In 2006 he was awarded the Prince of Asturias Prize for Literature and inducted into the American Academy of Arts and Letters. His work has been translated into more than thirty languages. He lives in Brooklyn, New York.

Longlisted for the International IMPAC Dublin Literary Award
 
An old man awakens, disoriented, in an unfamiliar chamber. With no memory of who he is or how he has arrived there, he pores over the relics on the desk, examining the circumstances of his confinement and searching his own hazy mind for clues.

Determining that he is locked in, the man—identified only as Mr. Blank—begins reading a manuscript he finds on the desk, the story of another prisoner, set in an alternate world the man doesnt recognize. Nevertheless, the pages seem to have been left for him, along with a haunting set of photographs. As the day passes, various characters call on the man in his cell—vaguely familiar people, some who seem to resent him for crimes he cant remember—and each brings frustrating hints of his identity and his past. All the while an overhead camera clicks and clicks, recording his movements, and a microphone records every sound in the room. Someone is watching.

Both chilling and poignant, Travels in the Scriptorium is vintage Auster: mysterious texts, fluid identities, a hidden past, and, somewhere, an obscure tormentor. And yet, as we discover during one day in the life of Mr. Blank, his world is not so different from our own.

"Auster is one of our most intellectually elegant writers. He has persistently subverted the ordinary mechanisms of suspense, chronology, even genre. In certain fundamental attributes, this new novel resembles his Oracle Night, published in 2003. Yet determined readers come to savor the inimitable way Auster keeps restructuring and vivifying his novelistic obsessions. Themes are hungry ghosts, Borges said. Fortunately, Auster's ghosts are insatiable."—Howard Norman, The Washington Post
"Auster is one of our most intellectually elegant writers. He has persistently subverted the ordinary mechanisms of suspense, chronology, even genre. In certain fundamental attributes, this new novel resembles his Oracle Night, published in 2003. Yet determined readers come to savor the inimitable way Auster keeps restructuring and vivifying his novelistic obsessions. Themes are hungry ghosts, Borges said. Fortunately, Auster's ghosts are insatiable."—Howard Norman, The Washington Post
 
"Auster, a literary descendent of Kafka and Borges, is fascinated by the very act of storytelling. Consequently, his novels always involve some form of doubling as one story coils within another. In the wake of The Brooklyn Follies (2006), an expansive novel, Auster presents a spare, metaphysical fable. Mr. Blank, Auster's protagonist, is confined to an austere room, uncertain of his status or the room's location. Names carry great weight in Auster's uncanny fiction, and so it figures that Mr. Blank has lost his memory. His keepers have provided him with a stack of photographs of people who seem dimly familiar and with a typescript written by another prisoner in another time and place. As Mr. Blank reads this compelling account of violence and loss in the Confederation, a land that vaguely resembles nineteenth-century America during the genocidal assault against indigenous peoples, various visitors arrive, claiming to be Blank's victims. But what are his crimes? Auster fans will recognize a parade of characters from earlier works, reaching back to his famed New York Trilogy (1985-86), In the Country of Last Things (1987), and Leviathan (1992), as Auster coyly celebrates the power of the imagination and marvels over the labyrinthine nature of the mind in an archly playful and shrewdly philosophical tribute to the transcendence of stories."—Donna Seaman, Booklist
 
"On the centennial year of Samuel Beckett's birth, Auster's new novel nods to the old master. We open with a man sitting in a room. The man doesn't remember his name, and a camera hidden in the ceiling takes a picture of him once a second. The man—whom the third-person narrator calls Mr. Blank—spends the single day spanned by the book being looked after, questioned and reading a fragmentary narrative written by a man named Sigmund Graf from a country called the Confederation who has been given the mission of tracking down a renegade soldier named Ernesto Land. During the course of the day, a former policeman, a doctor, two attendants and Mr. Blank's lawyer visit the room, and Mr. Blank learns he is accused of horrible crimes. (His lawyer claims he is accused of everything 'from conspiracy to commit fraud to negligent homicide. From defamation of character to first-degree murder.') But this may or may not be true—the narrative veers toward ambiguity . . . Auster's lean, poker-faced prose creates a satisfyingly claustrophobic allegory."—Publishers Weekly

About the Author

Paul Auster is the bestselling author of The Brooklyn Follies, Oracle Night, and The Book of Illusions. I Thought My Father Was God, the NPR National Story Project Anthology, which he edited, was also a national bestseller. His work has been translated into thirty languages. He lives in Brooklyn, New York.

What Our Readers Are Saying

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Average customer rating based on 1 comment:

megcampbell3, October 27, 2007 (view all comments by megcampbell3)
Story within story, this novel is like seeing one's self step into a painting. Sinister, mysterious, ordinary, and obscure, the tale of Mr. Blank could be the story of anyone who ever thought "how did I ever arrive at this day of my life?" Worthy of a thorough read, more than worthy of a secondary study if you've the need to dream a little about life's nature.
Was this comment helpful? | Yes | No
(5 of 8 readers found this comment helpful)

Product Details

ISBN:
9780312426293
Author:
Auster, Paul
Publisher:
Picador USA
Subject:
Psychological
Subject:
Suspense
Subject:
General Fiction
Subject:
Literature-A to Z
Subject:
Literary
Copyright:
Edition Description:
Trade Paper
Publication Date:
20071231
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Pages:
160
Dimensions:
7.82 x 5.92 x 0.45 in

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Related Subjects

Fiction and Poetry » Literature » A to Z
Fiction and Poetry » Mystery » A to Z
Fiction and Poetry » Popular Fiction » Suspense

Travels in the Scriptorium Used Trade Paper
0 stars - 0 reviews
$6.50 In Stock
Product details 160 pages Picador USA - English 9780312426293 Reviews:
"Review" by , "Auster fans will recognize a parade of characters from earlier works, reaching back to his famed New York Trilogy...as Auster coyly celebrates the power of the imagination and marvels over the labyrinthine nature of the mind in an archly playful and shrewdly philosophical tribute to the transcendence of stories."
"Review" by , "With a Kafkaesque protagonist in an M.C. Escher plot, Auster...returns to the themes of identity, memory, illusion and creativity that have marked his work since his breakthrough New York Trilogy."
"Review" by , "Say what one will about Auster's repetition of devices - the book within a book, the off-stage tormentor, the loss of memory - he has become frightfully good at manipulating a good story out of them."
"Synopsis" by , An old man awakens, disoriented, in an unfamiliar chamber with no memory of who he is or what has happened. Identified only as Mr. Blank, he appears to be a prisoner under surveillance. A mysterious manuscript, fluid identities, and, somewhere, an obscure tormentor — Travels in the Scriptorium is vintage Paul Auster describing a world not so very different from our own.
"Synopsis" by ,

An old man awakens, disoriented, in an unfamiliar chamber. With no memory of who he is or how he has arrived there, he pores over the relics on the desk, examining the circumstances of his confinement and searching his own hazy mind for clues.

Determining that he is locked in, the man--identified only as Mr. Blank--begins reading a manuscript he finds on the desk, the story of another prisoner, set in an unfamiliar, alternate world. As the day passes, various characters call on Mr. Blank in his cell, and each brings frustrating hints of his forgotten identity and his past.

Both chilling and poignant, Travels in the Scriptorium is vintage Paul Auster: mysterious texts, fluid identities, a hidden past, and, somewhere, an obscure tormentor. And yet, as we discover during one day in the life of Mr. Blank, his world is not so different from our own.

Paul Auster is the bestselling author of The Brooklyn Follies, Oracle Night, and The Book of Illusions, among many other works. I Thought My Father Was God, the NPR National Story Project Anthology, which he edited, was also a national bestseller. In 2006 he was awarded the Prince of Asturias Prize for Literature and inducted into the American Academy of Arts and Letters. His work has been translated into more than thirty languages. He lives in Brooklyn, New York.

Longlisted for the International IMPAC Dublin Literary Award
 
An old man awakens, disoriented, in an unfamiliar chamber. With no memory of who he is or how he has arrived there, he pores over the relics on the desk, examining the circumstances of his confinement and searching his own hazy mind for clues.

Determining that he is locked in, the man—identified only as Mr. Blank—begins reading a manuscript he finds on the desk, the story of another prisoner, set in an alternate world the man doesnt recognize. Nevertheless, the pages seem to have been left for him, along with a haunting set of photographs. As the day passes, various characters call on the man in his cell—vaguely familiar people, some who seem to resent him for crimes he cant remember—and each brings frustrating hints of his identity and his past. All the while an overhead camera clicks and clicks, recording his movements, and a microphone records every sound in the room. Someone is watching.

Both chilling and poignant, Travels in the Scriptorium is vintage Auster: mysterious texts, fluid identities, a hidden past, and, somewhere, an obscure tormentor. And yet, as we discover during one day in the life of Mr. Blank, his world is not so different from our own.

"Auster is one of our most intellectually elegant writers. He has persistently subverted the ordinary mechanisms of suspense, chronology, even genre. In certain fundamental attributes, this new novel resembles his Oracle Night, published in 2003. Yet determined readers come to savor the inimitable way Auster keeps restructuring and vivifying his novelistic obsessions. Themes are hungry ghosts, Borges said. Fortunately, Auster's ghosts are insatiable."—Howard Norman, The Washington Post
"Auster is one of our most intellectually elegant writers. He has persistently subverted the ordinary mechanisms of suspense, chronology, even genre. In certain fundamental attributes, this new novel resembles his Oracle Night, published in 2003. Yet determined readers come to savor the inimitable way Auster keeps restructuring and vivifying his novelistic obsessions. Themes are hungry ghosts, Borges said. Fortunately, Auster's ghosts are insatiable."—Howard Norman, The Washington Post
 
"Auster, a literary descendent of Kafka and Borges, is fascinated by the very act of storytelling. Consequently, his novels always involve some form of doubling as one story coils within another. In the wake of The Brooklyn Follies (2006), an expansive novel, Auster presents a spare, metaphysical fable. Mr. Blank, Auster's protagonist, is confined to an austere room, uncertain of his status or the room's location. Names carry great weight in Auster's uncanny fiction, and so it figures that Mr. Blank has lost his memory. His keepers have provided him with a stack of photographs of people who seem dimly familiar and with a typescript written by another prisoner in another time and place. As Mr. Blank reads this compelling account of violence and loss in the Confederation, a land that vaguely resembles nineteenth-century America during the genocidal assault against indigenous peoples, various visitors arrive, claiming to be Blank's victims. But what are his crimes? Auster fans will recognize a parade of characters from earlier works, reaching back to his famed New York Trilogy (1985-86), In the Country of Last Things (1987), and Leviathan (1992), as Auster coyly celebrates the power of the imagination and marvels over the labyrinthine nature of the mind in an archly playful and shrewdly philosophical tribute to the transcendence of stories."—Donna Seaman, Booklist
 
"On the centennial year of Samuel Beckett's birth, Auster's new novel nods to the old master. We open with a man sitting in a room. The man doesn't remember his name, and a camera hidden in the ceiling takes a picture of him once a second. The man—whom the third-person narrator calls Mr. Blank—spends the single day spanned by the book being looked after, questioned and reading a fragmentary narrative written by a man named Sigmund Graf from a country called the Confederation who has been given the mission of tracking down a renegade soldier named Ernesto Land. During the course of the day, a former policeman, a doctor, two attendants and Mr. Blank's lawyer visit the room, and Mr. Blank learns he is accused of horrible crimes. (His lawyer claims he is accused of everything 'from conspiracy to commit fraud to negligent homicide. From defamation of character to first-degree murder.') But this may or may not be true—the narrative veers toward ambiguity . . . Auster's lean, poker-faced prose creates a satisfyingly claustrophobic allegory."—Publishers Weekly

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