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The Humming Room

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Synopses & Reviews

Publisher Comments:

Hiding is Roo Fanshaws special skill. Living in a frighteningly unstable family, she often needs to disappear at a moments notice. When her parents are murdered, its her special hiding place under the trailer that saves her life.

As it turns out, Roo, much to her surprise, has a wealthy if eccentric uncle, who has agreed to take her into his home on Cough Rock Island. Once a tuberculosis sanitarium for children of the rich, the strange house is teeming with ghost stories and secrets. Roo doesnt believe in ghosts or fairy stories, but what are those eerie noises she keeps hearing? And who is that strange wild boy who lives on the river? People are lying to her, and Roo becomes determined to find the truth.

Despite the best efforts of her uncles assistants, Roo discovers the houses hidden room—a garden with a tragic secret.

Inspired by The Secret Garden, this tale full of unusual characters and mysterious secrets is a story that only Ellen Potter could write.

Read the Q&A with Ellen Potter from Publishers Weekly on writing a novel inspired by The Secret Garden

By Sally Lodge

Jan 12, 2011

In 2003, Ellen Potter made a lively splash onto the scene with her middle-grade novel Olivia Kidney. She went on to write three sequels about that enchantingly quirky heroine, as well as two other novels, Slob and The Kneebone Boy. Most recently, the author tapped into memories of her own childhood reading to pen The Humming Room, a novel inspired by Frances Hodgson Burnetts The Secret Garden. Set in a mansion—a former childrens tuberculosis sanitarium—on an island in the St. Lawrence River, the story centers on Roo, a prickly orphan who goes to live with her aloof uncle, and befriends Phillip, his troubled son, and Jack, a local boy. Potter talks about how this novel took shape.

 

Is it safe to assume that The Secret Garden was an important book to you as a child?

 

Obviously, I loved the novel as a kid. What really struck me was that when I went back to read it as an adult, the story not only held up, but I discovered elements in it I had never noticed before. It felt very fresh, and surprisingly layered in a way I hadnt realized as a child.

 

Was that an unusual reaction for you to have to a book you revisit from your childhood?

 

Yes, very unusual for me. A lot of times when I go back to books I loved when I was young I dont quite understand what it was that I loved about them. Rereading The Secret Garden, I felt a lot like Mary feels when she visits her garden. Shes always finding something new popping up—something delightful or surprising. Ive reread The Secret Garden every year as an adult. I have a battered copy on my bookshelf—its really quite a mess! The experience of reading the novel keeps deepening for me.

 

How did you tackle the actual writing of The Humming Room?

 

The idea of writing a contemporary version of The Secret Garden was very exciting to me, yet at the same time it was very, very intimidating. I knew I needed to follow the original story line—or that I wanted to—but I knew I had to make it different enough that it would be worthwhile for people to read my novel. My editor, Jean Feiwel, was great and kept encouraging me to have at it, to go anywhere that I felt I had to go with it.

 

Did you set parameters for yourself, in terms of working within Burnetts original storyline?

 

I actually kept trying to swerve away from the original story, but it wasnt easy. Theres something about The Secret Garden that kept me rooted in the original storyline, which was difficult for me. I dont plot my novels—I move along with my characters. For the first time I had a story already set out for me, which was very challenging.

 

Would you say that you heard Burnetts voice in your head as you wrote?

 

Yes. I feel I know The Secret Garden so well that I could kind of riff on it like a jazz musician. I know it in my core, and could take the essence and work with that. Still, I love the original novel so much that it was psychologically a very tough book to write. Though I think whenever I finish a book I always say its the hardest thing Ive ever written!

 

You obviously did branch out from the original, with the setting to begin with. Why choose an island on the St. Lawrence?

 

I went back and forth on the setting, actually. At first I thought of perhaps setting it in New York City, but that didnt work. At the time I began writing the novel I was living in the Thousand Islands, and was spending a lot of time on the St. Lawrence. The river is so very beautiful, and it struck me as similar in some ways to the moor in The Secret Garden.

 

Similar in what ways?

 

The St. Lawrence seems a vast expanse of gray, the way the moor is a vast expanse of purple. But if you stop and look closely at the river, its incredibly changeable and moody—and sometimes violent. But its always surprising. And it occurred to me that this would be a perfect setting for The Humming Room. On top of that, there are quite a few mansions in the Thousand Islands with ghost stories attached to them. Its quite incredible.

 

So that inspired your mansion setting, with mysterious humming noises and an abandoned garden hidden within it?

 

Yes, and I decided to make the mansion a defunct sanitarium, because I wanted there to be a ghostly presence, an eerie echo, in the house. One of the things I loved in The Secret Garden, and tried to put in my novel, was that there was a consciousness to everything—the house, the moor, and the garden. They are really characters themselves. In my novel, I wanted to give this same consciousness and self-awareness to the mansion, the river, and the garden, to give them personalities.

 

How did you set out to make Roo, Jack, and Phillip distinct from—and have a more modern sensibility than—Burnetts characters?

 

One thing I remember about Mary and Dickon is that there was a little squeak of romance in their relationship, but it was so understated. As a child, I remember wanting more romance in the book. So I brought out a bit more romance between Roo and Jack. Its a young romance and entirely innocent, but its there. With Phillip, my Colin character, I tried at first to make his ailment physical, like Colins, but that didnt work, so I decided to give Phillip a more mental affliction, which worked better for the story. And like Mary, Roo starts off as a not very likable character—shes a pretty tough customer. Thats unusual for a heroine, and I loved that about The Secret Garden. But before long Mary begins to blossom, and that happens to Roo as well.

 

Have you tackled another writing project since finishing The Humming Room?

 

Yes. Im working on a series for younger readers, for Feiwel and Friends. Its directed at boys—though I think girls will like it, too. I have a son who is seven, and Ive been noticing for a while how few very engaging books there are for boys around that age. They somehow get the short shrift. Boys at that age who are big readers are reading books like Diary of a Wimpy Kid, which deal with middle-school issues that seven-year-olds are not yet concerned about. So Im trying to write something along those lines, but more appropriate for younger kids. As I write, Ive been trying out scenes on my son. I wait for his giggle, and if it comes, I keep that part in the book. Luckily, its a method that seems to be working quite well!

—Publishers Weekly, January 2012

Review:

"In a resonant novel inspired by The Secret Garden, Potter (The Kneebone Boy) pays graceful tribute to the spirit of that classic. The author borrows plot elements effectively, yet her strong characterizations, fluid dialogue, and evocative descriptions give the novel a vibrant life of its own. After Roo's drug dealer father is killed, the 12-year-old girl goes to live with her aloof, widowed uncle in a rambling former tuberculosis sanitarium on the island of Cough Rock in the St. Lawrence River. Roo is a loner who hides to avoid others and often puts her ear to the soil, listening to the sounds of life underground. Other noises — mysterious humming and crying — lead Roo to twin discoveries: Emmett, a cousin she didn't know existed, and a domed, dried-up garden in a remote part of the house. Potter lavishes attention on the gothic island setting and Roo's uncle's estate; it's a thrilling ghost story, but one that, like the story it's drawn from, has love and rebirth at its heart. Ages 9 — 12. Agent: Alice Tasman, Jean V. Naggar Literary Agency." Publishers Weekly (Starred Review) Copyright PWxyz, LLC. All rights reserved.

Synopsis:

Hiding is Roo Fanshaws special skill. Living in a frighteningly unstable family, she often needs to disappear at a moments notice. When her parents are murdered, its her special hiding place under the trailer that saves her life.

As it turns out, Roo, much to her surprise, has a wealthy if eccentric uncle, who has agreed to take her into his home on Cough Rock Island. Once a tuberculosis sanitarium for children of the rich, the strange house is teeming with ghost stories and secrets. Roo doesnt believe in ghosts or fairy stories, but what are those eerie noises she keeps hearing? And who is that strange wild boy who lives on the river? People are lying to her, and Roo becomes determined to find the truth.

Despite the best efforts of her uncles assistants, Roo discovers the houses hidden room—a garden with a tragic secret.

Inspired by The Secret Garden, this tale full of unusual characters and mysterious secrets is a story that only Ellen Potter could write.

Read the Q&A with Ellen Potter from Publishers Weekly on writing a novel inspired by The Secret Garden

By Sally Lodge

Jan 12, 2011

In 2003, Ellen Potter made a lively splash onto the scene with her middle-grade novel Olivia Kidney. She went on to write three sequels about that enchantingly quirky heroine, as well as two other novels, Slob and The Kneebone Boy. Most recently, the author tapped into memories of her own childhood reading to pen The Humming Room, a novel inspired by Frances Hodgson Burnetts The Secret Garden. Set in a mansion—a former childrens tuberculosis sanitarium—on an island in the St. Lawrence River, the story centers on Roo, a prickly orphan who goes to live with her aloof uncle, and befriends Phillip, his troubled son, and Jack, a local boy. Potter talks about how this novel took shape.

 

Is it safe to assume that The Secret Garden was an important book to you as a child?

 

Obviously, I loved the novel as a kid. What really struck me was that when I went back to read it as an adult, the story not only held up, but I discovered elements in it I had never noticed before. It felt very fresh, and surprisingly layered in a way I hadnt realized as a child.

 

Was that an unusual reaction for you to have to a book you revisit from your childhood?

 

Yes, very unusual for me. A lot of times when I go back to books I loved when I was young I dont quite understand what it was that I loved about them. Rereading The Secret Garden, I felt a lot like Mary feels when she visits her garden. Shes always finding something new popping up—something delightful or surprising. Ive reread The Secret Garden every year as an adult. I have a battered copy on my bookshelf—its really quite a mess! The experience of reading the novel keeps deepening for me.

 

How did you tackle the actual writing of The Humming Room?

 

The idea of writing a contemporary version of The Secret Garden was very exciting to me, yet at the same time it was very, very intimidating. I knew I needed to follow the original story line—or that I wanted to—but I knew I had to make it different enough that it would be worthwhile for people to read my novel. My editor, Jean Feiwel, was great and kept encouraging me to have at it, to go anywhere that I felt I had to go with it.

 

Did you set parameters for yourself, in terms of working within Burnetts original storyline?

 

I actually kept trying to swerve away from the original story, but it wasnt easy. Theres something about The Secret Garden that kept me rooted in the original storyline, which was difficult for me. I dont plot my novels—I move along with my characters. For the first time I had a story already set out for me, which was very challenging.

 

Would you say that you heard Burnetts voice in your head as you wrote?

 

Yes. I feel I know The Secret Garden so well that I could kind of riff on it like a jazz musician. I know it in my core, and could take the essence and work with that. Still, I love the original novel so much that it was psychologically a very tough book to write. Though I think whenever I finish a book I always say its the hardest thing Ive ever written!

 

You obviously did branch out from the original, with the setting to begin with. Why choose an island on the St. Lawrence?

 

I went back and forth on the setting, actually. At first I thought of perhaps setting it in New York City, but that didnt work. At the time I began writing the novel I was living in the Thousand Islands, and was spending a lot of time on the St. Lawrence. The river is so very beautiful, and it struck me as similar in some ways to the moor in The Secret Garden.

 

Similar in what ways?

 

The St. Lawrence seems a vast expanse of gray, the way the moor is a vast expanse of purple. But if you stop and look closely at the river, its incredibly changeable and moody—and sometimes violent. But its always surprising. And it occurred to me that this would be a perfect setting for The Humming Room. On top of that, there are quite a few mansions in the Thousand Islands with ghost stories attached to them. Its quite incredible.

 

So that inspired your mansion setting, with mysterious humming noises and an abandoned garden hidden within it?

 

Yes, and I decided to make the mansion a defunct sanitarium, because I wanted there to be a ghostly presence, an eerie echo, in the house. One of the things I loved in The Secret Garden, and tried to put in my novel, was that there was a consciousness to everything—the house, the moor, and the garden. They are really characters themselves. In my novel, I wanted to give this same consciousness and self-awareness to the mansion, the river, and the garden, to give them personalities.

 

How did you set out to make Roo, Jack, and Phillip distinct from—and have a more modern sensibility than—Burnetts characters?

 

One thing I remember about Mary and Dickon is that there was a little squeak of romance in their relationship, but it was so understated. As a child, I remember wanting more romance in the book. So I brought out a bit more romance between Roo and Jack. Its a young romance and entirely innocent, but its there. With Phillip, my Colin character, I tried at first to make his ailment physical, like Colins, but that didnt work, so I decided to give Phillip a more mental affliction, which worked better for the story. And like Mary, Roo starts off as a not very likable character—shes a pretty tough customer. Thats unusual for a heroine, and I loved that about The Secret Garden. But before long Mary begins to blossom, and that happens to Roo as well.

 

Have you tackled another writing project since finishing The Humming Room?

 

Yes. Im working on a series for younger readers, for Feiwel and Friends. Its directed at boys—though I think girls will like it, too. I have a son who is seven, and Ive been noticing for a while how few very engaging books there are for boys around that age. They somehow get the short shrift. Boys at that age who are big readers are reading books like Diary of a Wimpy Kid, which deal with middle-school issues that seven-year-olds are not yet concerned about. So Im trying to write something along those lines, but more appropriate for younger kids. As I write, Ive been trying out scenes on my son. I wait for his giggle, and if it comes, I keep that part in the book. Luckily, its a method that seems to be working quite well!

—Publishers Weekly, January 2012

Synopsis:

Hiding is Roo Fanshaw's special skill. Living in a frighteningly unstable family, she often needs to disappear at a moment's notice. When her parents are murdered, it's her special hiding place under the trailer that saves her life.

As it turns out, Roo, much to her surprise, has a wealthy if eccentric uncle, who has agreed to take her into his home on Cough Rock Island. Once a tuberculosis sanitarium for children of the rich, the strange house is teeming with ghost stories and secrets. Roo doesn't believe in ghosts or fairy stories, but what are those eerie noises she keeps hearing? And who is that strange wild boy who lives on the river? People are lying to her, and Roo becomes determined to find the truth.

Despite the best efforts of her uncle's assistants, Roo discovers the house's hidden room--a garden with a tragic secret.

Inspired by The Secret Garden, this tale full of unusual characters and mysterious secrets is a story that only Ellen Potter could write.

About the Author

Ellen Potter is the author of books including The Kneebone Boy, Slob, Pish Posh, and Olivia Kidney. With Anne Mazer she is also the author of Spilling Ink: A Young Writers Handbook. Potter grew up in a high-rise apartment building in New York Citys Upper West Side, where she exercised her early creativity by making up stories about the neighbors she saw on the elevator. When she was 11 years old, she realized all the best books were written for people her age, and so she decided to become a childrens book author. She studied creative writing at Binghamton University, and then worked many different jobs while continuing to write. She was a dog groomer, construction worker, art teacher, and waitress. She lives in upstate New York with her husband, son and a motley assortment of badly behaved animals.

Product Details

ISBN:
9780312644383
Author:
Potter, Ellen
Publisher:
Feiwel & Friends
Subject:
Classics
Subject:
Social Issues - Friendship
Subject:
Childrens classics
Subject:
Children s Young Adult-Social Issue Fiction
Subject:
Children s Middle Readers-General
Subject:
Situations / Friendship
Subject:
Social
Subject:
Issues/Friendship
Edition Description:
Middle-Grade Fiction
Publication Date:
20120231
Binding:
HARDCOVER
Grade Level:
from 4 up to 7
Language:
English
Pages:
208
Dimensions:
7.625 x 5.1875 in
Age Level:
from 9 up to 12

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The Humming Room Used Hardcover
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Product details 208 pages Feiwel & Friends - English 9780312644383 Reviews:
"Publishers Weekly Review" by , "In a resonant novel inspired by The Secret Garden, Potter (The Kneebone Boy) pays graceful tribute to the spirit of that classic. The author borrows plot elements effectively, yet her strong characterizations, fluid dialogue, and evocative descriptions give the novel a vibrant life of its own. After Roo's drug dealer father is killed, the 12-year-old girl goes to live with her aloof, widowed uncle in a rambling former tuberculosis sanitarium on the island of Cough Rock in the St. Lawrence River. Roo is a loner who hides to avoid others and often puts her ear to the soil, listening to the sounds of life underground. Other noises — mysterious humming and crying — lead Roo to twin discoveries: Emmett, a cousin she didn't know existed, and a domed, dried-up garden in a remote part of the house. Potter lavishes attention on the gothic island setting and Roo's uncle's estate; it's a thrilling ghost story, but one that, like the story it's drawn from, has love and rebirth at its heart. Ages 9 — 12. Agent: Alice Tasman, Jean V. Naggar Literary Agency." Publishers Weekly (Starred Review) Copyright PWxyz, LLC. All rights reserved.
"Synopsis" by ,

Hiding is Roo Fanshaws special skill. Living in a frighteningly unstable family, she often needs to disappear at a moments notice. When her parents are murdered, its her special hiding place under the trailer that saves her life.

As it turns out, Roo, much to her surprise, has a wealthy if eccentric uncle, who has agreed to take her into his home on Cough Rock Island. Once a tuberculosis sanitarium for children of the rich, the strange house is teeming with ghost stories and secrets. Roo doesnt believe in ghosts or fairy stories, but what are those eerie noises she keeps hearing? And who is that strange wild boy who lives on the river? People are lying to her, and Roo becomes determined to find the truth.

Despite the best efforts of her uncles assistants, Roo discovers the houses hidden room—a garden with a tragic secret.

Inspired by The Secret Garden, this tale full of unusual characters and mysterious secrets is a story that only Ellen Potter could write.

Read the Q&A with Ellen Potter from Publishers Weekly on writing a novel inspired by The Secret Garden

By Sally Lodge

Jan 12, 2011

In 2003, Ellen Potter made a lively splash onto the scene with her middle-grade novel Olivia Kidney. She went on to write three sequels about that enchantingly quirky heroine, as well as two other novels, Slob and The Kneebone Boy. Most recently, the author tapped into memories of her own childhood reading to pen The Humming Room, a novel inspired by Frances Hodgson Burnetts The Secret Garden. Set in a mansion—a former childrens tuberculosis sanitarium—on an island in the St. Lawrence River, the story centers on Roo, a prickly orphan who goes to live with her aloof uncle, and befriends Phillip, his troubled son, and Jack, a local boy. Potter talks about how this novel took shape.

 

Is it safe to assume that The Secret Garden was an important book to you as a child?

 

Obviously, I loved the novel as a kid. What really struck me was that when I went back to read it as an adult, the story not only held up, but I discovered elements in it I had never noticed before. It felt very fresh, and surprisingly layered in a way I hadnt realized as a child.

 

Was that an unusual reaction for you to have to a book you revisit from your childhood?

 

Yes, very unusual for me. A lot of times when I go back to books I loved when I was young I dont quite understand what it was that I loved about them. Rereading The Secret Garden, I felt a lot like Mary feels when she visits her garden. Shes always finding something new popping up—something delightful or surprising. Ive reread The Secret Garden every year as an adult. I have a battered copy on my bookshelf—its really quite a mess! The experience of reading the novel keeps deepening for me.

 

How did you tackle the actual writing of The Humming Room?

 

The idea of writing a contemporary version of The Secret Garden was very exciting to me, yet at the same time it was very, very intimidating. I knew I needed to follow the original story line—or that I wanted to—but I knew I had to make it different enough that it would be worthwhile for people to read my novel. My editor, Jean Feiwel, was great and kept encouraging me to have at it, to go anywhere that I felt I had to go with it.

 

Did you set parameters for yourself, in terms of working within Burnetts original storyline?

 

I actually kept trying to swerve away from the original story, but it wasnt easy. Theres something about The Secret Garden that kept me rooted in the original storyline, which was difficult for me. I dont plot my novels—I move along with my characters. For the first time I had a story already set out for me, which was very challenging.

 

Would you say that you heard Burnetts voice in your head as you wrote?

 

Yes. I feel I know The Secret Garden so well that I could kind of riff on it like a jazz musician. I know it in my core, and could take the essence and work with that. Still, I love the original novel so much that it was psychologically a very tough book to write. Though I think whenever I finish a book I always say its the hardest thing Ive ever written!

 

You obviously did branch out from the original, with the setting to begin with. Why choose an island on the St. Lawrence?

 

I went back and forth on the setting, actually. At first I thought of perhaps setting it in New York City, but that didnt work. At the time I began writing the novel I was living in the Thousand Islands, and was spending a lot of time on the St. Lawrence. The river is so very beautiful, and it struck me as similar in some ways to the moor in The Secret Garden.

 

Similar in what ways?

 

The St. Lawrence seems a vast expanse of gray, the way the moor is a vast expanse of purple. But if you stop and look closely at the river, its incredibly changeable and moody—and sometimes violent. But its always surprising. And it occurred to me that this would be a perfect setting for The Humming Room. On top of that, there are quite a few mansions in the Thousand Islands with ghost stories attached to them. Its quite incredible.

 

So that inspired your mansion setting, with mysterious humming noises and an abandoned garden hidden within it?

 

Yes, and I decided to make the mansion a defunct sanitarium, because I wanted there to be a ghostly presence, an eerie echo, in the house. One of the things I loved in The Secret Garden, and tried to put in my novel, was that there was a consciousness to everything—the house, the moor, and the garden. They are really characters themselves. In my novel, I wanted to give this same consciousness and self-awareness to the mansion, the river, and the garden, to give them personalities.

 

How did you set out to make Roo, Jack, and Phillip distinct from—and have a more modern sensibility than—Burnetts characters?

 

One thing I remember about Mary and Dickon is that there was a little squeak of romance in their relationship, but it was so understated. As a child, I remember wanting more romance in the book. So I brought out a bit more romance between Roo and Jack. Its a young romance and entirely innocent, but its there. With Phillip, my Colin character, I tried at first to make his ailment physical, like Colins, but that didnt work, so I decided to give Phillip a more mental affliction, which worked better for the story. And like Mary, Roo starts off as a not very likable character—shes a pretty tough customer. Thats unusual for a heroine, and I loved that about The Secret Garden. But before long Mary begins to blossom, and that happens to Roo as well.

 

Have you tackled another writing project since finishing The Humming Room?

 

Yes. Im working on a series for younger readers, for Feiwel and Friends. Its directed at boys—though I think girls will like it, too. I have a son who is seven, and Ive been noticing for a while how few very engaging books there are for boys around that age. They somehow get the short shrift. Boys at that age who are big readers are reading books like Diary of a Wimpy Kid, which deal with middle-school issues that seven-year-olds are not yet concerned about. So Im trying to write something along those lines, but more appropriate for younger kids. As I write, Ive been trying out scenes on my son. I wait for his giggle, and if it comes, I keep that part in the book. Luckily, its a method that seems to be working quite well!

—Publishers Weekly, January 2012

"Synopsis" by ,

Hiding is Roo Fanshaw's special skill. Living in a frighteningly unstable family, she often needs to disappear at a moment's notice. When her parents are murdered, it's her special hiding place under the trailer that saves her life.

As it turns out, Roo, much to her surprise, has a wealthy if eccentric uncle, who has agreed to take her into his home on Cough Rock Island. Once a tuberculosis sanitarium for children of the rich, the strange house is teeming with ghost stories and secrets. Roo doesn't believe in ghosts or fairy stories, but what are those eerie noises she keeps hearing? And who is that strange wild boy who lives on the river? People are lying to her, and Roo becomes determined to find the truth.

Despite the best efforts of her uncle's assistants, Roo discovers the house's hidden room--a garden with a tragic secret.

Inspired by The Secret Garden, this tale full of unusual characters and mysterious secrets is a story that only Ellen Potter could write.

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