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The Boy

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The Boy Cover

 

Synopses & Reviews

Publisher Comments:

"Gorgeous, fiercely intelligent, deeply honest, and incredibly entertaining." ---Anne Lamott

Anna has always been a risk-taker and a free spirit, but now she is raising a young daughter on her own and she has to play it safe. Her twenty-something neighbor with the slow, easy smile is in no way part of Anna's plans. She resists temptation in every way she can, yet Anna is soon drawn into a reckless and obsessive affair.

Provocative, headlong, and utterly compelling, THE BOY is the story of a woman on the edge, torn between love and compulsion, desire and duty. Lara Santoro writes in "hypnotic and swiftly paced" prose (Daniel Woodrell) about the hazards of passion and motherhood and about one woman's unthinkable rebellion.

Review:

"Santoro offers an emotionally intense, but melodramatic, sequel to 2007's Mercy. Anna, 42, thinks she's left her hard-drinking, volatile life behind in Africa, along with her career as a war journalist. Now she and her eight-year-old daughter, Eva, are settled in New Mexico, following an acrimonious divorce from Eva's father. Anna starts a lustful affair with 20-year-old neighbor Jack, the first of a series of spectacularly bad decisions that leave Anna vulnerable to continued self-destruction. Much as Anna's life devolves into chaos, so too does the plot disintegrate, increasingly losing focus and direction. Anna offers some realistic insights into maternal affection and insecurity: 'We have children and they're nothing we're prepared for.... We have children and we don't know how.' She is, however, so unwaveringly unpleasant to everyone — her daughter, her lover, her ex-husband, her inexplicably devoted housekeeper — that it's hard to remain interested as she spirals out of control. The affair with Jack lacks credibility, and although Santoro's affection for the desert renders some arresting depictions of the landscape, elsewhere the prose feels hollow even as it describes moments of potential emotional richness. Agent: Elaine Markson, Markson Thoma Literary Agency." Publishers Weekly Copyright PWxyz, LLC. All rights reserved.

About the Author

Lara Santoro spent most of her career as a foreign news correspondent, based primarily in Rome and in Nairobi working for Newsweek and the Christian Science Monitor. She holds a Bachelor's degree in Comparative Literature from Smith College, a Master's degree in French Literature from the Sorbonne, and a Master's in Fine Arts from New York University. She was born in Rome, and currently lives in New Mexico. She is the author of one previous novel, Mercy.

Product Details

ISBN:
9780316206235
Subtitle:
A Novel
Author:
Santoro, Lara
Publisher:
Back Bay Books
Subject:
Literature-A to Z
Subject:
Literary
Subject:
Love affairs; Obsessive love; Temptation; Lust; Desire; Neighbors; Motherhood; Rebellion; Single women
Publication Date:
20140128
Binding:
Paperback
Language:
English
Pages:
208
Dimensions:
8.75 x 6 x 0.75 in 0.67 lb

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Related Subjects

» Fiction and Poetry » Literature » A to Z
» Fiction and Poetry » Literature » Contemporary Women
» Fiction and Poetry » Literature » Family Life

The Boy Used Hardcover
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Product details 208 pages Little Brown and Company - English 9780316206235 Reviews:
"Publishers Weekly Review" by , "Santoro offers an emotionally intense, but melodramatic, sequel to 2007's Mercy. Anna, 42, thinks she's left her hard-drinking, volatile life behind in Africa, along with her career as a war journalist. Now she and her eight-year-old daughter, Eva, are settled in New Mexico, following an acrimonious divorce from Eva's father. Anna starts a lustful affair with 20-year-old neighbor Jack, the first of a series of spectacularly bad decisions that leave Anna vulnerable to continued self-destruction. Much as Anna's life devolves into chaos, so too does the plot disintegrate, increasingly losing focus and direction. Anna offers some realistic insights into maternal affection and insecurity: 'We have children and they're nothing we're prepared for.... We have children and we don't know how.' She is, however, so unwaveringly unpleasant to everyone — her daughter, her lover, her ex-husband, her inexplicably devoted housekeeper — that it's hard to remain interested as she spirals out of control. The affair with Jack lacks credibility, and although Santoro's affection for the desert renders some arresting depictions of the landscape, elsewhere the prose feels hollow even as it describes moments of potential emotional richness. Agent: Elaine Markson, Markson Thoma Literary Agency." Publishers Weekly Copyright PWxyz, LLC. All rights reserved.
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