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7 Local Warehouse Horror- General

Vampire Chronicles #01: Interview with the Vampire

by

Vampire Chronicles #01: Interview with the Vampire Cover

ISBN13: 9780345337665
ISBN10: 0345337662
Condition: Standard
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Synopses & Reviews

Publisher Comments:

"I see--" said the vampire thoughtfully, and slowly he walked across the room towards the window. For a long time he stood there against the dim light from Divisadero Street and the passing beams of traffic. The boy could see the furnishings of the room more clearly now, the round oak table, the chairs. A wash basin hung on one wall with a mirror. He set his briefcase on the table and waited.

"But how much tape do you have with you?" asked the vampire, turning now so the boy could see his profile. "Enough for the story of a life?"

"Sure, if it's a good life. Sometimes I interview as many as three or four good people a night if I'm lucky. But it has to be a good story. That's only fair, isn't it?"

"Admirably fair," the vampire answered. "I would like to tell you the story of my life, then. I would like to do that very much."

"Great," said the boy. And quickly he removed a small tape recorder from his brief case, making a check of the cassette and batteries. "I'm really anxious to hear why you believe this, why you--"

"No," said the vampire abruptly. "We can't begin that way. Is your equipment ready?"

"Yes," said the boy.

"Then sit down. I'm going to turn on the overhead light."

"But I thought vampires didn't like the light," said the boy. "If you think the dark adds atmosphere--" But then he stopped. The vampire was watching him with his back to the window. The boy could make out nothing of his face now, and something about the still figure there distracted him. He started to say something again but he said nothing. And then he sighed with relief when the vampire moved towards the table and reached for the overhead cord.

At once the room was flooded with a harsh yellow light. And the boy, staring up at the vampire, could not repress a gasp. His fingers danced backwards on the table to grasp the edge. "Dear God!" he whispered, and then he gazed, speechless, at the vampire.

The vampire was utterly white and smooth, as if he were sculpted from bleached bone, and his face was as seemingly inanimate as a statue, except for two brilliant green eyes that looked down at the boy intently like flames in a skull. But then the vampire smiled almost wistfully, and the smooth white substance of his face moved with the infinitely flexible but minimal lines of a cartoon. "Do you see?" he asked softly?

The boy shuddered, lifting his hand as if to shield himself from a powerful light. His eyes moved slowly over the finely tailored black coat he'd only glimpsed in the bar, the long folds of the cape, the black silk tie knotted at the throat, and the gleam of the white collar that was as white as the vampire's flesh. He stared at the vampire's full black hair, the waves that were combed back over the tips of the ears, the curls that barely touched the edge of the white collar.

"Now, do you still want the interview?" the vampire asked.

The boy's mouth was open before the sound came out. He was nodding. Then he said, "Yes."

The vampire sat down slowly opposite him and, leaning forward, said gently, confidentially, "Don't be afraid. Just start the tape."

And then he reached out over the length of the table. The boy recoiled, sweat running down the sides of his face. The vampire clamped a hand on the boy's shoulder and said, "Believe me, I won't hurt you. I want this opportunity. It's more important to me than you can realize now. I want you to begin." And he withdrew his hand and sat collected, waiting.

It took a moment for the boy to wipe his forehead and his lips with a handkerchief, to stammer that the microphone was in the machine, to press the button, to say that the machine was on.

"You weren't always a vampire, were you?" he began.

"No," answered the vampire. "I was a twenty-five-year-old man when I became a vampire, and the year was seventeen ninety-one."

The boy was startled by the preciseness of the date and he repeated it before he asked, "How did it come about?"

"There's a simple answer to that. I don't believe I want to give simple answers," said the vampire. "I think I want to tell the real story--."

"Yes," the boy said quickly. He was folding his handkerchief over and over and wiping his lips now with it again.

"There was a tragedy--" the vampire started. "It was my younger brother--. He died." And then he stopped, so that the boy could clear his throat and wipe at his face again before stuffing the handkerchief almost impatiently into his pocket.

"It's not painful, is it?" he asked timidly.

"Does it seem so?" asked the vampire. "No." He shook his head. "It's simply that I've only told this story to one other person. And that was so long ago. No, it's not painful--.

"We were living in Louisiana then. We'd received a land grant and settled two indigo plantations on the Mississippi very near New Orleans--."

"Ah, that's the accent--" the boy said softly.

For a moment the vampire stared blankly. "I have an accent?" He began to laugh.

And the boy, flustered, answered quickly. "I noticed it in the bar when I asked you what you did for a living. It's just a slight sharpness to the consonants, that's all. I never guessed it was French."

"It's all right," the vampire assured him. "I'm not as shocked as I pretend to be. It's only that I forget it from time to time. But let me go on--."

"Please--" said the boy.

"I was talking about the plantations. They had a great deal to do with it, really, my becoming a vampire. But I'll come to that. Our life there was both luxurious and primitive. And we ourselves found it extremely attractive. You see, we lived far better there than we could have ever lived in France. Perhaps the sheer wilderness of Louisiana only made it seem so, but seeming so, it was. I remember the imported furniture that cluttered the house." The vampire smiled. "And the harpsichord; that was lovely. My sister used to play it. On summer evenings, she would sit at the keys with her back to the open French windows. And I can still remember that thin, rapid music and the vision of the swamp rising beyond her, the moss-hung cypresses floating against the sky. And there were the sounds of the swamp, a chorus of creatures, the cry of the birds. I think we loved it. It made the rosewood furniture all the more precious, the music more delicate and desirable. Even when the wisteria tore the shutters off the attic windows and worked its tendrils right into the whitewashed brick in less that a year-- Yes, we loved it. All except my brother. I don't think I ever heard him complain of anything, but I knew how he felt. My father was dead then, and I was head of the family and I had to defend him constantly from my mother and sister. They wanted to take him visiting, and to New Orleans for parties, but he hated these things. I think he stopped going altogether before he was twelve. Prayer was what mattered to him, prayer and his leatherbound lives of the saints.

"Finally, I built him an oratory removed from the house, and he began to spend most of every day there and often the early evening. It was ironic, really. He was so different from us, so different from everyone, and I was so regular! There was nothing extraordinary about me whatsoever." The vampire smiled.

"Sometimes in the evening I would go out to him and find him in the garden near the oratory, sitting absolutely composed on a stone bench there, and I'd tell him my troubles, the difficulties I had with the slaves, how I distrusted the overseer or the weather or my brokers-- all the problems that made up the length and breadth of my existence. And he would always listen, making only a few comments, always sympathetic, so that when I left him I had the distinct impression he had solved everything for me. I didn't think I could deny him anything, and I vowed that no matter how it would break my heart to lose him, he could enter the priesthood when the time came. Of course, I was wrong." The vampire stopped.

For a moment the boy only gazed at him and then he started as if awakened from a deep thought, and he floundered, as if he could not find the right words. "Ah-- he didn't want to be a priest?" the boy asked. The vampire studied him as if trying to discern to meaning of his expression. Then he said:

"I meant that I was wrong about myself, about my not denying him anything." His eyes moved over the far wall and fixed on the panes of the window. "He began to see visions."

"Real visions?" the boy asked, but again there was hesitation, as if he were thinking of something else.

"I don't think so," the vampire answered. "It happened when he was fifteen. He was very handsome then. He had the smoothest skin and the largest blue eyes. He was robust, not thin as I am now and was then-- but his eyes-- it was as if when I looked into his eyes I was standing alone on the edge of the world-- on a windswept ocean beach. There was nothing but the soft roar of the waves.

Well," he said, his eyes still fixed on the window panes, "he began to see visions. He only hinted at this at first, and he stopped taking his meals altogether. He lived in the oratory. At any hour of day or night, I could find him on the bare flagstones kneeling before the altar. And the oratory itself was neglected. He stopped tending the candle or changing the altar clothes or even sweeping out the leaves. One night I became really alarmed when I stood in the rose arbor watching him for one solid hour, during which he never moved from his knees and never once lowered his arms, which he held outstretched in the form of a cross. The slaves all thought he was mad." The vampire raised his eyebrows in wonder. "I was convinced that he was only... overzealous. That in his love for God, he had perhaps gone too far. Then he told me about the visions. Both St. Dominic and the Blessed Virgin Mary had come to him in the oratory. They had told him he was to sell all our property in Louisiana, everything we owned, and use the money to do God's work in France. My brother was to be a great religious leader, to return the country to its former fervor, to turn the tide against atheism and the Revolution. Of course, he had no money of his own. I was to sell the plantations and our town houses in New Orleans and give the money to him."

Again the vampire stopped. And the boy sat motionless regarding him, astonished. "Ah-- excuse me," he whispered. "What did you say? Did you sell the plantations?"

"No," said the vampire, his face calm as it has been from the start. "I laughed at him. And he-- he became incensed. He insisted his command came from the Virgin herself. Who was I to disregard it? Who indeed?" he asked softly, as if he were thinking of this again. "Who indeed? And the more he tried to convince me, the more I laughed. It was nonsense, I told him, the product of an immature and even morbid mind. The oratory was a mistake, I said to him; I would have it torn down at once. He would go to school in New Orleans and get such inane notions out of his head. I don't remember all that I said. But I remember the feeling. Behind all this contemptuous dismissal on my part was a smoldering anger and a disappointment. I was bitterly disappointed. I didn't believe him at all."

"But that's understandable," said the boy quickly when the vampire paused, his expression of astonishment softening. "I mean, would anyone have believed him?"

"Is it so understandable?" The vampire looked at the boy. "I think perhaps it was vicious egotism. Let me explain. I loved my brother, as I told you, and at times I believed him to be a living saint. I encouraged him in his prayer and mediations, as I said, and I was willing to give him up to the priesthood. And if someone had told me of a saint in Arles or Lourdes who saw visions, I would have believed it. I was a Catholic; I believed in saints. I lit tapers before their statues in churches; I know their pictures, their symbols, their names. But I didn't, I couldn't believe my brother. Not only did I not believe he saw visions, I wouldn't entertain the notion for a moment. Now, why? Because he was my brother. Holy he might be, peculiar most definitely; but Francis of Assisi, no. Not my brother. No brother of mine could be such. That is egotism. Do you see?"

The boy thought about it before he answered and then he nodded and said that yes, he thought that he did.

"Perhaps he saw the visions," said the vampire.

"Then you-- you don't claim to know-- now-- whether he did or not?"

"No, but I do know that he never wavered in his conviction for a second. That I know now and knew then the night he left my room crazed and grieved. He never wavered for an instant. And within minutes, he was dead."

From the Trade Paperback edition.

Synopsis:

We are in a small room with the vampire, face to face, as he speaks--as he pours out the hypnotic, shocking, moving, and erotically charged confessions of his first two hundred years as one of the living dead.

Synopsis:

Here are the confessions of a vampire. Hypnotic, shocking, and chillingly erotic, this is a novel of mesmerizing beauty and astonishing force-a story of danger and flight, of love and loss, of suspense and resolution, and of the extraordinary power of the senses. It is a novel only Anne Rice could write.

About the Author

Anne Rice is the author of more than twenty-five bestselling books. She lives in New Orleans.

What Our Readers Are Saying

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Average customer rating based on 6 comments:

Alyssa Van Meter, January 3, 2011 (view all comments by Alyssa Van Meter)
This is the most epic book i have ever read! It's filled with passion, and yet filled with a gothic gloom of seeing through a vampire's eyes.
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Mariah Jensen, September 29, 2010 (view all comments by Mariah Jensen)
I've always wanted to read a gothic, truly vampire story, and I've always heard Anne Rice was the one who made those books possible. I never really thought that I would find her book "Interview with the Vampire" at my school library, but when I did I was estatic. I devored and finished the book in a day and a half and I now know what a real vampire story is. Anne Rice crafted a masterpiece when she wrote this book. I highly reccomend you read it!
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(1 of 1 readers found this comment helpful)
emmejo, August 28, 2010 (view all comments by emmejo)
Louis is a 200 year old vampire. He has lived many lives, known many people and other vampires, struggled with balancing his remaining human thoughts and tendencies with the necessities of vampiric life and seen history being made. Now he is going to share his story with the world.

I have to admit to being disappointed with this book. It is not that the plot or characters are poorly crafted, indeed, they are quite interesting. However I had a strong dislike for the writing in this book. It was extremely melodramatic and Rice clearly had an absurd love of wordy, overused, cliche terms and descriptions. When there were not enough ridiculous, but well known, terms already in the English language, she seemingly spliced them together, resulting in some completely foolish words when used as descriptions for vampires. (When Louis called himself a "supermortal" I groaned aloud and hit myself in the forehead with this book. Luckily it's not very large, so no harm was done.)

Having read Lestat, which is not a masterpiece but not bad either, I guess you can tell what an advantage 10 years of practice gives. I recommend those interested in Anne Rice's works skip this one and just start with Lestat. You don't need the torture.
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Product Details

ISBN:
9780345337665
Author:
Rice, Anne
Publisher:
Ballantine Books
Location:
New York :
Subject:
Non-Classifiable
Subject:
Fiction
Subject:
Psychological
Subject:
Horror
Subject:
Vampires
Subject:
Horror tales
Subject:
Lestat (fictitious character)
Subject:
Lestat
Subject:
Horror - General
Subject:
Horror fiction
Subject:
General Fiction
Subject:
fiction;vampires;horror;fantasy;new orleans;vampire chronicles;gothic;supernatural;novel;anne rice;paranormal;lestat;historical fiction;dark fantasy;rice;movie;american;paris;historical;louisiana;romance;made into movie;thriller;20th century;urban fantasy
Subject:
fiction;vampires;horror;fantasy;new orleans;vampire chronicles;gothic;supernatural;novel;anne rice;paranormal;lestat;historical fiction;dark fantasy;rice;movie;american;paris;historical;louisiana;romance;made into movie;thriller;20th century;urban fantasy
Subject:
vampires;fiction;horror;fantasy;anne rice;novel;historical fiction
Subject:
fiction;vampires;horror;fantasy;new orleans;vampire chronicles;gothic;supernatural;novel;anne rice;paranormal;lestat;historical fiction;dark fantasy;rice;movie;american;paris;historical;louisiana;romance;made into movie;thriller;20th century;urban fantasy
Subject:
fiction;vampires;horror;fantasy;new orleans;vampire chronicles;gothic;supernatural;novel;anne rice;paranormal;lestat;historical fiction;dark fantasy;rice;movie;american;paris;historical;louisiana;romance;made into movie;thriller;20th century;urban fantasy
Copyright:
Edition Description:
Mass market paperback
Series:
Vampire Chronicles (Paperback)
Series Volume:
01
Publication Date:
September 1991
Binding:
MASS MARKET
Grade Level:
General/trade
Language:
English
Illustrations:
Y
Pages:
368
Dimensions:
7.2 x 4.2 x 4.3 in 2.2 lb

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Vampire Chronicles #01: Interview with the Vampire Used Mass Market
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Product details 368 pages Ballantine Books - English 9780345337665 Reviews:
"Synopsis" by , We are in a small room with the vampire, face to face, as he speaks--as he pours out the hypnotic, shocking, moving, and erotically charged confessions of his first two hundred years as one of the living dead.
"Synopsis" by , Here are the confessions of a vampire. Hypnotic, shocking, and chillingly erotic, this is a novel of mesmerizing beauty and astonishing force-a story of danger and flight, of love and loss, of suspense and resolution, and of the extraordinary power of the senses. It is a novel only Anne Rice could write.
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