Featuring more than 100 pages of never-before-seen material!

The Harvey Award—nominated sensation that rocked the comics world–and left readers hanging in sheer suspense–is now a full-length graphic novel that finally carries the stunning Elk’s Run saga to its shocking conclusion.

The town of Elk’s Ridge, West Virginia, was built on a dream: The dream of war-scarred Vietnam veterans to live in peace and harmony, in a place untouched by violence, crime, corruption, or greed. A living Norman Rockwell painting, governed by the most basic values and free of all things considered undesirable by its founders. It was supposed to be paradise. And for a while, it was.

Over the years, some in Elk’s Ridge have grown restless. They fear their refuge has become a prison . . . or a tomb. And they yearn to do the forbidden: escape. But when one desperate bid for freedom ends in a tragic accident, a heinous act of mob justice suddenly tears the idyllic mask from this promised land and the evil its residents sought to keep out blooms from within. Now, as a deadly chain reaction of events threatens the future of Elk’s Ridge, its elders gird for battle against the real world. And a group of terrified teens prepare to make their own stand–against the people they once trusted and the only life they’ve ever known. Because there’s nothing left to do but fight or die.

A chillingly lyrical tale, rendered in starkly beautiful, visceral artwork, Elk’s Run is an unforgettable and unrelentingly powerful graphic novel event not to be missed.

With an introduction by Charlie Houston, author of Already Dead

"Originally serialized as a comic book (until its publisher went under), this coming-of-age thriller appears in its entirety for the first time. The young protagonist, John Kohler, is even more bored and frustrated than most teenagers: he's grown up in the tiny town of Elk's Run, whose fanatical survivalist founders have sealed it off from the rest of the world, turning it into a sort of cross between Mayberry and the Branch Davidian compound. When a fatal accident leads to a revenge lynching and a series of murders, John and his friends try to escape; their parents come after them; and the ensuing cat-and-mouse game involves a mine fire, a stockpile of napalm and a stash of terrorist plans. Tuazon's chunky, scribbly brushwork occasionally seems too crude for a story whose heart is in its gritty precision. Still, his characters' facial and body language is remarkably expressive, and he pulls off some clever visual interpretations of the story — flashbacks to the teenagers' childhoods are drawn in a cartoonier, Archie-inspired style. And although the story is sometimes marred by simplistic characterization (the parents go from cruel disciplinarians to murderous psychotics rather quickly), Fialkov builds the suspense incrementally until the cycle of violence becomes a wave of disasters." Publishers Weekly (Copyright Reed Business Information, Inc.)

“Really, really good. The team executes it with great skill.”

Warren Ellis, creator of Transmetropolitan

“Damn fine comic making.”

Brian Michael Bendis, creator of Powers

“Creepy . . . fun in a very good way.”

Variety