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This title in other editionsOther titles in the Wishbone Trilogy, Part 1 series:Taboo (Wishbone Trilogy, Part 1)by Yusef Komunyakaa
Synopses & ReviewsPublisher Comments:The Paint-Box artists color in Adam & Eve, using every hue & cryof temptation. Because God blends into the darkness the faces keep coming off.--from "Chiaroscuro"With the allusive leaps and improvisational chops of a jazz soloist, Yusef Komunyakaa is our great poet of connectivity--the secret blood that links slave and master, explorer and native, stranger and brother. In Taboo he examines the role of blacks in Western history, and how these roles are portrayed in art and literature. In taut, meticulously crafted three-line stanzas, Rubens paints his wife looking longingly at a black servant; Aphra Behn writes Oroonoko "as if she'd rehearsed it/for years in her spleen"; and in Monticello, Thomas Jefferson is "still at his neo-classical desk/musing, but we know his mind/is brushing aside abstractions/so his hands can touch flesh." Taboo is the powerful first book in a new trilogy by a Pulitzer Prize-winning poet whose work never ceases to challenge and delight his readers. Review:"A much-honored poet faces a global canvas in this lengthy, information-rich if sometimes repetitive sequence (the first in a promised trilogy), whose poems consider interracial contact, conflict and misunderstanding in the African diaspora, from Herodotus, ancient Greece and Egypt to modern (not to say modernist) New York. Phillis Wheatley, Thomas Jefferson and Sally Hemings, Elizabeth Barrett Browning, Faulkner's Miss Emily, Perseus, Othello, Anne Frank and several giants of jazz stand among the many whose legacy (evil, praiseworthy or both) prompts at least one poem. The large cast makes the book feel at times exhilaratingly expansive, at other times simply crowded — no poet has used this much history, this many figures and famous names, since Robert Lowell (himself another character here). Komunyakaa won a Pulitzer for 1993's Neon Vernacular: New and Selected Poems, which featured his extraordinarily skillful jazz-inspired short lines. Those lines here serve off- balance three-line stanzas that bear tremendous weights of raw information, and finally carry the book. The best poems either tell unfamiliar stories (Benedict the Moor, in the volume's moving finale) or eschew proper nouns for personal reflection ('In Line at the Bank'). If other verse tells more than it can show, or sounds more reportorial than lyrical, the whole sequence testifies to a skill, and an ambition, that will surely continue to merit national attention. (Sept.)" Publishers Weekly (Copyright 2004 Reed Business Information, Inc.) Synopsis:A new collection from a Kingsley Tufts Award–winning poet Imaginary Logicis a brilliantly expansive, deeply meditative, and at times wildly imaginative collection of poems that combines Rodney Joness distinctive storytelling ability, sharp social intelligence, and keen powers of observation in a book that is wistful, satiric, audacious, and remorseless. Rodney Jones, winner of the National Book Critics Circle Award, is one of Americas "best, most generous, and most brilliantly readable poets" (Poetry).Imaginary Logicis the most eloquent expression yet of his rigorous mind, scrupulous eye, and capacious heart. Synopsis:Imaginary Logic is a brilliantly expansive, deeply meditative, and at times wildly imaginative collection of poems that combines Joness distinctive storytelling ability, sharp social intelligence, and keen powers of observation in a book that is wistful, satiric, audacious, and remorseless. "The Art of Heaven" opens with a parody of Dante and a down-home, twisted humor that Joness readers have come to rely on: "In the middle of my life I came to a dark wood,/ the smell of barbecue, kids running in the yards./ Not deep depression. This nice Hell of suburbs./ Speed bumps. The way things arent quite paradise." Rodney Jones, winner of the National Book Critics Circle Award, is one of Americas "best, most generous, and most brilliantly readable poets" (Poetry). Imaginary Logic is Rodney Jones's most eloquent expression yet of his rigorous mind, scrupulous eye, and capacious heart. About the AuthorYusef Komunyakaa's eleven books of poems include Talking Dirty to the Gods (FSG, 2000) and Neon Vernacular: New and Selected Poems, for which he received the Pulitzer Prize. He teaches at Princeton University. Table of ContentsLingo
Imhotep
Aghribat Al-Arab
Henry the Navigator
Other Worlds
Bacchanal
Astraea's Footnotes
Queen Marie-Thérèse & Nabo
Lament & Praise Song
Sunset in Surinam
Monticello
Unframing a Triptych
Captain Amasa Delano's Dilemma
Before the Windows
Double Exposure
King of the Octave
The Price of Blood
The Quadroon's Masque Hall
Antebellum Silhouettes
Tobe's Blues
Othello's Robe
Jeanne Duval's Confession
Hagar's Daughter
Chiaroscuro
Nude Study
Trueblood's Blues
Satchmo, USA
Cante Jondo
The House
To Beauty
Daddy Red
Twilight Seduction
Homage to a Bellhop
Forgive & Live
Séance & Shadowplay
Lustration
Lucumi
Oil
At the Red Sea
In Line at the Bank
Troubling the Water
Netherworlds
Lingua Franca
The Archivist
Desecration
Outside the Blue Nile What Our Readers Are SayingBe the first to add a comment for a chance to win!Product Details
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