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The Lost Painting: The Quest for a Caravaggio Masterpiece

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The Lost Painting: The Quest for a Caravaggio Masterpiece Cover

 

Synopses & Reviews

Publisher Comments:

An Italian village on a hilltop near the Adriatic coast, a decaying palazzo facing the sea, and in the basement, cobwebbed and dusty, lit by a single bulb, an archive unknown to scholars. Here, a young graduate student from Rome, Francesca Cappelletti, makes a discovery that inspires a search for a work of art of incalculable value, a painting lost for almost two centuries.

The artist was Caravaggio, a master of the Italian Baroque. He was a genius, a revolutionary painter, and a man beset by personal demons. Four hundred years ago, he drank and brawled in the taverns and streets of Rome, moving from one rooming house to another, constantly in and out of jail, all the while painting works of transcendent emotional and visual power. He rose from obscurity to fame and wealth, but success didn't alter his violent temperament. His rage finally led him to commit murder, forcing him to flee Rome a hunted man. He died young, alone, and under strange circumstances.

Caravaggio scholars estimate that between sixty and eighty of his works are in existence today. Many others — no one knows the precise number — have been lost to time. Somewhere, surely, a masterpiece lies forgotten in a storeroom, or in a small parish church, or hanging above a fireplace, mistaken for a mere copy.

Prizewinning author Jonathan Harr embarks on an spellbinding journey to discover the long-lost painting known as The Taking of Christ — its mysterious fate and the circumstances of its disappearance have captivated Caravaggio devotees for years. After Francesca Cappelletti stumbles across a clue in that dusty archive, she tracks the painting across a continent and hundreds of years of history. But it is not until she meets Sergio Benedetti, an art restorer working in Ireland, that she finally manages to assemble all the pieces of the puzzle.

Told with consummate skill by the writer of the bestselling, award-winning A Civil Action, The Lost Painting is a remarkable synthesis of history and detective story. The fascinating details of Caravaggio's strange, turbulent career and the astonishing beauty of his work come to life in these pages. Harr's account is not unlike a Caravaggio painting: vivid, deftly wrought, and enthralling.

Review:

"As Harr expertly tracks the converging quests of the students and the restorer, he incisively recounts Caravaggio's wild and tragic life, and offers evocative testimony to the resonance of his daring and magnificent work." Booklist

Review:

"Harr infuses this information with life and suspense, and his sure-to-be-popular account will lead general readers to a new appreciation of a long-lost masterpiece as well as of the potential excitement of art history scholarship and art restoration." Library Journal

Review:

"[T]he book reads better than a thriller because, unlike a lot of best-selling non-fiction authors who write in a more or less novelistic vein...Harr doesn't plump up his tale. He almost never foreshadows, doesn't implausibly reconstruct entire conversations and rarely throws in litanies of clearly conjectured or imagined details just for color's sake." New York Times Sunday Book Review

Review:

"At its best, Harr's magnetic storytelling recalls Cappelletti's first encounter with the work of Caravaggio. To her, his paintings seemed 'to pulse with heat and life, capturing a moment in time like a scene glimpsed through a window.'" Washington Post

Review:

"Harr does a dexterous job of building narrative tension, conveying both the intellectual thrills experienced by Ms. Cappelletti and Mr. Benedetti as they make their discoveries and the scrupulous research that goes into verifying their finds." New York Times

Review:

"Harr excels...at anatomizing the minds of his sleuths, and gets good mileage out of the various eccentrics encountered along the way." New Yorker

Synopsis:

Prizewinning author Jonathan Harr embarks on a spellbinding journey to discover the long-lost painting known as The Taking of Christ. The fascinating details of the artist Caravaggio's strange, turbulent career and the astonishing beauty of his work come to life in these pages.

Synopsis:

An Italian village on a hilltop near the Adriatic coast, a decaying palazzo facing the sea, and in the basement, cobwebbed and dusty, lit by a single bulb, an archive unknown to scholars. Here, a young graduate student from Rome, Francesca Cappelletti, makes a discovery that inspires a search for a work of art of incalculable value, a painting lost for almost two centuries.

The artist was Caravaggio, a master of the Italian Baroque. He was a genius, a revolutionary painter, and a man beset by personal demons. Four hundred years ago, he drank and brawled in the taverns and streets of Rome, moving from one rooming house to another, constantly in and out of jail, all the while painting works of transcendent emotional and visual power. He rose from obscurity to fame and wealth, but success didn’t alter his violent temperament. His rage finally led him to commit murder, forcing him to flee Rome a hunted man. He died young, alone, and under strange circumstances.

Caravaggio scholars estimate that between sixty and eighty of his works are in existence today. Many others–no one knows the precise number–have been lost to time. Somewhere, surely, a masterpiece lies forgotten in a storeroom, or in a small parish church, or hanging above a fireplace, mistaken for a mere copy.

Prizewinning author Jonathan Harr embarks on an spellbinding journey to discover the long-lost painting known as The Taking of Christ–its mysterious fate and the circumstances of its disappearance have captivated Caravaggio devotees for years. After Francesca Cappelletti stumbles across a clue in that dusty archive, she tracks the painting across a continent and hundreds of years of history. But it is not until she meets Sergio Benedetti, an art restorer working in Ireland, that she finally manages to assemble all the pieces of the puzzle.

Told with consummate skill by the writer of the bestselling, award-winning A Civil Action, The Lost Painting is a remarkable synthesis of history and detective story. The fascinating details of Caravaggio’s strange, turbulent career and the astonishing beauty of his work come to life in these pages. Harr’s account is not unlike a Caravaggio painting: vivid, deftly wrought, and enthralling.

". . . Jonathan Harr has gone to the trouble of writing what will probably be a bestseller . . . rich and wonderful. . .in truth, the book reads better than a thriller because, unlike a lot of best-selling nonfiction authors who write in a more or less novelistic vein (Harr's previous book, A Civil Action, was made into a John Travolta movie), Harr doesn't plump up hi tale. He almost never foreshadows, doesn't implausibly reconstruct entire conversations and rarely throws in litanies of clearly conjectured or imagined details just for color's sake. . .if you're a sucker for Rome, and for dusk. . .[you'll] enjoy Harr's more clearly reported details about life in the city, as when--one of my favorite moments in the whole book--Francesca and another young colleague try to calm their nerves before a crucial meeting with a forbidding professor by eating gelato. And who wouldn't in Italy? The pleasures of travelogue here are incidental but not inconsiderable." --The New York Times Book Review

"Jonathan Harr has taken the story of the lost painting, and woven from it a deeply moving narrative about history, art and taste--and about the greed, envy, covetousness and professional jealousy of people who fall prey to obsession. It is as perfect a work of narrative nonfiction as you could ever hope to read." --The Economist

About the Author

Jonathan Harr is the author of the national bestseller A Civil Action, winner of the National Book Critics Circle Award for Nonfiction. He is a former staff writer at the New England Monthly and has written for the New Yorker and the New York Times Magazine. He lives and works in Northampton, Massachusetts, where he has taught nonfiction writing at Smith College.

Product Details

ISBN:
9780375508011
Author:
Harr, Jonathan
Publisher:
Random House
Subject:
History - General
Subject:
Painting
Subject:
European
Subject:
History - Medieval
Subject:
Painting, italian
Subject:
Subjects & Themes - Religious
Subject:
History - Baroque & Rococo
Copyright:
Edition Number:
1st
Publication Date:
October 25, 2005
Binding:
Hardcover
Language:
English
Pages:
271
Dimensions:
9.56x6.20x1.13 in. 1.27 lbs.

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Related Subjects

Arts and Entertainment » Art » Artists
Arts and Entertainment » Art » General
Arts and Entertainment » Art » History and Criticism

The Lost Painting: The Quest for a Caravaggio Masterpiece Used Hardcover
0 stars - 0 reviews
$3.95 In Stock
Product details 271 pages Random House - English 9780375508011 Reviews:
"Review" by , "As Harr expertly tracks the converging quests of the students and the restorer, he incisively recounts Caravaggio's wild and tragic life, and offers evocative testimony to the resonance of his daring and magnificent work."
"Review" by , "Harr infuses this information with life and suspense, and his sure-to-be-popular account will lead general readers to a new appreciation of a long-lost masterpiece as well as of the potential excitement of art history scholarship and art restoration."
"Review" by , "[T]he book reads better than a thriller because, unlike a lot of best-selling non-fiction authors who write in a more or less novelistic vein...Harr doesn't plump up his tale. He almost never foreshadows, doesn't implausibly reconstruct entire conversations and rarely throws in litanies of clearly conjectured or imagined details just for color's sake."
"Review" by , "At its best, Harr's magnetic storytelling recalls Cappelletti's first encounter with the work of Caravaggio. To her, his paintings seemed 'to pulse with heat and life, capturing a moment in time like a scene glimpsed through a window.'"
"Review" by , "Harr does a dexterous job of building narrative tension, conveying both the intellectual thrills experienced by Ms. Cappelletti and Mr. Benedetti as they make their discoveries and the scrupulous research that goes into verifying their finds."
"Review" by , "Harr excels...at anatomizing the minds of his sleuths, and gets good mileage out of the various eccentrics encountered along the way."
"Synopsis" by , Prizewinning author Jonathan Harr embarks on a spellbinding journey to discover the long-lost painting known as The Taking of Christ. The fascinating details of the artist Caravaggio's strange, turbulent career and the astonishing beauty of his work come to life in these pages.
"Synopsis" by , An Italian village on a hilltop near the Adriatic coast, a decaying palazzo facing the sea, and in the basement, cobwebbed and dusty, lit by a single bulb, an archive unknown to scholars. Here, a young graduate student from Rome, Francesca Cappelletti, makes a discovery that inspires a search for a work of art of incalculable value, a painting lost for almost two centuries.

The artist was Caravaggio, a master of the Italian Baroque. He was a genius, a revolutionary painter, and a man beset by personal demons. Four hundred years ago, he drank and brawled in the taverns and streets of Rome, moving from one rooming house to another, constantly in and out of jail, all the while painting works of transcendent emotional and visual power. He rose from obscurity to fame and wealth, but success didn’t alter his violent temperament. His rage finally led him to commit murder, forcing him to flee Rome a hunted man. He died young, alone, and under strange circumstances.

Caravaggio scholars estimate that between sixty and eighty of his works are in existence today. Many others–no one knows the precise number–have been lost to time. Somewhere, surely, a masterpiece lies forgotten in a storeroom, or in a small parish church, or hanging above a fireplace, mistaken for a mere copy.

Prizewinning author Jonathan Harr embarks on an spellbinding journey to discover the long-lost painting known as The Taking of Christ–its mysterious fate and the circumstances of its disappearance have captivated Caravaggio devotees for years. After Francesca Cappelletti stumbles across a clue in that dusty archive, she tracks the painting across a continent and hundreds of years of history. But it is not until she meets Sergio Benedetti, an art restorer working in Ireland, that she finally manages to assemble all the pieces of the puzzle.

Told with consummate skill by the writer of the bestselling, award-winning A Civil Action, The Lost Painting is a remarkable synthesis of history and detective story. The fascinating details of Caravaggio’s strange, turbulent career and the astonishing beauty of his work come to life in these pages. Harr’s account is not unlike a Caravaggio painting: vivid, deftly wrought, and enthralling.

". . . Jonathan Harr has gone to the trouble of writing what will probably be a bestseller . . . rich and wonderful. . .in truth, the book reads better than a thriller because, unlike a lot of best-selling nonfiction authors who write in a more or less novelistic vein (Harr's previous book, A Civil Action, was made into a John Travolta movie), Harr doesn't plump up hi tale. He almost never foreshadows, doesn't implausibly reconstruct entire conversations and rarely throws in litanies of clearly conjectured or imagined details just for color's sake. . .if you're a sucker for Rome, and for dusk. . .[you'll] enjoy Harr's more clearly reported details about life in the city, as when--one of my favorite moments in the whole book--Francesca and another young colleague try to calm their nerves before a crucial meeting with a forbidding professor by eating gelato. And who wouldn't in Italy? The pleasures of travelogue here are incidental but not inconsiderable." --The New York Times Book Review

"Jonathan Harr has taken the story of the lost painting, and woven from it a deeply moving narrative about history, art and taste--and about the greed, envy, covetousness and professional jealousy of people who fall prey to obsession. It is as perfect a work of narrative nonfiction as you could ever hope to read." --The Economist

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