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The Fortress of Solitude

by

The Fortress of Solitude Cover

 

Review-A-Day

"[A] novel of boundless energy and startling insight about the conundrum adults impose on children by demanding that they live the ideal of integration that we've been unable to demonstrate ourselves....Lethem's mock-heroic voice, full of innocence and mischief, perfectly captures the challenges of childhood, the desperation to belong, the acute sensitivity to embarrassment, the unquestioning endurance of adults' absurd behavior....This is daring stuff, as dazzling for its style as for its politics." Ron Charles, The Christian Science Monitor (read the entire CSM review)

"Lethem is the new poet of Brooklyn — the new Whitman, even, whose bold imagination and sheer love of words defy all forms and expectations and place him among this country's foremost novelists....To say that Lethem bends the rules, pushes the envelope and extends the possibilities of fiction is to state only part of the case. He's defiant, delicious, in his refusal to be pinned....The book is a Bildungsroman in the exact sense, the story of Dylan's self-development in the context of place and time. It's also a comedy, a history and a fantasy, where the strange and supernatural mix freely with the solid and austere, as they do in life, in memory, in everyone's autobiography." Peter Kurth, Salon.com (read the entire Salon review)

"[I]n Dylan and Mingus's relationship, Lethem has created a profound, sad, and perfectly crafted story." Adrienne Miller, Esquire (read the entire Esquire review)

"There is a genuine atmosphere of cognitive novelty; Lethem manages to combine childish innocence and adult knowingness (not just childish knowingness) in ways that ought to fail but invariably delight and intrigue.

And Lethem delights and intrigues in the end because, while a perfectly adept theorizer, he is a much better painter. His street scenes, his pictures from childhood, have a true coloration; they are drawn, not just spoken....Alas, the thirtysomething Dylan turns out to be a vague character; he talks like Lethem's prose, which is pleasant when the prose is good, but is hardly very distinguishing....It as if the delicate balance of the novel's earlier style has been turned inside out." James Wood, The New Republic (read the entire New Republic review)

Synopses & Reviews

Publisher Comments:

This is the story of two boys, Dylan Ebdus and Mingus Rude. They are friends and neighbors, but because Dylan is white and Mingus is black, their friendship is not simple. This is the story of their Brooklyn neighborhood, which is almost exclusively black despite the first whispers of something that will become known as "gentrification."

This is the story of 1970s America, a time when the most simple human decisions — what music you listen to, whether to speak to the kid in the seat next to you, whether to give up your lunch money — are laden with potential political, social and racial disaster. This is the story of 1990s America, when no one cared anymore.

This is the story of punk, that easy white rebellion, and crack, that monstrous plague. This is the story of the loneliness of the avant-garde artist and the exuberance of the graffiti artist.

This is the story of what would happen if two teenaged boys obsessed with comic book heroes actually had superpowers: They would screw up their lives.

This is the story of joyous afternoons of stickball and dreaded years of schoolyard extortion. This is the story of belonging to a society that doesn't accept you. This is the story of prison and of college, of Brooklyn and Berkeley, of soul and rap, of murder and redemption.

This is the story Jonathan Lethem was born to tell. This is The Fortress of Solitude.

Review:

"[E]motionally compelling....Transcending category while defying expectation, the book starts out sounding like Richard Price, morphs into an unlikely Nick Hornby-Michael Chabon hybrid and resolves itself as only a Jonathan Lethem novel can." Don McLeese, Book Magazine

Review:

"Lethem is a tremendous writer, and in the first half he uses magnificent language to capture the complexity of a child's worldview....[T]his often-excellent novel labors under the weight of its ambition." Booklist

Review:

"[D]azzling but fundamentally flawed...at once wildly ambitious and quietly intimate....Mr. Lethem has written a novel with many defects, but a novel that nonetheless attests to his potent storytelling talents." Michiko Kakutani, The New York Times

Review:

"[S]prawling, ambitious....[W]hile Lethem is an impressively savvy writer on race, women come and go without adding much weight to his story. This flawed but daring work is recommended for all general collections." Library Journal

Review:

"Lethem has done a number of things here, any one of which is impossible for any but the very finest novelists. He has vividly and lovingly and truthfully, through thrilling evocation of its music, its popular culture, its street games, argot, pharmacology, social mores and racial politics, recreated a world, a moment in history that I would have thought lost and irrecoverable. He has created, in young Dylan, a genuine literary hero. He has reinvented and reinvigorated the myths of the superhero, of black-white relations, of New York City itself. But most of all, from my point of view, he captures precisely — as only a great novelist can — how it feels to love the world that is, on a daily basis, kicking your ass." Michael Chabon, Pulitzer Prize-winning author of The Amazing Adventures of Kavalier and Clay and Wonder Boys

Review:

"The Fortress of Solitude is luminous, stinging with truth and life. A story of two boys, a Brooklyn story, an American story that gives in its very specificity the force of the universal." Paula Fox, author of Desperate Characters and Borrowed Finery

Review:

"[C]onfirms Lethem's status as the poet of Brooklyn....[S]tunning, disturbing and authoritatively observed....Scary and funny and seriously surreal, the novel hurtles on a trajectory that feels inevitable." Publishers Weekly

Review:

"[B]ig, personal, sometimes breathtaking, and sometimes disappointing....[T]errifically entertaining: a fine, rich, thoughtful novel from one of our best writers." Kirkus Reviews

Review:

"[A] stunner...flawlessly evoked, original, and vividly imagined....The final 200 pages maunder, deflate, and stumble through time....As long as Fortress stays earthbound, it soars. (Grade: B+)" Mark Harris, Entertainment Weekly

About the Author

Jonathan Lethem is the author of five novels, including Gun, With Occasion Music, and Girl in Landscape. His most recent, Motherless Brooklyn, was named Novel of the Year by Esquire and won The National Book Critics Circle Award and the Salon Book Award. He is also the author of the story collection, The Wall of the Sky, the Wall of the Eye and the novella This Shape We?re In. He edited The Vintage Book of Amnesia, guest-edited The Year?s Best Music Writing 2002, and was the founding fiction editor of Fence Magazine. His writings have appeared in The New Yorker, Rolling Stone, McSweeney?s, and many other periodicals. He lives in Brooklyn, New York.

What Our Readers Are Saying

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Average customer rating based on 1 comment:

pepsibabi1717, September 9, 2006 (view all comments by pepsibabi1717)
The Fortress of Solitude by Jonathan Lethem can be called "ambitious" but i call it just plain perverted. No offense but I don't want to know about two young boys giving each other hand jobs and talking about having oral sex. Even if all the the sexual content was taken out then you would still have the profaine language which is not necissary. To go one step further if you take out the profaine language you are left with confusing writting and way too many metaphors and alliterations. If you were to take out everything bad in the book you would be left with the front cover.

Was this comment helpful? | Yes | No
(16 of 55 readers found this comment helpful)

Product Details

ISBN:
9780385500692
Author:
Lethem, Jonathan
Publisher:
Random House
Author:
Lethem, Jonathan
Location:
New York
Subject:
General
Subject:
Literary
Subject:
Race relations
Subject:
Teenage boys
Subject:
Male friendship
Subject:
Brooklyn
Subject:
Bildungsromans
Copyright:
Edition Number:
1st ed.
Series Volume:
GTR-134
Publication Date:
September 2003
Binding:
Hardcover
Language:
English
Pages:
528
Dimensions:
9.52x6.50x1.33 in. 1.82 lbs.

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Related Subjects

Fiction and Poetry » Literature » A to Z
Fiction and Poetry » Science Fiction and Fantasy » A to Z

The Fortress of Solitude Used Hardcover
0 stars - 0 reviews
$7.95 In Stock
Product details 528 pages Doubleday Books - English 9780385500692 Reviews:
"Review A Day" by , "[A] novel of boundless energy and startling insight about the conundrum adults impose on children by demanding that they live the ideal of integration that we've been unable to demonstrate ourselves....Lethem's mock-heroic voice, full of innocence and mischief, perfectly captures the challenges of childhood, the desperation to belong, the acute sensitivity to embarrassment, the unquestioning endurance of adults' absurd behavior....This is daring stuff, as dazzling for its style as for its politics." (read the entire CSM review)
"Review A Day" by , "Lethem is the new poet of Brooklyn — the new Whitman, even, whose bold imagination and sheer love of words defy all forms and expectations and place him among this country's foremost novelists....To say that Lethem bends the rules, pushes the envelope and extends the possibilities of fiction is to state only part of the case. He's defiant, delicious, in his refusal to be pinned....The book is a Bildungsroman in the exact sense, the story of Dylan's self-development in the context of place and time. It's also a comedy, a history and a fantasy, where the strange and supernatural mix freely with the solid and austere, as they do in life, in memory, in everyone's autobiography." (read the entire Salon review)
"Review A Day" by , "[I]n Dylan and Mingus's relationship, Lethem has created a profound, sad, and perfectly crafted story." (read the entire Esquire review)
"Review A Day" by , "There is a genuine atmosphere of cognitive novelty; Lethem manages to combine childish innocence and adult knowingness (not just childish knowingness) in ways that ought to fail but invariably delight and intrigue.

And Lethem delights and intrigues in the end because, while a perfectly adept theorizer, he is a much better painter. His street scenes, his pictures from childhood, have a true coloration; they are drawn, not just spoken....Alas, the thirtysomething Dylan turns out to be a vague character; he talks like Lethem's prose, which is pleasant when the prose is good, but is hardly very distinguishing....It as if the delicate balance of the novel's earlier style has been turned inside out." James Wood, The New Republic (read the entire New Republic review)

"Review" by , "[E]motionally compelling....Transcending category while defying expectation, the book starts out sounding like Richard Price, morphs into an unlikely Nick Hornby-Michael Chabon hybrid and resolves itself as only a Jonathan Lethem novel can."
"Review" by , "Lethem is a tremendous writer, and in the first half he uses magnificent language to capture the complexity of a child's worldview....[T]his often-excellent novel labors under the weight of its ambition."
"Review" by , "[D]azzling but fundamentally flawed...at once wildly ambitious and quietly intimate....Mr. Lethem has written a novel with many defects, but a novel that nonetheless attests to his potent storytelling talents."
"Review" by , "[S]prawling, ambitious....[W]hile Lethem is an impressively savvy writer on race, women come and go without adding much weight to his story. This flawed but daring work is recommended for all general collections."
"Review" by , "Lethem has done a number of things here, any one of which is impossible for any but the very finest novelists. He has vividly and lovingly and truthfully, through thrilling evocation of its music, its popular culture, its street games, argot, pharmacology, social mores and racial politics, recreated a world, a moment in history that I would have thought lost and irrecoverable. He has created, in young Dylan, a genuine literary hero. He has reinvented and reinvigorated the myths of the superhero, of black-white relations, of New York City itself. But most of all, from my point of view, he captures precisely — as only a great novelist can — how it feels to love the world that is, on a daily basis, kicking your ass." Michael Chabon, Pulitzer Prize-winning author of The Amazing Adventures of Kavalier and Clay and Wonder Boys
"Review" by , "The Fortress of Solitude is luminous, stinging with truth and life. A story of two boys, a Brooklyn story, an American story that gives in its very specificity the force of the universal."
"Review" by , "[C]onfirms Lethem's status as the poet of Brooklyn....[S]tunning, disturbing and authoritatively observed....Scary and funny and seriously surreal, the novel hurtles on a trajectory that feels inevitable."
"Review" by , "[B]ig, personal, sometimes breathtaking, and sometimes disappointing....[T]errifically entertaining: a fine, rich, thoughtful novel from one of our best writers."
"Review" by , "[A] stunner...flawlessly evoked, original, and vividly imagined....The final 200 pages maunder, deflate, and stumble through time....As long as Fortress stays earthbound, it soars. (Grade: B+)"
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