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How Equal Temperament Ruined Harmony: And Why You Should Care

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How Equal Temperament Ruined Harmony: And Why You Should Care Cover

 

Synopses & Reviews

Publisher Comments:

'Ross W. Duffin presents an engaging and elegantly reasoned expos of musical temperament and its impact on the way in which we experience music. A historical narrative, a music theory lesson, and, above all, an impassioned letter to musicians and listeners everywhere, How Equal Temperament Ruined Harmonypossesses the power to redefine the very nature of our interactions with music today.

For nearly a century, equal temperament\'\"the practice of dividing an octave into twelve equally proportioned half-steps\'\"has held a virtual monopoly on the way in which instruments are tuned and played. In his new book, Duffin explains how we came to rely exclusively on equal temperament by charting the fascinating evolution of tuning through the ages. Along the way, he challenges the widely held belief that equal temperament is a perfect, \'naturally selected\' musical system, and proposes a radical reevaluation of how we play and hear music.'

Synopsis:

"A fascinating and genuinely accessible guide....Educating, enjoyable, and delightfully unscary."--Classical Music

Synopsis:

What if Bach and Mozart heard richer, more dramatic chords than we hear in music today? What sonorities and moods have we lost in playing music in "equal temperament"--the equal division of the octave into twelve notes that has become our standard tuning method? Thanks to How Equal Temperament Ruined Harmony, "we may soon be able to hear for ourselves what Beethoven really meant when he called B minor 'black'" (Wall Street Journal).

In this "comprehensive plea for more variety in tuning methods" (Kirkus Reviews), Ross W. Duffin presents "a serious and well-argued case" (Goldberg Magazine) that "should make any contemporary musician think differently about tuning" (Saturday Guardian).

About the Author

Ross W. Duffin, the Fynette H. Kulas Professor of Music at Case Western Reserve University, is the author of the award-winning Shakespeare's Songbook. He lives in Shaker Heights, Ohio.

Product Details

ISBN:
9780393334203
Author:
Duffin, Ross W
Publisher:
W. W. Norton & Company
Author:
Duffin, Ross W.
Subject:
Instruction & Study - Theory
Subject:
History & Criticism - General
Subject:
Genres & Styles - Classical
Subject:
Classical
Subject:
Theory
Subject:
Music-Theory and Composition
Copyright:
Publication Date:
20081031
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Illustrations:
48 illustrations
Pages:
208
Dimensions:
8.26x5.54x.52 in. .38 lbs.

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Related Subjects

Arts and Entertainment » Art » Sale Books
Arts and Entertainment » Music » Genres and Styles » Classical
Arts and Entertainment » Music » History and Criticism
Arts and Entertainment » Music » Instruction and Study » Harmony
Arts and Entertainment » Music » Instruction and Study » Theory
Arts and Entertainment » Music » Instruction and Study » Theory and Composition
Arts and Entertainment » Music » Instruments » General
Featured Titles » General
History and Social Science » World History » General
Religion » Comparative Religion » General

How Equal Temperament Ruined Harmony: And Why You Should Care New Trade Paper
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$15.95 In Stock
Product details 208 pages W. W. Norton & Company - English 9780393334203 Reviews:
"Synopsis" by , "A fascinating and genuinely accessible guide....Educating, enjoyable, and delightfully unscary."--Classical Music
"Synopsis" by , What if Bach and Mozart heard richer, more dramatic chords than we hear in music today? What sonorities and moods have we lost in playing music in "equal temperament"--the equal division of the octave into twelve notes that has become our standard tuning method? Thanks to How Equal Temperament Ruined Harmony, "we may soon be able to hear for ourselves what Beethoven really meant when he called B minor 'black'" (Wall Street Journal).

In this "comprehensive plea for more variety in tuning methods" (Kirkus Reviews), Ross W. Duffin presents "a serious and well-argued case" (Goldberg Magazine) that "should make any contemporary musician think differently about tuning" (Saturday Guardian).

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