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Hard Core: Power, Pleasure, & the "Frenzy of the Visible"

Hard Core: Power, Pleasure, & the "Frenzy of the Visible" Cover

 

Synopses & Reviews

Publisher Comments:

In this unprecedented and brilliant study, Linda Williams moves beyond the impasse of anti-porn/anti-censorship position-taking to analyze what hard-core film pornography is and does--as a genre with a history, as a specific cinematic form, and as part of contemporary discourse on sexuality. Working against tendencies to oversimplify hard core--either as pure abusive power or pure liberatory pleasure--Williams sees the form as inherently contradictory. Hard core claims to speak confessional and involuntary "truths" of sex. However, analysis of its forms (including its spectacular "money shots" and sexual "numbers" parallel to those in musicals) reveals that sex in the sense of a natural, visible "doing what comes naturally" is in fact the supreme and deeply contradictory fiction of the genre. Gender, the social construction of the relation between the sexes, is what determines this fiction.

For most of its history, pornography has been for men and about women. Yet in hard core's attempt to solve the riddles of sex with more, different, or better sex, the monolith of masculine pleasure breaks down and the possibility of women using pornography for their own purposes begins to emerge. To this end, Williams traces the roots of contemporary hard core's quest to see the "truth" of sex back to the origins of cinema itself--in motion studies of women's bodily movements. She then follows the generic development of hard core through its silent, primitive stag form and into feature-length narratives like Deep Throat and Behind the Green Door, up to its recent sadomasochistic and "couples market" permutations--showing how the form has begun to respond and react to changing gender relations. Neither a defense of what pornography has been nor a utopian dream of what it should be, this daring book refuses simply to scapegoat the form as the cause of all our ills. Instead, Williams utilizes the insights of recent studies of mass culture to show that hard core is a discourse, a genre, and a rhetoric that can only be understood through comparison with, rather than separation from, other forms.

Synopsis:

In this now-classic study, Linda Williams moves beyond the impasse of the anti-porn/anti-censorship debate to analyze what hard-core film pornography is and does--as a genre with a history, as a specific cinematic form, and as part of contemporary discourse on sexuality. For the 1999 edition, Williams has written a new preface and a new epilogue, "On/scenities," illustrated with 25 photographs. She has also added a supplementary bibliography.

Description:

Includes bibliographical references (p. [297]-310) and index.

About the Author

Linda Williams is Professor of Film Studies at the University of California, Berkeley, and the author of Figures of Desire: A Theory and Analysis of Surrealist Film (California, 1981) and editor of Viewing Positions: Ways of Seeing Film (1995).

Product Details

ISBN:
9780520066533
Subtitle:
Power, Pleasure, and the "Frenzy of the Visible"
Publisher:
University of California Press
Author:
Williams, Linda
Location:
Berkeley :
Subject:
Pornography
Subject:
Erotic films
Subject:
Sex in motion pictures
Subject:
General Performing Arts
Subject:
Film - General
Edition Description:
Trade paper
Series Volume:
no. 51
Publication Date:
19910114
Binding:
Paperback
Grade Level:
General/trade
Illustrations:
Yes
Pages:
342
Dimensions:
9 x 6 x 1 in 19 oz

Related Subjects

Arts and Entertainment » Film and Television » Ethnicity and Gender
Arts and Entertainment » Film and Television » General
History and Social Science » Feminist Studies » Sex Industry

Hard Core: Power, Pleasure, & the "Frenzy of the Visible"
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Product details 342 pages University of California Press - English 9780520066533 Reviews:
"Synopsis" by , In this now-classic study, Linda Williams moves beyond the impasse of the anti-porn/anti-censorship debate to analyze what hard-core film pornography is and does--as a genre with a history, as a specific cinematic form, and as part of contemporary discourse on sexuality. For the 1999 edition, Williams has written a new preface and a new epilogue, "On/scenities," illustrated with 25 photographs. She has also added a supplementary bibliography.
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