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Recording Conceptual Art: Early Interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson, Weiner

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Recording Conceptual Art: Early Interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson, Weiner Cover

 

Synopses & Reviews

Publisher Comments:

"Reading the interviews gathered by Patricia Norvell more than thirty years ago is like opening one of the time capsules Steven Kaltenbach made at around the same time and discusses here. It makes one feel nostalgic for these uncompromising times-so much has changed, so fast! One should be immensely grateful to Norvell for her undertaking and, paradoxically, for the long delay in the publication of these conversations: nothing could have better highlighted the candor and commitment of the artists who participated in this project than their willingness, long after the fact, to let their youthful voices be heard unedited. This is a precious document that casts a fresh light on the early history of Conceptual art, revealing all the doubts and uncertainties its practitioners had to overcome."—Yve-Alain Bois, Harvard University

"These interviews, full of the rich texture and confusion of an art movement at its inception, began as a "process piece" in mid-1969 when formalism still seemed worth defeating. The artists, tired of talking about turpentine, struggle to extend the rhetoric of form, and as they do so, reveal their roles as theorists and philosophers of a newly cerebral art, Conceptualism. Alberro's helpful introduction frames both Norvell's provocative questions and the surprising responses in a useful book that continues the process of historicizing 20th century art."—Caroline Jones, author of Machine in the Studio

"The contemporary interviews collected in this volume shift the ground on which conceptualism in the United States should be understood. The middle months of 1969 were a time of artistic and social unease when artists were anxious to test-and occasionally to declaim, as the interviews demonstrate-ideas in conversation with a sympathetic interlocutor. Patricia Norvell proves to have been an ideal listener. She knew conceptualism well enough to keep the conversations honest, but not so well as to make the artists defensive and wary. The artists had things to say, and were not afraid to put themselves out on a limb."—John O'Brian, Professor of Art History, University of British Columbia

"A key document of the late 1960s avant-garde."—James Meyer, Emory University

"[This book is] a reminder that the project of Conceptual art and its artists' reasons for refusing the object of art were far from monolithic. The differences that emerge in the interviews are spoken in voices that are still fresh and particular, but each voice and position is tied to the moment of the late 1960s, from stoned mysticism to philosophical idealism, from political optimism to materialist critique."—Howard Singerman, author of Art Subjects

Synopsis:

In early 1969, MFA student Patricia Norvell interviewed ten conceptual artists and one art dealer in NYC. This book publishes nine of those interviews for the first time. Norvell skillfully elicited their thoughts (sometimes pithy, sometimes diffuse) at a formative moment in American art. Some of these artists have become major figures in conceptual art.

Synopsis:

Recording Conceptual Art features a highly provocative series of previously unpublished interviews conducted in early 1969 with some of the most dynamic, daring, and innovative artists of the tumultuous 1960s. The nine individuals—eight artists and one art dealer—are now known as major contributors to Conceptual art. These fascinating dialogues, conducted by Patricia Norvell, provide tantalizing moments of spontaneous philosophizing and brilliant insights, as well as moments of unabashed self-importance, with highly imaginative and colorful individuals.

About the Author

Alexander Alberro is Assistant Professor of Modern Art at the University of Florida. He is coeditor of Conceptual Art: A Critical Anthology (1999) and editor of Two-Way Mirror Power: Selected Writings by Dan Graham on His Art (1999). Patricia Norvell is an artist living in New York City. Her work has appeared widely in public spaces and galleries across the United States. She has taught at Columbia University, Hunter College, and other institutions.

Table of Contents

List of Illustrations

Acknowledgments

Preface by Patricia Norvell

Introduction by Alexander Alberro

Introduction to Eleven Interviews by Patricia Norvell

Note on the Interviews

Dennis Oppenheim, March 29, 1969

Seth Siegelaub, April 17, 1969

Robert Morris, May 16, 1969

Stephen Kaltenbach, May 24, 1969

Robert Barry, May 30, 1969

Lawrence Weiner, June 3, 1969

Sol LeWitt, June12, 1969

Robert Smithson, June 20, 1969

Douglas Huebler, July 25, 1969

Index

Product Details

ISBN:
9780520220119
Editor:
Alberro, Alexander
Editor:
Norvell, Patricia
Editor:
Alberro, Alexander
Editor:
Norvell, Patricia
Author:
Norvell, Patricia
Author:
Alberro, Alexander
Author:
Norvell, Patsy
Publisher:
University of California Press
Location:
Berkeley
Subject:
Reference
Subject:
United states
Subject:
Artists
Subject:
Conceptual
Subject:
Conceptual art
Subject:
Art - General
Edition Description:
Trade paper
Series Volume:
no. PHS 99-1150-4
Publication Date:
20010231
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Illustrations:
39 b/w photographs
Pages:
177
Dimensions:
10 x 7 x 0.38 in 0.15 lb

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Related Subjects

Arts and Entertainment » Art » General
Arts and Entertainment » Art » Post War
Arts and Entertainment » Art » Reference
Health and Self-Help » Health and Medicine » Nursing
History and Social Science » World History » General

Recording Conceptual Art: Early Interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson, Weiner New Trade Paper
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Product details 177 pages University of California Press - English 9780520220119 Reviews:
"Synopsis" by , In early 1969, MFA student Patricia Norvell interviewed ten conceptual artists and one art dealer in NYC. This book publishes nine of those interviews for the first time. Norvell skillfully elicited their thoughts (sometimes pithy, sometimes diffuse) at a formative moment in American art. Some of these artists have become major figures in conceptual art.
"Synopsis" by ,
Recording Conceptual Art features a highly provocative series of previously unpublished interviews conducted in early 1969 with some of the most dynamic, daring, and innovative artists of the tumultuous 1960s. The nine individuals—eight artists and one art dealer—are now known as major contributors to Conceptual art. These fascinating dialogues, conducted by Patricia Norvell, provide tantalizing moments of spontaneous philosophizing and brilliant insights, as well as moments of unabashed self-importance, with highly imaginative and colorful individuals.
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