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Seurat and the Making of La Grande Jatte

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Seurat and the Making of La Grande Jatte Cover

 

Synopses & Reviews

Publisher Comments:

"The miracle of La Grande Jatte is its coincidence of critical distinction and popular celebration. High, low, mass, and popular cultures meet in mutual delight, continuing to revel in the mysteries of that Parisian Sunday."and#151;from "The Park in the Museum" by Neil Harris

"Bedlam," "scandal," and "hilarity" were among the epithets used to describe the effect of what is now considered Georges Seurat's greatest work, and one of the most remarkable paintings of the nineteenth century, when it was first exhibited in Paris in 1886. A Sunday on La Grande Jatteand#151;1884, an extensive landscape peopled with over forty figures, took the artist almost two years to complete. This sumptuous book, created to accompany a major exhibition at the Art Institute of Chicago, provides a fascinating, in-depth examination of the gestation, execution, and influence of Seurat's masterpiece.

La Grande Jatte has been part of the Art Institute of Chicago's collection since 1926. Bringing together all known studies and drawings directly related to the painting, this volume provides a visual and contextual survey of Seurat's working methods and aesthetic priorities, as well as the evolutionary process that culminated in his singular achievement. Included are more than fifty-five preparatory works, ranging from rich contand#233; crayon drawings to oil sketches on small wood panels to larger studies painted on canvas. In their quantity, intricacy, and variety, these works reveal a compositional process that harks back to Old Master traditions and methods, which had been largely abandoned by Seurat's immediate predecessors, the Impressionists. The many studies attest to the artist's ambitions for his masterpiece and open up a broader context for understanding the work.

Seurat scholar Robert L. Herbert makes new revelations about the painting's relationship to its preparatory studies, stressing Seurat's empirical craftmanship. He compares La Grande Jatte to paintings by Monet, Renoir, Pissarro, and Signac and analyzes the ways that twentieth-century critics, including Meyer Schapiro, T.J. Clark, and Linda Nochlin, have viewed the picture. He proposes that the enduring fascination of the famous canvas comes from Seurat's mixture of fashion and irony. Also giving new perspectives in this book, the noted cultural historian Neil Harris charts how and why La Grande Jatte attained its revered status at the Art Institute of Chicago and throughout the United States. Additionally, the exhibition's cocurators examine the painting's place in the museum's collection. Essays by Art Institute conservators show how Seurat transferred and altered figures from studies to final canvas and elucidate the exact nature of his pigments and brushwork. Color scientist Roy Berns traces the efforts to digitally recapture the original hues of Seurat's time-altered masterpiece. A landmark publication, this book provides dazzling proof of why La Grande Jatte is among the most frequently reproduced paintings in the world and why it continues to fascinate scholars and art lovers today.

Book News Annotation:

Greeted initially with derision, Seurat's painting was first exhibited in Paris in 1886, and became part of the Art Institute of Chicago's collection in 1926; now, as one of the most well-loved, well-studied, and frequently reproduced paintings, it resides in the mind's eye of much of the art-aware public. A 2004 exhibition at the Art Institute brought together more than 55 preparatory works, ranging from small sketches to larger paintings, offering a rich view of the artist's compositional process. Along with the exhibited images and discussion of each, this volume presents an illustrated, in-depth essay by art historian Robert L. Herbert on the context and genesis of La Grande Jatte and several shorter essays on Seurat's working process, materials, and techniques. A final section looks at the development of the painting as an icon. Back matter includes a catalogue of all known works related to the painting and a checklist of the exhibition. The volume is oversize: 10.5x11". It is distributed by the U. of California Press.
Annotation 2004 Book News, Inc., Portland, OR (booknews.com)

Synopsis:

Created to accompany a major exhibition at the Art Institute of Chicago, this text provides an in-depth examination of the gestation, execution and influence of Seurat's masterpiece - 'La Grande Jatte'.

Synopsis:

"The miracle of La Grande Jatte is its coincidence of critical distinction and popular celebration. High, low, mass, and popular cultures meet in mutual delight, continuing to revel in the mysteries of that Parisian Sunday."and#151;from "The Park in the Museum" by Neil Harris

About the Author

Robert L. Herbert is Andrew W. Mellon Professor Emeritus of Humanities at Mount Holyoke College. Among his publications are Seurat's Drawings (1962), Impressionism: Art, Leisure, and Parisian Society (1988), Monet on the Normandy Coast: Tourism and Painting (1994), Nature's Workshop: Renoir's Writings on the Decorative Arts (2000), and Seurat: Drawings and Paintings (2001). Neil Harris is Preston and Sterling Morton Professor of History at the University of Chicago. Among his publications is Chicago's Dream, a World's Treasure: The Art Institute of Chicago, 1893-1993 (1993).

Product Details

ISBN:
9780520242111
Manufactured:
Druick, Douglas W.
Contribution:
Groom, Gloria
Contribution by:
Druick, Douglas W.
Contribution by:
Groom, Gloria
Contribution:
Druick, Douglas W.
Contribution:
Groom, Gloria
Author:
Groom, Gloria
Author:
Langley, Allison
Author:
Zuccari, Frank
Author:
Fiedler, Inge
Author:
Herbert, Robert L.
Author:
Druick, Douglas W.
Author:
Berns, Roy S.
Author:
Harris, Neil
Publisher:
University of California Press
Location:
Chicago
Subject:
General
Subject:
History - General
Subject:
History : General
Subject:
Art-History and Criticism
Copyright:
Edition Number:
1st ed.
Edition Description:
Trade paper
Series Volume:
v. 18
Publication Date:
20040731
Binding:
TRADE PAPER
Grade Level:
General/trade
Language:
English
Illustrations:
307 color and 64 black-and-white illustr
Pages:
288
Dimensions:
10 x 11.5 x 0.88 in 59 oz

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Related Subjects

Arts and Entertainment » Art » Artists
Arts and Entertainment » Art » General
Arts and Entertainment » Art » History and Criticism
Arts and Entertainment » Art » Theory and Criticism
History and Social Science » World History » European History General

Seurat and the Making of La Grande Jatte Used Trade Paper
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Product details 288 pages University of California Press - English 9780520242111 Reviews:
"Synopsis" by , Created to accompany a major exhibition at the Art Institute of Chicago, this text provides an in-depth examination of the gestation, execution and influence of Seurat's masterpiece - 'La Grande Jatte'.
"Synopsis" by ,
"The miracle of La Grande Jatte is its coincidence of critical distinction and popular celebration. High, low, mass, and popular cultures meet in mutual delight, continuing to revel in the mysteries of that Parisian Sunday."and#151;from "The Park in the Museum" by Neil Harris
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