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25 Remote Warehouse Drama- History and Criticism

Other titles in the Cambridge Studies in American Theatre and Drama series:

A History of African American Theatre

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A History of African American Theatre Cover

 

Synopses & Reviews

Publisher Comments:

This is the first definitive history of African-American theatre. The text embraces a wide geography investigating companies from coast to coast as well as the anglophone Caribbean and African-American companies touring Europe, Australia, and Africa. This history represents a catholicity of styles - from African ritual born out of slavery to European forms, from amateur to professional. It covers nearly two and a half centuries of black performance and production with issues of gender, class, and race ever in attendance. The volume encompasses aspects of performance such as minstrel, vaudeville, cabaret acts, musicals and opera. Shows by white playwrights that used black casts, particularly in music and dance, are included, as are productions of western classics and a host of Shakespeare plays. The breadth and vitality of black theatre history, from the individual performance to large-scale company productions, from political nationalism to integration, is conveyed in this volume.

Synopsis:

This is the story of African-American performance and theatre from slavery to the present. Its breadth and vitality - from the individual performance to large-scale company productions, from political nationalism to integration - is conveyed in this volume. There is detailed coverage of plays, musicals, actors, directors, designers, producers, and theatres.

Synopsis:

This definitive history of African-American theatre embraces companies from across the U.S., as well as the anglophone Caribbean and African-American companies touring Europe, Australia and Africa. Representing a catholicity of styles, from African ritual to European forms, amateur to professional, and political nationalism to integration, the volume covers all aspects of performance. It includes minstrel, vaudeville, and cabaret acts, as well as shows written by whites that used black casts.

Synopsis:

The first definitive account of African-American performance and theatre from slavery to the present.

About the Author

Professor Emeritus, Theatre Department, Dartmouth College, Hanover, New Hampshire.Professor Emeritus in the Graduate Theatre Program at the City University of New York.

Table of Contents

List of illustrations; Foreword Lloyd G. Richards; Preface James V. Hatch; Acknowledgments; List of abbreviations; Introduction Errol G. Hill; 1. Slavery and conquest: background to black theatre Errol G. Hill; 2. The African Theatre to Uncle Tom's Cabin Erroll G. Hill; 3. The Civil War to The Creole Show Errol G. Hill; 4. The American minstrelsy in black and white James V. Hatch; 5. New vistas: plays, spectacles, musicals, and opera Errol G. Hill; 6. The struggle continues Errol G. Hill and James V. Hatch; 7. The Harlem Renaissance James V. Hatch; 8. Educational theatre James V. Hatch and Errol G. Hill; 9. The Caribbean connection Errol G. Hill; 10. The Great Depression and Federal Theatre James V. Hatch; 11. Creeping toward integration James V. Hatch; 12. From Hansberry to Shange James V. Hatch; 13. The Millennium James V. Hatch; Appendix: Theatre scholarship at the year 2002; Bibliography; Index.

Product Details

ISBN:
9780521624725
Editor:
Wilmeth, Don B.
Publisher:
Cambridge University Press
Editor:
Wilmeth, Don B.
Author:
Hill, Errol G.
Author:
Hatch, James V.
Author:
Hill, Errol
Author:
Wilmeth, Don B.
Location:
Cambridge
Subject:
History
Subject:
Theater - General
Subject:
Intellectual life
Subject:
Theater - History & Criticism
Subject:
American drama
Subject:
Ethnic Studies - African American Studies - General
Subject:
African Americans - Intellectual life
Subject:
American drama - African American authors -
Subject:
Drama -- History and criticism.
Subject:
American
Edition Number:
1
Edition Description:
Trade paper
Series:
Cambridge Studies in American Theatre and Drama
Series Volume:
18
Publication Date:
20050931
Binding:
TRADE PAPER
Grade Level:
Professional and scholarly
Language:
English
Illustrations:
43 b/w illus.
Pages:
632
Dimensions:
8.94x6.10x1.47 in. 2.15 lbs.

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Related Subjects

Arts and Entertainment » Drama » American Anthology
Arts and Entertainment » Drama » History and Criticism
Arts and Entertainment » Drama » History and Theory
History and Social Science » African American Studies » General
Religion » Comparative Religion » General

A History of African American Theatre New Trade Paper
0 stars - 0 reviews
$66.25 In Stock
Product details 632 pages Cambridge University Press - English 9780521624725 Reviews:
"Synopsis" by , This is the story of African-American performance and theatre from slavery to the present. Its breadth and vitality - from the individual performance to large-scale company productions, from political nationalism to integration - is conveyed in this volume. There is detailed coverage of plays, musicals, actors, directors, designers, producers, and theatres.
"Synopsis" by , This definitive history of African-American theatre embraces companies from across the U.S., as well as the anglophone Caribbean and African-American companies touring Europe, Australia and Africa. Representing a catholicity of styles, from African ritual to European forms, amateur to professional, and political nationalism to integration, the volume covers all aspects of performance. It includes minstrel, vaudeville, and cabaret acts, as well as shows written by whites that used black casts.
"Synopsis" by , The first definitive account of African-American performance and theatre from slavery to the present.
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